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53-0114600 | |
Legal status | 501(c)(6) |
Location | |
President | Curtis LeGeyt |
Revenue | $92,404,239 (2020) [1] |
Website | www |
The National Association of Broadcasters (NAB) is a trade association and lobby group representing the interests of commercial and non-commercial over-the-air radio and television broadcasters in the United States. The NAB represents more than 8,300 terrestrial radio and television stations as well as broadcast networks.
As of 2022, the president and CEO of the NAB is Curtis LeGeyt. [2]
The NAB was founded as the National Association of Radio Broadcasters (NARB) in April 1923 at the Drake Hotel in Chicago. The association's founder and first president was Eugene F. McDonald Jr., who also launched the Zenith corporation. [3] In 1951 it changed its name to the National Association of Radio and Television Broadcasters (NARTB) to include the television industry. In 1958 it adopted its current name, "National Association of Broadcasters". [4]
The NAB worked to establish a commercial radio system in the United States. The system was set up in August 1928 with the establishment of General Order 40—a radio reallocation scheme by the Federal Radio Commission which awarded the choicest frequencies and broadcast times to the then-emerging commercial radio industry. In the wake of General Order 40, a loose coalition of educators, nonprofit broadcasters, labor unions, and religious groups coalesced to oppose the NAB and their allies through the 1920s and 1930s, and to develop a public, nonprofit, license-funded radio system without commercials (similar to what happened with the BBC). The coalition claimed that the commercial industry would only promote profitable programming, thereby reducing the quality and future potential of radio broadcasting.
Not having the political connections, resources, or publicity of the NAB and the commercial radio industry, the non-profit coalition eventually lost the fight with the passage of the Communications Act of 1934. [5]
The National Independent Broadcasters were formed in 1939 as part of the NAB, to represent stations that were not associated with any network, but the group split off in 1941. [6] [7]
Many satellite radio enthusiasts have criticized the NAB for lobbying against legislation approvals for those services. The NAB protested the FCC's approval of both satellite radio services in the United States—XM and Sirius—and furthermore criticized the 2008 merger of the two companies, calling the merged company a "potential monopoly". [8]
In 2005, the NAB, together with the Association for Maximum Service Television Stations, Inc. (MSTV), commenced development of a prototype high quality, low cost digital-to-analog converter box for terrestrial digital television reception. [9] The result of this project was a specification for the converter box, which was then adopted by the National Telecommunications and Information Administration as a technical requirement for eligible converter boxes for the Administration's Digital-to-Analog Converter Box Coupon Program.
The NAB has lobbied against the use of white spaces, unused broadcast spectrum lying between broadcast channels, for wireless broadband internet and other digital use. The NAB has claimed that use of white space will interfere with existing broadcast spectrum, even though tests by the Federal Communications Commission at levels far stronger than that being advocated for in policy circles have not supported such claims. [10] Indeed, the FCC has recommended the use of white spaces for broadband and other digital use. [11] In 2011 the NAB funded an advertising campaign titled "The Future of TV", [12] advocating for the private ownership of the spectrum, framed as a threat to free television.
In mid-2014, an NAB advertising campaign against a Congressional threat appeared, advocating viewers to defeat a cable-TV lobby. [13] [14]
NAB's annual spring convention is the NAB Show. It typically draws over 100,000 industry professionals. [15] NAB also manages the NAB Radio Show which is held each autumn and draws over 3,000 radio professionals. At the 2010 and 2011 NAB shows, popular technology included stereoscopic video and editing software—a demand inspired by James Cameron's Avatar ; point-of-view cameras, and DSLR cameras boasting shallow Depth of Field. Other strides in nonlinear editing technology included archival film restoration, digital audio mixing improvements, motion stabilization of hand-held footage and rotoscoping with one click.
The annual NAB Show returned to Las Vegas April 23-27, 2022, after a two-year absence due to the COVID-19 pandemic. Preliminary attendance figures indicated the show attracted more than 50,000 visitors from 155 countries. [16]
In 1952, the NAB created the Code of Practices for Television Broadcasters, which banned profanity, the negative portrayal of family life, irreverence for God and religion, illicit sex, drunkenness and biochemical addiction, presentation of cruelty, detailed techniques of crime, the use of horror for its own sake, and the negative portrayal of law enforcement officials, among others. [17] It was enforced by a committee appointed by President of the NAB. [18]
After the courts struck down the Code as unconstitutional in 1983, the NAB board of directors issued a brief "Statement of Principles of Radio and Television Broadcasters" that encourages broadcasters to "exercise responsible and careful judgment" in the selection of material relating to violence, drug abuse, and sex. [19]
On March 1, 2022 the NAB called "on broadcasters to cease carrying any state-sponsored programming with ties to the Russian government" in response to the Russian invasion of Ukraine the week prior. [20]
Year | Television | Radio |
---|---|---|
2000 | Saturday Night Live | Tom Joyner |
2001 | Ted Koppel | "Cousin Brucie" Bruce Morrow |
2002 | Rowan and Martin's Laugh-In | Dick Orkin |
2003 | Walt Disney anthology television series | Scott Shannon |
2004 | Roger King | Mormon Tabernacle Choir "Music and the Spoken Word" |
2005 | The Tonight Show | Jack Buck |
2006 | Regis Philbin | Dick Purtan |
2007 | Meet the Press | Rick Dees |
2008 | Bob Barker | Larry Lujack |
The NAB presents several annual awards:
Organizations similar to the NAB exist in individual U.S. states, including Georgia Association of Broadcasters (GAB) in Georgia, and the Illinois Broadcasters Association (IBA), in Illinois. In Canada, the Canadian Association of Broadcasters (CAB) has a similar role.
Digital television (DTV) is the transmission of television signals using digital encoding, in contrast to the earlier analog television technology which used analog signals. At the time of its development it was considered an innovative advancement and represented the first significant evolution in television technology since color television in the 1950s. Modern digital television is transmitted in high-definition television (HDTV) with greater resolution than analog TV. It typically uses a widescreen aspect ratio in contrast to the narrower format (4:3) of analog TV. It makes more economical use of scarce radio spectrum space; it can transmit up to seven channels in the same bandwidth as a single analog channel, and provides many new features that analog television cannot. A transition from analog to digital broadcasting began around 2000. Different digital television broadcasting standards have been adopted in different parts of the world; below are the more widely used standards:
Broadcasting is the distribution of audio or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum, in a one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and receivers. Before this, most implementations of electronic communication were one-to-one, with the message intended for a single recipient. The term broadcasting evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about. It was later adopted for describing the widespread distribution of information by printed materials or by telegraph. Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as early as 1898.
Terrestrial television or over-the-air television (OTA) is a type of television broadcasting in which the content is transmitted via radio waves from the terrestrial (Earth-based) transmitter of a TV station to a TV receiver having an antenna. The term terrestrial is more common in Europe and Latin America, while in Canada and the United States it is called over-the-air or simply broadcast. This type of TV broadcast is distinguished from newer technologies, such as satellite television, in which the signal is transmitted to the receiver from an overhead satellite; cable television, in which the signal is carried to the receiver through a cable; and Internet Protocol television, in which the signal is received over an Internet stream or on a network utilizing the Internet Protocol. Terrestrial television stations broadcast on television channels with frequencies between about 52 and 600 MHz in the VHF and UHF bands. Since radio waves in these bands travel by line of sight, reception is generally limited by the visual horizon to distances of 64–97 kilometres (40–60 mi), although under better conditions and with tropospheric ducting, signals can sometimes be received hundreds of kilometers distant.
Low-power broadcasting is broadcasting by a broadcast station at a low transmitter power output to a smaller service area than "full power" stations within the same region. It is often distinguished from "micropower broadcasting" and broadcast translators. LPAM, LPFM and LPTV are in various levels of use across the world, varying widely based on the laws and their enforcement.
A non-commercial educational station is a radio station or television station that does not accept on-air advertisements, as defined in the United States by the Federal Communications Commission (FCC) and was originally intended to offer educational programming as part, or whole, of its programming. NCE stations do not pay broadcast license fees for their non-profit uses of the radio spectrum. Stations which are almost always operated as NCE include public broadcasting, community radio, and college radio, as well as many religious broadcasting stations. Nearly all Non-Commercial radio stations derive their support from listener support, grants and endowments, such as the governmental entity Corporation for Public Broadcasting (CPB) that distributes supporting funds provided by the congress to support Public Radio.
Digital terrestrial television is a technology for terrestrial television where television stations broadcast television content in a digital format. DTTV is a major technological advance over analog television, and has largely replaced analog television broadcast, which had been in common use since the middle of the 20th century. Test broadcasts began in 1998 with the changeover to DTTV, also known as the Analog Switchoff (ASO) or Digital Switchover (DSO), which began in 2006 and is now complete in many countries. The advantages of digital terrestrial television are similar to those obtained by digitizing platforms such as cable TV, satellite, and telecommunications: more efficient use of radio spectrum bandwidth, provision of more television channels than analog, better quality images, and potentially lower operating costs for broadcasters.
The All-Channel Receiver Act of 1962 (ACRA), commonly known as the All-Channels Act, was passed by the United States Congress in 1961, to allow the Federal Communications Commission to require that all television set manufacturers must include UHF tuners, so that new UHF-band TV stations could be received by the public. This was a problem at the time since most affiliated stations of the Big Three television networks were well-established on VHF, while many local-only stations on UHF were struggling for survival.
A tuner is a subsystem that receives radio frequency (RF) transmissions, such as FM broadcasting, and converts the selected carrier frequency and its associated bandwidth into a fixed frequency that is suitable for further processing, usually because a lower frequency is used on the output. Broadcast FM/AM transmissions usually feed this intermediate frequency (IF) directly into a demodulator that converts the radio signal into audio-frequency signals that can be fed into an amplifier to drive a loudspeaker.
WOCH-CD was a low-power, Class A television station in Chicago, Illinois, United States. The station was owned by NRJ TV, LLC.
KOZK is a PBS member television station licensed to Springfield, Missouri, United States, owned by Missouri State University. The station's studios are located on the Missouri State University campus on National Avenue in southern Springfield, and its transmitter is located on Highway FF north of Fordland.
Mobile television is television watched on a small handheld or mobile device, typically developed for that purpose. It includes service delivered via mobile phone networks, received free-to-air via terrestrial television stations, or via satellite broadcast. Regular broadcast standards or special mobile TV transmission formats can be used. Additional features include downloading TV programs and podcasts from the Internet and storing programming for later viewing.
A digital television adapter (DTA), commonly known as a converter box or decoder box, is a television tuner that receives a digital television (DTV) transmission, and converts the digital signal into an analog signal that can be received and displayed on an analog television set. Some also have an HDMI output since some TVs with HDMI do not have a digital tuner. The input digital signal may be over-the-air terrestrial television signals received by a television antenna, or signals from a digital cable system. It normally does not refer to satellite TV, which has always required a set-top box either to operate the big satellite dish, or to be the integrated receiver/decoder (IRD) in the case of direct-broadcast satellites (DBS).
A coupon-eligible converter box (CECB) was a digital television adapter that met eligibility specifications for subsidy "coupons" from the United States government. The subsidy program was enacted to provide terrestrial television viewers with an affordable way to continue receiving free digital terrestrial television services after the nation's television service transitioned to digital transmission and analog transmissions ceased. The specification was developed by the National Telecommunications and Information Administration (NTIA), with input from the broadcast and consumer electronics industries as well as public interest groups.
In telecommunications, white spaces refer to radio frequencies allocated to a broadcasting service but not used locally. National and international bodies assign frequencies for specific uses and, in most cases, license the rights to broadcast over these frequencies. This frequency allocation process creates a bandplan which for technical reasons assigns white space between used radio bands or channels to avoid interference. In this case, while the frequencies are unused, they have been specifically assigned for a purpose, such as a guard band. Most commonly however, these white spaces exist naturally between used channels, since assigning nearby transmissions to immediately adjacent channels will cause destructive interference to both.
Digital television in the United States is available via digital terrestrial television (DTT), digital cable, satellite television, and IPTV providers.
The Code of Practices for Television Broadcasters, also known as the Television Code, was a set of ethical standards adopted by the National Association of Broadcasters (NAB) of the United States for television programming from 1952 to 1983. The code was created to self-regulate the industry in hopes of avoiding a proposed government Advisory Board and satisfying parental concerns over violence and other matters. Prior to the Television Code, the 1935 NAB Code of Ethics for radio was applied to television but fewer than half of television stations subscribed to it; when the Television Code was first issued, two-thirds of stations became subscribers.
Analog passthrough is a feature found on some digital-to-analog television converter boxes. Boxes without the analog passthrough feature only allow older, analog-only TVs to view digital TV. Those with analog passthrough allow both digital and analog television to be viewed on older TVs.
The digital transition in the United States was the switchover from analog to exclusively digital broadcasting of terrestrial television programming. According to David Rehr, then president and CEO of the National Association of Broadcasters, this transition represented "the most significant advancement of television technology since color TV was introduced." For full-power TV stations, the transition went into effect on June 12, 2009, with stations ending regular programming on their analog signals no later than 11:59 p.m. local time that day.
The Community Broadcasters Association (CBA) was a trade organization representing low-power broadcasting interests, including LPTV and Class A television stations, in the United States of America. It ceased operations in 2009.
Raoul A. Cortez was a Mexican–American media executive, best remembered for founding KCOR, the first full-time Spanish-language radio station in the contiguous United States, in 1946. The station WKAQ was founded earlier in 1922 in Puerto Rico and owned by Angel Ramos.