The National Museum of Ceramic Art (N.M.C.A.) was a non-profit arts institution active in downtown Baltimore, Maryland, in operation from 1989 until 1993.
Located at 250 West Pratt Street near Baltimore's Inner Harbor, the art museum displayed a variety of earthenware, stoneware, porcelain and glass. Although most of its exhibits were American and contemporary (with an emphasis sometimes on the Atlantic coast), it also displayed ancient and medieval ceramic arts from Europe, Asia, Africa and the Americas. Occasionally, the museum sponsored judged competitions of artists from around the U.S. Eastern coast. [1]
The street-level, glass-walled museum opened its doors in 1989, and was active until late 1993. It closed after the 1992 opening of the Baltimore Orioles baseball stadium across the street at Camden Yards. A drop in public revenue from the city and state and a decline in donations and visitors were the cause of its closure.
The institution's very first exhibition was "Surface and Form" in 1989. Many photographs of the ceramics shown then have been publicly posted. [2] One of the ceramic museum's early exhibits was "Ceramic Sculptures" (September 1990). [3] A display of glass objects was provided in "Personal Vision / Diverse Images: An Exhibition of Recent Sculptural Glass" (February 1991). Among the artists represented was glass sculpturist Dale Chihuly. [4] A "Regional Juried Exhibition" was held in August 1991. The jurors included William Daley and curator Frederick Brandt. [5] A subsequent exhibition was "Maryland Collects" (November 1991) which featured clay artists such as Gertrud and Otto Natzler. [6] The exhibit "Three in Clay" (March 1992) included works by potter Paula Winokur. [7] In May 1992, the pottery museum displayed "18th and 19th Century Utilitarian Porcelain and Pottery," one of its more geographically diverse exhibitions. [8] Artists of Norway were featured in "Contemporary Norwegian Ceramics" (October 1992). [9] In January 1993 various daylong workshops were provided to students of varying ages. [10] A show of wildly artistic teapots was highlighted as "The Tea Party" in February 1993. [11] One of the museum's final exhibits was "Jack Lenor Larsen: Designer / Collector -- A Retrospective" (June 1993), an exhibit featuring both terracotta and textiles. [12]
The director of this institution, sometimes later called the National Museum of Ceramic Art and Glass, was Shirley B. Brown, while the full-time administrator was Dr. Ralph W. Bastedo, and the president of the board of trustees was J. Richard N. Tyler. [13]
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long period of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it's decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. A lot of talented Korean potters were captured to Japan after the porcelain war in 1592–1598. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Regis Brodie is a tenured Professor of Art at the Department of Art and Art History at Skidmore College in Saratoga Springs, NY and a potter. Since 1972, he has been serving as the Director of the Summer Six Art Program at Skidmore College. He also wrote a book called The Energy Efficient Potter which was published by Watson-Guptill Publications in 1982. He started the Brodie Company in 1999 in the interest of developing tools which would aid the potter at the potter's wheel.
The George R. Gardiner Museum of Ceramic Art is a ceramics museum in Toronto, Ontario, Canada. The museum is situated within University of Toronto's St. George campus, in downtown Toronto. The 4,299.2-square-metre (46,276 sq ft) museum building was designed by Keith Wagland, with further expansions and renovations done by KPMB Architects.
Steven Kemenyffy is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania.
Primavera is a fine arts and crafts gallery at 10 King's Parade in Cambridge, England. Henry Rothschild founded Primavera in 1945 in Sloane Street, London, in order to promote and retail contemporary British art and craft. The Cambridge branch of Primavera was founded in 1959, when Rothschild took over a shop formerly run by the Cambridge Society of Designer-Craftsmen on King's Parade.
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages. But the use of both terms can be elastic. Ceramic art is often a much wider term, covering all pottery that comes within the scope of art history, but "ceramic artist" is often used for hands-on artist potters in studio pottery.
Jolanta Kvašytė is a Lithuanian ceramic artist.
A ceramics museum is a museum wholly or largely devoted to ceramics, usually ceramic art. Its collections may also include glass and enamel, but typically concentrate on pottery, including porcelain. Most national collections are in a more general museum covering all of the arts, or just the decorative arts. However, there are a number of specialized ceramics museums, with some focusing on the ceramics of just one country, region or manufacturer. Others have international collections, which may be centered on ceramics from Europe or East Asia or have a more global emphasis.
The Oriental Ceramic Society (OCS) is one of the leading international societies for the study and appreciation of Asian art, with a special interest in ceramics. However its wider focus is the study and appreciation of all aspects of oriental art, and over the last 90 years has served as one of the main bodies assisting the understanding of oriental art, and oriental ceramics in particular, by means of organising regular meetings, lectures and publications.
Kirsten Lillian Abrahamson is a Canadian ceramic artist.
Joyce Scott FRSASA 'is an Australian artist working in drawing, oil painting and ceramics.' 'She has held ten independent exhibitions, is represented internationally and has received five awards.' 'Scott, née Mottershead, was born in Poynton, Cheshire, England in 1942 and migrated with her family to Adelaide, South Australia in 1951.'
Jack Doherty is a Northern Irish studio potter and author. He is perhaps best known for his vessels made of soda-fired porcelain. He has been featured in a number of books, and his work has been exhibited widely in both Europe and North America. Articles of his have appeared in various pottery journals and he has been Chair of the Craft Potters Association.
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery.
Maria Baumgartner is an Austrian studio potter and was professor of ceramics at the University of Arts and Industrial Design Linz.
Clare Twomey is a London-based visual artist and researcher, working in performance, serial production, and site-specific installation.
Winslow George Anderson was a noted artist, painter, ceramicist and glass designer from Plymouth, Massachusetts. A graduate of Alfred University's School of Ceramics, Anderson was a leading glass designer for the Blenko Glass Company of West Virginia (1946-1953) and Design Director for Lenox China and Crystal, located in Trenton, New Jersey (1953-1979). He was the recipient of numerous accolades during his lifetime, including Museum of Modern Art Good Design Awards. His works have been exhibited and collected by museums across the United States, including the Baltimore Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Metropolitan Museum of Art, Museum of Modern Art, and the Solomon R. Guggenheim Museum.
Palestinian ceramics are ceramics designed either in Palestine or Israel from the beginning of the 20th century. In additional to traditional pottery, in Israel there are artists whose works were created in an industrial environment. Until the late 1970s there existed in Israel a local tradition that emphasized the local values of nature as an expression of Zionist identity. From the 1980s artistic expressions that sought to undercut this tradition began to appear in the works of Israeli artists, who combined ceramics with other artistic media and with personal, critical agendas.
The Haegang Ceramics Museum is Korea's first museum dedicated to ceramics and is located in Icheon, Gyeonggi Province. The museum is devoted to researching and exhibiting Korean ceramics, including celadon ware, punch’ong ware and white porcelain.
Karl Martz was an American studio potter, ceramic artist, and teacher whose work achieved national and international recognition.
Donald Eugene Frith was an American ceramic artist and academic known for his unique style of teapots, mixing ceramics with acrylics and wood.