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Evangelos Odysseas Papathanassiou, known professionally as Vangelis, was a Greek keyboardist, composer, and producer of electronic, progressive, ambient, and classical orchestral music. He was best known for his Academy Award-winning score to Chariots of Fire (1981), as well as for composing scores to the films Blade Runner (1982), Missing (1982), Antarctica (1983), The Bounty (1984), 1492: Conquest of Paradise (1992), and Alexander (2004), and for the use of his music in the 1980 PBS documentary series Cosmos: A Personal Voyage by Carl Sagan.
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Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
A music workstation is an electronic musical instrument providing the facilities of:
Albedo 0.39 is a studio album by the Greek electronic composer Vangelis, released in 1976. It was the second album produced by Vangelis in Nemo Studios, London, which was his creative base until the late 1980s. It contrasts with his previous album, Heaven and Hell, which was classically inspired and choral, while Albedo 0.39 has blues and jazz overtones. It was his first Top 20 UK album.
The Roland SH-101 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1986. Though it was something of a commercial failure during the time of its manufacture, it later became a staple of electronic music in the 1990s, particularly house music.
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See You Later is an album by the Greek electronic composer Vangelis, released in November 1980. It breaks quite violently with the style he employed in the late 1970s and later, relying much more on vocals and being more experimental and returning to his early 1970s work like Earth or 666. It was never released in the United States, until it was remastered in 2016 as part of the Delectus boxset.
The Yamaha CS-80 is an analog synthesizer introduced by Yamaha Corporation in 1977. It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers.
The Emulator is a series of digital sampling synthesizers using floppy-disk storage that was manufactured by E-mu Systems from 1981 until 2002. Although it was not the first commercial sampler, the Emulator was innovative in its integration of computer technology and was among the first samplers to find widespread usage among musicians. While costly, its price was considerably lower than those of its early competitors, and its smaller size increased its portability and, resultantly, practicality for live performance. The line was discontinued in 2002.
Beaubourg is a studio album by the Greek electronic composer Vangelis, released in July 1978. It was the fourth album produced by Vangelis in Nemo Studios, London, and his final album for RCA Records. It is an avant-garde-experimental album.
Blade Runner: Original Motion Picture Soundtrack is the soundtrack for Ridley Scott's 1982 science-fiction noir film Blade Runner, composed by Greek electronic musician Vangelis. It has received acclaim as an influential work in the history of electronic music and one of Vangelis's best works. It was nominated in 1983 for a BAFTA and Golden Globe for best original score. The score evokes the film's bleak futurism with an emotive synthesizer-based sound, drawing on the jazz scores of classic film noir as well as Middle Eastern texture and neo-classical elements.
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1984 is a studio album by the English keyboardist Rick Wakeman, released in June 1981 on Charisma Records. After reforming his band The English Rock Ensemble in 1980 and completing a European tour, Wakeman entered a recording deal with Charisma and began preparing material for a studio album. He decided on a concept album based on the dystopian novel Nineteen Eighty-Four by George Orwell. The lyrics are by Tim Rice.
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A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.
The Roland MKS-80 Super Jupiter is a rack mount sound module version of the Roland Jupiter-6 and the Roland Jupiter-8 synthesizers. It is an 8-voice polyphonic analog synthesizer that was manufactured by Roland between 1984 and 1987. It is the only one of the MKS series of synthesizers to have analogue voltage-controlled oscillators (VCOs) instead of analogue digitally-controlled oscillators (DCOs). The voice architecture is almost identical to the Jupiter-6 synthesizer. The service manual states that "The module board of MKS-80 features the following in addition to that of JP-6, its brother module. 1) HPF. 2) Low boost circuit in the 2nd VCA. 3) DC supply current boost circuit (IC50)."
The Roland VP-330 is a paraphonic ten-band vocoder and string machine manufactured by Roland Corporation from 1979 to 1980. While there are several string machines and vocoders, a single device combining the two is rare, despite the advantage of paraphonic vocoding, and the VP-330's synthetic choir sounds are unique. Despite the VP-330's electronic string and choir sounds being less realistic than those of the tape-based Mellotron, touring musicians used it as a lighter and more robust alternative.
References
- 1 2 Richard Clews. Inside the Synth Lab, in Sound on Sound , November 1997 issue.
- Available online.
- https://www.soundonsound.com/people/vangelis-recording-nemo-studios
- 20 Hampden Gurney Street, London, United Kingdom
- https://media.bladezone.com/contents/film/production/soundtrack/vangelis/
- https://www.tonybarrell.com/vangelis-in-wonderland/
- https://www.hampdengurneyschool.co.uk/about-us/the-annunciation-marble-arch/
- https://www.bdp.com/en/projects/f-l/hampden-gurney-school/
- https://betweenrecords.com/products/february-papers
- https://talltalesfromthetrees.blogspot.com/2012/11/rev-john-hampden-gurney-1802-1862-and.html
- ↑ NemoStudios.co.uk. Portrait of a studio. Retrieved 8 April 2010 Available online.
- ↑
- 1 2 Wolfgang Fenchel. Captain Nemo's Musical Odysseys Part 1, in Neumusik Vol. 5, August 1981.
- ↑ Bob Doerschuk (November 1982), "Oscar-winning Synthesist", Keyboard , retrieved 22 August 2016
