New Poets of England and America was a poetry anthology edited by Donald Hall, Robert Pack and Louis Simpson, and published in 1957. [1] In the post-war story about relations between American and British poetry, it represents the moment of closest rapprochement, actual or intended. The introduction was written by Robert Frost. [2] The inclusion of a number of British Movement poets, as well as others, implies some kind of search for matching figures amongst the Americans.[ citation needed ] Poets had to be under forty years old to be included. [1]
Kingsley Amis - William Bell - Robert Bly - Philip Booth - Edgar Bowers - Charles Causley - Henri Coulette - Donald Davie - Catherine Davis - Keith Douglas - Donald Finkel - W. S. Graham - Charles Gullans - Thom Gunn - Donald Hall - Michael Hamburger - Elizabeth R. Harrod - John Heath-Stubbs - Anthony Hecht - Geoffrey Hill - John Hollander - John Holloway - Elizabeth Jennings - Donald Justice - Ellen de Young Kay - Melvin Walker La Follette - Joseph Langland - Philip Larkin - Robert Layzer - Robert Lowell - William Matchett - Thomas McGrath - William Meredith - James Merrill - W. S. Merwin - Robert Mezey - Vassar Miller - Howard Moss - Howard Nemerov - Robert Pack - Alastair Reid - Adrienne Cecile Rich - Jon Silkin - Louis Simpson - William Jay Smith - W. D. Snodgrass - May Swenson - Wesley Trimpi - Jon Manchip White - Reed Whittemore - Richard Wilbur - James Wright
The Oxford Book of Contemporary Verse, edited by D. J. Enright, is a poetry anthology from 1980, published by Oxford University Press. It might be considered one of the "last words" from a founder-member of The Movement, with its comments in the Introduction still in an anti-romantic vein, and that "the editor remains unpersuaded that wit is necessarily evasive in some shabby way or emotionally lowering". It was reissued in 1995 under the title Oxford Book of Verse 1945–1980 (ISBN 0-19-283188-7).
The New American Poetry 1945–1960 is a poetry anthology edited by Donald Allen and published in 1960. It aimed to pick out the "third generation" of American modernist poets, and included quite a number of poems fresh from the little magazines of the late 1950s. In the longer term it attained a classic status, with critical approval and continuing sales. It was reprinted in 1999. As of 2024, Edward Field and Gary Snyder are the only contributors still living.
The Oxford Book of Twentieth Century English Verse is a poetry anthology edited by Philip Larkin. It was published in 1973 by Oxford University Press with ISBN 0-19-812137-7. Larkin writes in the short preface that the selection is wide rather than deep; and also notes that for the post-1914 period it is more a collection of poems, than of poets. The remit was limited by him to poets with a period of residence in the British Isles. Larkin's generous selection of Thomas Hardy's poems has been noted for its influence on Hardy's later reputation. On the other hand, he was criticized, notably by Donald Davie, for his inclusion of "pop" poets such as Brian Patten. The volume contains works by 207 poets.
The Faber Book of Modern Verse was a poetry anthology, edited in its first edition by Michael Roberts, and published in 1936 by Faber and Faber. There was a second edition (1951) edited by Anne Ridler, and a third edition (1965) edited by Donald Hall. The selection was of poems in English printed after 1910, which meant that work by Gerard Manley Hopkins could be included. A later edition was edited by Peter Porter.
The New Oxford Book of English Verse 1250–1950 is a poetry anthology edited by Helen Gardner, and published in New York and London in 1972 by Clarendon Press. It was intended as a replacement for the older Quiller-Couch Oxford Book of English Verse. Selections were largely restricted to British and Irish poets.
British Poetry since 1945 is a poetry anthology edited by Edward Lucie-Smith, published in 1970 by Penguin Books, with a second and last edition in 1985. The anthology is a careful attempt to take account of the whole span of post-war British poetry, including poets from The Group, a London-centred workshop that Lucie-Smith himself had once been chairman of, following the departure of founder Philip Hobsbaum.
The Penguin poetry anthologies, published by Penguin Books, have at times played the role of a "third force" in British poetry, less literary than those from Faber and Faber, and less academic than those from Oxford University Press..
The Oxford University Press published a long series of poetry anthologies, dealing in particular with British poetry but not restricted to it, after the success of the Oxford Book of English Verse (1900). The Oxford poetry anthologies are traditionally seen as 'establishment' in attitude, and routinely therefore are subjects of discussion and contention. They have been edited both by well-known poets and by distinguished academics. In the limited perspective of canon-formation, they have mostly been retrospective and well-researched, rather than breaking fresh ground.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
The New Oxford Book of Australian Verse is a major anthology of Australian poetry edited by the poet Les Murray. It was first published in 1986 and since has been expanded twice.
The Fantasy Press was an English publisher of poetry between 1951 and 1962, allied to the Oxford University Poetry Society and superintended by the painter and illustrator Oscar Mellor. As well as publishing a regular series of pamphlets by undergraduate and graduate poets between 1952 and 1957, it also brought out longer collections by some, as well as anthologies of university poetry containing their work.