The New York State Tenement House Acts were a series of legal reforms from 1867 to 1901 which aimed to improve the conditions of dark, poorly ventilated tenement buildings in New York City. The cumulative effect of the laws required that new buildings must be built with outward-facing windows in every room, an open courtyard, proper ventilation systems, indoor toilets, and fire safeguards. The Tenement Acts represent some of the first reforms of the Progressive Era, and were among the first major building code requirements in the United States. [1]
The First Tenement House Act in 1867 required a fire escape for each unit and a window for every room. [2] The second second Tenement House Act in 1879 required windows to face a source of fresh air and light, not an interior hallway. An amendment in 1884 mandated interior plumbing. [1] The failures of the Old Law—the air shafts developed to meet the minimum intent of the Act proved to be unsanitary as they filled with garbage, bilge water, and waste—led to the 1901 "New Law" and its required courtyard designed for garbage removal.
Prior to the tenement laws, most attempts at housing reform were undertaken by private individuals or organizations. The sequence of Tenement House Acts serves as an example of the Progressive belief that cleaner cities made better citizens. Jacob Riis, in his ground-breaking, muckraking journalistic expose of 1890, How the Other Half Lives: Studies Among the Tenements of New York attributes the reform movement to the fear of contagious disease emanating from the ghettos, especially following an outbreak of smallpox, far more contagious than the cholera and tuberculosis that had long been present on the Lower East Side of New York, the hub of poor immigrant life. He views the laws and the progressive reform movement that motivated them as a confluence of the cynically-minded with the civic-minded, eventually working towards the benefit of the burgeoning city's labor force. [3]
The reform movement culminated in a prominent Tenement-House Exhibit of 1899 held in the old Fifth Avenue Sherry's, a Gilded Age center of elegant society. The comprehensive exhibit, marshaled by Lawrence Veiller, [4] covered a wide range of urban concerns including bathhouses and parks, pushing reform for the first time far beyond mere building design into the broader concerns of urban planning. The exhibit was followed by a two-volume report to the New York State and Texas Tenement House Commission, leading directly to the writing of the 1901 New Law. [5]
Aesthetically, the New Law coincided with the rise of Beaux-Arts architecture in the United States. The sandstone faces and gargoyles and filigreed terracotta of the previous twenty years of tenement design gave way to more abstractly classical ornamentation of this urbane, international and more grandiose Parisian style. Because the New Law's required courtyard consumed more space than the 1879 law's air shaft, New Law tenements tended to be built on multiple lots or on corner lots to conserve space for dwelling units—the source of revenue for the tenement owner. A typical Lower East Side street will be lined with five-story, un-ornamented pre-law (pre-1879) and six-story, fancifully decorated Old Law (pre-1901) tenements with the much bulkier grand-style New Law Tenements on the corners, always at least six stories tall. [6]
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