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Nicanor G. Tiongson is a critic, creative writer and academic from the Philippines. He holds a Bachelor of Humanities degree from the Ateneo de Manila University, and M.A. and Ph.D. in Philippine Studies from the University of the Philippines. A founding member of the Manunuri ng Pelikulang Pilipino, Tiongson is currently[ when? ] Professor Emeritus of Film and Audio-visual Communication at the College of Mass Communication in U.P. Diliman.
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Tiongson was a visiting professor at Osaka University of Foreign Studies in Japan; and Fulbright Visiting Professor at the University of California, Berkeley; University of Michigan; University of California, Los Angeles; and University of Hawaii at Manoa. Tiongson also received an Australian Cultural Award for his extensive research on Philippine culture, resulting in two works on Philippine drama: Kasaysayan at Estetika ng Sinakulo at Ibang Dulang Panrelihiyon sa Malolos and Kasaysayan ng Komedya sa Pilipinas.
Tiongson was vice-president and artistic director of the Cultural Center of the Philippines (CCP) from 1986 to 1994.
Tiongson was also the Philippine Director of Sangandaan 2003, a cultural commemoration that highlighted the arts and media produced by Filipinos, Americans and Filipino-Americans in the course of Philippine-U.S. relations from 1899 to 2002.
During his short term as director of the Movie and Television Review and Classification Board (MTRCB), [1] Tiongson played a role in the controversy surrounding a film popularly known as Live Show. The film, directed by Jose Javier Reyes, focused on performing women and men who engaged in sex acts onstage at some night clubs in the Manila area. Live Show was banned after Cardinal Archbishop Jaime Sin of Manila denounced the film and labeled it "immoral" and "in violation of the campaign for moral reform." Tiongson resigned shortly after Philippine President Gloria Macapagal Arroyo banned Live Show, and noted his conviction that the President had been pressured by influential Filipino members of the Catholic Church.[ citation needed ]
Tiongson has taught Philippine literature, theater, and general culture at the University of the Philippines, the Ateneo de Manila University, De La Salle University-Manila, the University of Hawaii and the Osaka University of Foreign Studies. He also taught Filipino and Philippine literature at the College of Arts and Letters, University of the Philippines from 1974 to 1986. Among the books he edited are: The Cultural Traditional Media of ASEAN, The Urian Anthology, the Politics of Culture: The Philippine Experience, Tuklas Sining, and the 10-volume CCP Encyclopedia of Philippine Art. For his publications, he has received five National Book Awards from the Manila Critics Circle and two Surian ng Wikang Pambansa awards.
Tiongson was criticized for his opposition to the proposal of bestowing the National Artist honor to the late Dolphy. [2] The incident was vividly recalled by National Artist for Theater Cecilia Guidote-Alvarez wherein Tiongson "stood violently" and protested passionately on the proposal. Tiongson admitted that he had reservations on the installation of Dolphy with the prestigious award. [3] Tiongson wrote: “I believed that the two icons he created for film and TV – the screaming gay and the happy-go-lucky poor man – have, in the majority of his movies, equated gayness with abnormality and mindless frivolity on the one hand, and romanticized or deodorized poverty on the other.”[ citation needed ]
