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Nicolas Horvath | |
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 Nicolas Horvath on the Santiago Pilgrimage | |
| Background information | |
| Born | August 11, 1977 |
| Instrument | Piano |
| Labels | Naxos Records |
| Website | nicolashorvath |
Nicolas Horvath (born 1977, in Monaco) is a French pianist and electroacoustic composer.
At 10, Nicolas Horvath was selected for a program initiated by Monaco's Princess Grace for children with musical predispositions. He received the Academie de Musique Prince Rainier III Prize unanimously with the congratulations of the jury.
At the age of 15, during an Academie de Musique Prince Rainier III competition, he was discovered by the conductor Lawrence Foster who obtained a scholarship from Princess Grace Foundation allowing him to work for three consecutive summers at Aspen Music Festival and School with Gabriel Chodos. On his return, he worked for two years with Gérard Frémy who introduced him to contemporary music.
In 1998, he joined the École Normale de Musique in Paris. Beginning in 2002 he worked for four years with Bruno Leonardo Gelber and Germaine Deveze who asked him not to give any concert or participate in any competition during his apprenticeship. Then he left l'École Normale. In 2004, he joined Gino Favotti's electroacoustic composition class where he received masterclasses from François Bayle and Christian Zanési and in 2006 Christine Groult's electroacoustic composition class.
From 2008 to 2011, he won numerous international competitions such as the Luigi Nono Competition, Alexander Scriabin, Osaka, Fukuoka, Yokohama. In 2010, he joined the Oxana Yablonskaya Piano School and The International Certificate for Piano Artists. Meetings with Leslie Howard, Gabriel Tacchino, Philippe Entremont, and Éric Heidsieck, mark his career.
Nicolas Horvath collaborates with composers such as Régis Campo, Denis Levaillant, Jaan Rääts, Tõnu Kõrvits, Alvin Curran, Fabio Mengozzi, William Susman, Alp Durmaz, Andre Bangambula Vindu, Mamoru Fujieda ... he ensures the creation of pieces of more than two hundred composers and more than a hundred pieces are dedicated to him. Nicolas Horvath also plays little-known works such as Franz Liszt's Christus , Claude Debussy's The Fall of the House of Usher , the complete version of Erik Satie's The Son of the Stars as well as forgotten, neglected composers such as Moondog, Hélène de Montgeroult, Ludovic Lamothe, Jacques Champion de Chambonnières, Friedrich Kalkbrenner, Élisabeth Jacquet de La Guerre, Nobuo Uematsu, Charles-Valentin Alkan, Karl August Hermann...
Nicolas Horvath stands out by organizing marathon concerts such as Erik Satie's Vexations which he performed 12 times alone and without any stop or break, the Nights of Minimalist Piano [1] and the complete Erik Satie or Philip Glass piano music.
On April 21, 2012, with Andrea Clanetti Santarossa, they did in Monaco's Entrepot Gallery the very first Monacan happening on La Monte Young music. Some of the audience was scandalized by it and left the gallery shouting. [2]
On December 12, 2012, he gave in Paris's museum Palais de Tokyo a non-stop solo version of 35 hours of Erik Satie's Vexations. Starting December 12 at noon and ending December 13 at 11 pm. [3]
From the June 23 to July 27, 2013, he was invited by the DO NOT OPEN Gallery in Brussels to give his first exhibit, highly influenced by Clyfford Still & Hermann Nitsch [4]
On April 11, 2014, in the Palais de Tokyo, he premiered the GlassWorlds, a gigantic Philip Glass Homage where 120 composers from 56 countries and all musical genres wrote a work for this program. [5]
On January 9, 2015, in Carnegie Hall, New York, he premiered the Complete 20 Philip Glass Etudes. [6]
On October 10 to 12, 2015, in Paris's Le Grand Rex, for the 1st encore of Danny Elfman's anniversary concert, Nicolas Horvath was in duet with the composer himself to perform Elfman's Oogie Boogie's song.
On October 31, 2015, The Gallery of Estonia (the Estonian pavilion) as part of the Milan World Expo closing day invited him to give the first Jaan Rääts music only recital. [7]
On May 25, 2016, he gave a Jaan Rääts recital at Strasbourg European Parliament for the inauguration Ceremony of Estonia at the lead of the Council of Europe. [8]
On the night of October 1 to 2, 2016, at the Paris Philharmonie Boulez Hall, he performed a twelve-hour-long marathon of piano works by Philip Glass. [9]
In April 2017, he requested to all Jaan Rääts' students, such as Erkki-Sven Tüür, Tõnu Kõrvits, Timo Steiner, Kerri Kotta ... to compose each of them an exclusive piece for an all-Estonia Jaan Rääts Homage tour (for the 85th anniversary of composer). [10]
On March 18, 2018, he gave a world premiere in Nantes during the Festival Variations the complete piano music of Erik Satie. [11]
On March 24, 2018, he was invited by the Labenche Museum in Brive-la-Gaillarde to give a Claude Debussy recital for his centenary on the composer's last piano. During this concert Nicolas Horvath premiered Claude Debussy works completed by the musicologist Robert Orledge. [12]
On September 9, 2018, he gave the world premiere of Moondog 's Complete Book of Canons n°1, 2 & 3 and The Great Canon in Toulouse for the Opening Concert of the Moondog Season and for the Piano aux Jacobins Festival. [13]
On April 28, 2019, he was the first pianist ever to perform in a single concert and without any break all 15 Karlheinz Stockhausen's Klavierstuke for solo piano in Nantes for the Variations Festival. [14]
On May 17 and 18, 2019, he was selected by Philip Glass himself to perform Glass' Etudes nos. 13 and 14 during the Philip Glass & Friends concerts at the Philharmonie de Paris. [15]
Frederic Anthony Rzewski was an American composer and pianist, considered to be one of the most important American composer-pianists of his time. From 1977 up to his eventual death, he lived mainly in Belgium. His major compositions, which often incorporate social and political themes, include the minimalist Coming Together and the variation set The People United Will Never Be Defeated!, which has been called "a modern classic".
Vexations is a musical work by Erik Satie. Apparently conceived for keyboard, it consists of a short theme in the bass whose four presentations are heard alternatingly unaccompanied and played with chords above. The theme and its accompanying chords are written using enharmonic notation. The piece is undated, but scholars usually assign a date around 1893–1894 on the basis of musical and biographical evidence.
The Sonatine bureaucratique is a 1917 piano composition by Erik Satie. The final entry in his humoristic piano music of the 1910s, it is Satie's only full-scale parody of a single musical work: the Sonatina Op. 36 N° 1 (1797) by Muzio Clementi. In performance it lasts around 4 minutes.
"We Are Glass" is a song by the British singer Gary Numan. It was released as a single in May 1980 and reached number five on the UK Singles Chart.
Vox Records is a budget classical record label. The name is Latin for "voice."
Jeroen van Veen is a Dutch classical pianist and composer. He has worked both as a soloist and in collaboration with other pianists. Some of his collaborations include duo work with his brother Maarten and his wife Sandra.
The Premier Menuet is a Neoclassical piano piece by Erik Satie. Written in June 1920, it was his last composition for solo piano. It was published by Les Éditions de La Sirène in 1921.
The Prélude de La Porte héroïque du ciel is an 1894 piano composition by Erik Satie, intended as a musical introduction to the play The Heroic Gate of Heaven by Jules Bois. It is considered one of the finest works of his "Rosicrucian" or "mystic" period. A typical performance lasts around 6 minutes. Satie was so fond of the piece he dedicated it to himself.
Le Fils des étoiles is an incidental music score composed in December 1891 by Erik Satie to accompany a three-act poetic drama of the same name by Joséphin Péladan. It is a key work of Satie's "Rosicrucian" period (1891–1895) and played a role in his belated "discovery" by the French musical establishment in the 1910s.
The Préludes flasques – Flabby Preludes – is a set of four piano pieces composed in July 1912 by Erik Satie. In performance it lasts about 5 minutes.
The Véritables Préludes flasques is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5 minutes.
The Petit prélude de 'La Mort de Monsieur Mouche'(A Little Prelude to "The Death of Mr. Fly") is a 1900 piano composition by Erik Satie. It was written to introduce a three-act play by J. P. Contamine de Latour, writing under the pseudonym "Lord Cheminot". The play itself is lost and Satie's music went unpublished for many years. In performance the piece lasts under 2 minutes.
The Fête donnée par des Chevaliers Normands en l'honneur d'une jeune demoiselle is an 1892 piano composition by Erik Satie. An example of his Rosicrucian or "mystic" phase, it was published posthumously in 1929. A typical performance lasts about 4 minutes.
Les Pantins dansent(The Puppets are Dancing) is a "poème dansé" for small orchestra or piano composed in 1913 by Erik Satie. It was commissioned for an experimental theatrical event starring Futurist author and dancer Valentine de Saint-Point. Maurice Droeghmans conducted the premiere at the Salle Léon-Poirier in Paris on December 20, 1913.
Le Piccadilly is a 1904 composition for piano or string orchestra by Erik Satie. Written as a light cabaret or café-concert tune, it was one of Satie's early experiments with ragtime influences. A performance lasts under 2 minutes.
The Petite ouverture à danser(Little Overture to a Dance) is a piece for solo piano composed around 1897 by Erik Satie. Unknown for many years, it is one of the more popular works to emerge from his posthumous manuscripts. A performance lasts under 3 minutes.
Verset laïque et somptueux(Secular and Sumptuous Verse) is a pièce d'occasion for piano composed in 1900 by Erik Satie. With it he bid an ironic farewell to the style of his "Rosicrucian" or "mystic" period, which he ultimately dismissed as "musique à genoux". It was written for an ephemeral publication and never performed in Satie's lifetime.
Le Bœuf Angora(The Angora Ox) is an unfinished tone poem composed around 1901 by Erik Satie. Based on a tale by Lord Cheminot, it was his first attempt at writing for large orchestra. The original score has never been published, though Satie reused a portion of it as the Redite movement of his Trois morceaux en forme de poire (1903). Today the existing work can be heard in a reconstruction for solo piano. In performance it lasts about 8 minutes.
Poudre d'or(Gold Dust) is a waltz for solo piano composed in 1901 by Erik Satie. It is the first notable example of his light café-concert idiom, and is still popular today. In performance it lasts about 5 minutes. Satie also created a version for small orchestra but this survives only in a fragmentary state.
Le poisson rêveur(The Dreamy Fish) is an unfinished tone poem for solo piano composed between 1900 and 1901 by Erik Satie, based on a tale by "Lord Cheminot". The text does not survive and Satie's music went unpublished for decades. In performance the piece lasts about 6 minutes.
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