Night Beat | ||||
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Studio album by | ||||
Released | August 1963 | |||
Recorded | February 22–23, 25 1963 | |||
Studio | RCA (Hollywood, California) | |||
Genre | ||||
Length | 37:51 | |||
Label | RCA Victor | |||
Producer | Hugo & Luigi | |||
Sam Cooke chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Blender | [1] |
MusicHound R&B | 5/5 [4] |
Record Mirror | [5] |
Night Beat is the tenth studio album by American singer Sam Cooke, released in August 1963 by RCA Victor.
The album title originated from late-night recording sessions by Cooke and a quartet of studio musicians in February 1963. It has been featured in "best-of" lists by contemporary music critics and regarded as one of Cooke's best.
Cooke and his musicians—pianist Ray Johnson, organist Billy Preston (who was 16 at the time of recording), lead guitarist Barney Kessel, alternating drummers Hal Blaine and Ed Hall, bassist Cliff Hils and Clif White, and René Hall on rhythm guitar—cut Night Beat in three days during late-night recording sessions at RCA Victor Studios in Hollywood in February 1963. [6] "I Lost Everything", "Get Yourself Another Fool" and "Trouble Blues" were laid down on February 22, with the group returning, sans Kessel, the following day to record "Nobody Knows the Trouble I've Seen", "Mean Old World", "Little Red Rooster" and "Laughin' and Clownin'". [6] The last recording session for Night Beat took place on February 25, when the same group, sans Hall and Kessel, reunited to commit "Lost and Lookin'", "Please Don't Drive Me Away", "You Gotta Move", "Fool's Paradise" and "Shake Rattle and Roll" to tape. [6]
According to a retrospective review by John Bush of AllMusic, "Saddled with soaring strings and vocal choruses for maximum crossover potential, Sam Cooke's solo material often masked the most important part of his genius—his glorious voice—so the odd small-group date earns a special recommendation in his discography". [3] He speculated that had Cooke not died prematurely, "there would've been several more sessions like this, but Night Beat is an even richer treasure for its rarity." [3] Al Kooper of Goldmine wrote: "This is intimate Sam Cooke and his favorite musicians having some genuine fun in the studio, with obviously no eye toward ramming up the pop charts ... Each song is like another moody painting always in the appropriate, tasteful frame." [7]
The Guardian included it on their 2007 list of "1000 Albums to Hear Before You Die", writing: "[Cooke] brought a spiritual intensity to every cute mainstream confection he recorded, but his beautiful voice was never more mesmerizing than on this hushed and gracious final album." [8]
All songs conducted by René Hall.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Nobody Knows the Trouble I've Seen" | Traditional; arranged by Sam Cooke | 3:22 |
2. | "Lost and Lookin'" | James W. Alexander, Lowell Jordan | 2:09 |
3. | "Mean Old World" | Cooke | 3:44 |
4. | "Please Don't Drive Me Away" | Charles Brown, Jesse Ervin | 2:12 |
5. | "I Lost Everything" | Ella Tate | 3:19 |
6. | "Get Yourself Another Fool" | Ernest Monroe Tucker, Frank A. Haywood [9] | 4:00 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Little Red Rooster" | Willie Dixon | 2:50 |
2. | "Laughin' and Clownin'" | Cooke | 3:34 |
3. | "Trouble Blues" | Brown | 3:18 |
4. | "You Gotta Move" | Traditional | 2:35 |
5. | "Fool's Paradise" | Johnny Fuller, Robert Geddins, David Avid | 2:32 |
6. | "Shake, Rattle and Roll" | Charles Calhoun | 3:22 |
All credits adapted from The RCA Albums Collection (2011) liner notes. [6]
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Barney Kessel was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew.
Elvis Now is the sixteenth studio album by American singer Elvis Presley, released in February 1972. The album entered Billboard on February 12, and reached No. 43. The only single from the album, "Until It's Time for You to Go" / "We Can Make the Morning" reached number 9 on the Easy Listening chart in the US in March 1972 and number 5 on the UK Singles Chart in April 1972. The album was certified Gold on March 27, 1992, by the RIAA. "Sylvia" became a hit for Presley in Brazil in the 1970s.
Howard Mancel Roberts was an American jazz guitarist, educator, and session musician.
"Bring It On Home to Me" is a song by American soul singer Sam Cooke, released on May 8, 1962, by RCA Victor. Produced by Hugo & Luigi, and arranged and conducted by René Hall, the song was the B-side to "Having a Party". The song peaked at number two on Billboard's Hot R&B Sides chart, and also charted at number 13 on the Billboard Hot 100. The song has become a pop standard, covered by numerous artists of different genres. It is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
Elvis Sings The Wonderful World of Christmas is the fifteenth studio album by American singer Elvis Presley, released by RCA Records in October, 1971. It was his first Christmas album with new recordings since Elvis' Christmas Album (1957). The album's single, "Merry Christmas Baby" / "O Come All Ye Faithful", was later released in November 1971. This album was a top seller and topped the Christmas LP's chart; it would have charted high on the Billboard Top LPs chart, but from 1963 to 1973, holiday albums were not allowed to chart. Though lacking the commercial appeal of Elvis' first Christmas album, it gradually become a perennial favorite. In 1976, the LP was reissued in the mid-priced RCA Pure Gold series with a revised catalog number (ANL1-1936). The album was certified Gold on November 4, 1977, Platinum on December 1, 1977, 2× Platinum on May 20, 1988, and 3× Platinum on July 15, 1999, by the RIAA.
Ernest Aaron Freeman was an American pianist, organist, bandleader, and arranger. He was responsible for arranging many successful rhythm and blues and pop records from the 1950s to the 1970s.
René Joseph Hall was an American guitarist and arranger. He was among the most important behind-the-scenes figures in early rock and roll, but his career spanned the period from the late 1920s to the late 1980s, and encompassed multiple musical styles.
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"Little Red Rooster" is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie.
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Fun in Acapulco is the seventh soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2756, in November 1963. It is the soundtrack to the 1963 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on January 22 and 23 and February 27, 1963; and at RCA Studio B in Nashville, Tennessee, on May 26 and 28, 1963. It peaked at number three on the Billboard Top Pop Albums chart.
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