Background
Cooke and his musicians—pianist Ray Johnson, organist Billy Preston (who was 16 at the time of recording), lead guitarist Barney Kessel, alternating drummers Hal Blaine and Ed Hall, bassist Cliff Hils and Clif White, and René Hall on rhythm guitar—cut Night Beat in three days during late-night recording sessions at RCA Victor Studios in Hollywood in February 1963. [6] "I Lost Everything", "Get Yourself Another Fool" and "Trouble Blues" were laid down on February 22, with the group returning, sans Kessel, the following day to record "Nobody Knows the Trouble I've Seen", "Mean Old World", "Little Red Rooster" and "Laughin' and Clownin'". [6] The last recording session for Night Beat took place on February 25, when the same group, sans Hall and Kessel, reunited to commit "Lost and Lookin'", "Please Don't Drive Me Away", "You Gotta Move", "Fool's Paradise" and "Shake Rattle and Roll" to tape. [6]
Barney Kessel was an American jazz guitarist born in Muskogee, Oklahoma. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew.
Elvis Now is the sixteenth studio album by American singer Elvis Presley, released on February 20, 1972. The only single from the album, "Until It's Time for You to Go" / "We Can Make the Morning" reached number 9 on the Easy Listening chart in the US in March 1972 and number 5 on the UK Singles Chart in April 1972. The album was certified Gold on March 27, 1992, by the RIAA. "Sylvia" became a hit for Presley in Brazil in the 1970s.
"A Change Is Gonna Come" is a song by American singer-songwriter Sam Cooke. It initially appeared on Cooke's album Ain't That Good News, released mid-February 1964 by RCA Victor; a slightly edited version of the recording was released as a single on December 22, 1964. Produced by Hugo & Luigi and arranged and conducted by René Hall, the song was the B-side to "Shake".
Howard Mancel Roberts was an American jazz guitarist, educator, and session musician.
Elvis is the eighteenth studio album by American singer and musician Elvis Presley, released on July 16, 1973. It sold over 1 million copies worldwide. To differentiate it from his eponymous 1956 release it is sometimes called The "Fool" Album, after its first track which appears just below Elvis' name on the front cover. In the US, "Fool" was issued as the B-side of "Steamroller Blues" from the Aloha from Hawaii Via Satellite album. In the UK the sides were flipped and "Fool" was issued as the A-side. It reached No. 15.
René Joseph Hall was an American guitarist and arranger. He was among the most important behind the scenes figures in early rock and roll, but his career spanned the period from the late 1920s to the late 1980s, and encompassed multiple musical styles.
Sneakin' Sally Through the Alley is the debut solo album by Robert Palmer, released in 1974. It was his first effort after three album releases co-fronting the band Vinegar Joe.
The King of Rock 'n' Roll: The Complete 50's Masters is a five-disc box set compilation of the complete known studio master recordings by American singer and musician Elvis Presley during the decade of the 1950s. Issued in 1992 by RCA Records, catalog number 66050-2, it was soon followed by similar box sets covering Presley's musical output in the 1960s and 1970s. This set's initial long-box release included a set of collectible stamps duplicating the record jackets from every Presley LP on RCA Victor, every single that had a picture sleeve, and most of his EP releases. The set includes a booklet with an extensive session list and discography, and a lengthy essay by Peter Guralnick. It peaked at #159 on the album chart and was certified a gold record on August 7, 1992, by the RIAA. Further certifications were for platinum on November 20, 1992, and for double platinum on July 30, 2002.
"Little Red Rooster" is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie.
"You Gotta Move" is a traditional African-American spiritual song. Since the 1940s, the song has been recorded by a variety of gospel musicians, usually as "You Got to Move" or "You've Got to Move". It was later popularized with blues and blues rock secular adaptations by Mississippi Fred McDowell and the Rolling Stones.
Command Performances: The Essential 60s Masters II is a two-disc compilation of studio master recordings by American singer and musician Elvis Presley during the decade of the 1960s, released in 1995 on RCA Records, catalogue number 66601-2. It also includes a booklet with session details and an essay by Susan M. Doll.
Ain't That Good News is the eleventh and final studio album by American R&B and soul singer-songwriter Sam Cooke, released mid-February 1964, on RCA Victor Records, in both mono and stereo, LPM 2899 and LSP 2899. Recording sessions for the album took place at RCA Victor's Music Center of the World Studio in February and December 1963 and January 1964. The cover photo was taken by American photographer Wallace Seawell. Ain't That Good News was the final studio album to be issued during Cooke's lifetime, before his death at the age of 33. With the exception of "Another Saturday Night", which had been released as a single early in the previous year, Ain't That Good News comprised the first material that Cooke had recorded in the six months following the drowning death of his 18-month-old son Vincent.
Girls! Girls! Girls! is the fifth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2426, in November 1962. It accompanied the 1962 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on March 26, 27, and 28, and May 23, 1962. It peaked at number three on the Top LPs chart. It was certified Gold on August 13, 1963 by the Recording Industry Association of America.
Fun in Acapulco is the seventh soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2756, in December 1963. It is the soundtrack to the 1963 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on January 22 and 23 and February 27, 1963; and at RCA Studio B in Nashville, Tennessee, on May 26 and 28, 1963. It peaked at number three on the Billboard Top Pop Albums chart.
Paradise, Hawaiian Style is the thirteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3643, in June 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on July 26 and 27, and August 2, 1965. It peaked at number 15 on the Top LP's chart.
William Keith Pitman was an American guitarist and session musician.
Twistin' the Night Away is the eighth studio album by American singer-songwriter Sam Cooke. Produced by Hugo & Luigi, the album was released in April 1962 in the United States by RCA Victor. Twistin' the Night Away primarily capitalizes on the twist phenomenon and as a result became one of Cooke's most successful LPs, becoming his second to chart and creating a string of chart successes.
Mr. Soul is the ninth studio album by American singer-songwriter Sam Cooke. Produced by Hugo & Luigi, the album was released in February 1963 in the United States by RCA Victor.
"Having a Party" is a song by American singer-songwriter Sam Cooke, released on May 8, 1962, by RCA Victor. Produced by Hugo & Luigi and arranged and conducted by René Hall, the song was the A-side to "Bring It On Home to Me". The song peaked at number four on Billboard's Hot R&B Sides chart, and also charted at number 17 on the Billboard Hot 100.
Alton Reynolds Hendrickson was an American jazz guitarist and occasional vocalist.
