Sam Cooke at the Copa | ||||
---|---|---|---|---|
Live album by | ||||
Released | October 1964 | |||
Recorded | July 7 & 8, 1964 [1] | |||
Venue | Copacabana, New York City [2] | |||
Genre | Rhythm and blues, soul, jazz | |||
Length | 35:37 | |||
Label | RCA Victor | |||
Producer | Al Schmitt | |||
Sam Cooke chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Encyclopedia of Popular Music | [4] |
MusicHound Rock: The Essential Album Guide | [5] |
The New Rolling Stone Record Guide | [6] |
The New Rolling Stone Album Guide | [7] |
Record Mirror | [8] |
Sam Cooke at the Copa is a live album by American singer-songwriter Sam Cooke. [9] [10] The album was released in 1964 in the United States by RCA Victor. [4] It was Cooke's only live album to be released during his lifetime; Live at the Harlem Square Club, 1963 , although recorded earlier, was not released until 1985. [11] Copa was reissued in 2003, with remastered sound. [12]
The album peaked at No. 29 on the Billboard 200. [13]
The album was recorded during a two-week stand in July 1964. [14] The shows during the 1964 engagement were well received, in contrast to a show Cooke performed at the Copa in 1958. [14] [15] [16] Staying away from the Copa—and from many "white" clubs—for years, Cooke was inspired to return after watching Nat King Cole go over well there. [17] Cooke chose to perform a set heavier on standards and show tunes. [18]
Sam Cooke at the Copa was produced by Al Schmitt. [19] It was recorded on 3 tracks, and was engineered by Bernard Keville. [20]
AllMusic wrote: "One of a handful of live albums by a major soul artist of its era, it captured Cooke in excellent voice, and was well-recorded -- it just wasn't really a 'soul' album, except perhaps in the tamest possible definition of that term." [3] The New Rolling Stone Album Guide called the album "genial, and even a bit cheesy in a jivey, Vegas kind of way, but nonetheless spirited in its own right." [7] The Chicago Tribune wrote that Cooke's "fluttering yodel and charming demeanor make evident that he knew he had crashed through the invisible ceiling, hurdling the only barrier he hadn't yet cleared and solidifying his status as the ultimate crossover artist." [1]
The Times wrote that the album "captures the more decorous version of the singer’s live act." [21] Praising the sound of the 2003 reissue, The Baltimore Sun wrote that Cooke "still manages to imbue such stuffy standards as 'Frankie and Johnny', 'If I Had a Hammer' and 'Tennessee Waltz' with gospel-dipped exuberance." [22]
All credits adapted from the album's remastered liner notes. [23]
|
|
Samuel Cook, known professionally as Sam Cooke, was an American singer and songwriter. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the "King of Soul" for his distinctive vocals, notable contributions to the genre and significance in popular music.
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Robert Dwayne Womack was an American singer, songwriter, musician, and record producer. Starting in the early 1950s as the lead singer of his family musical group the Valentinos and as Sam Cooke's backing guitarist, Womack's career spanned more than 60 years and multiple styles, including R&B, jazz, soul, rock and roll, doo-wop, and gospel.
Out of Our Heads is the 3rd British and 4th American studio album by the English rock band the Rolling Stones, released in two editions with different covers and track listings. In the US, London Records released it on 30 July 1965, while Decca Records released its UK edition on 24 September 1965.
ABBA: The Album is the fifth studio album by the Swedish pop group ABBA. It was released in Scandinavia on 12 December 1977 through Polar Music, but due to the massive pre-orders the UK pressing plants were not able to press sufficient copies before Christmas 1977 and so it was not released in the UK until January 1978. The album was released in conjunction with ABBA: The Movie, with several of the songs featured in the film. Altogether the album contains nine songs.
Otis Blue/Otis Redding Sings Soul is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.
"Tennessee Waltz" is a popular country music song with lyrics by Redd Stewart and music by Pee Wee King written in 1946 and first released in January 1948. The song became a multimillion seller via a 1950 recording – as "The Tennessee Waltz" – by Patti Page. As of 1974, it was the biggest-selling song ever in Japan.
"A Change Is Gonna Come" is a song by American singer-songwriter Sam Cooke. It initially appeared on Cooke's album Ain't That Good News, released mid-February 1964 by RCA Victor; a slightly edited version of the recording was released as a single on December 22, 1964. Produced by Hugo & Luigi and arranged and conducted by René Hall, the song was the B-side to "Shake".
The Soul Album is the fourth studio album by American soul singer-songwriter Otis Redding, released in 1966. It features Redding performing songs that he co-wrote, as well as covers of songs by such musicians as Sam Cooke, Eddie Floyd, Roy Head, and Smokey Robinson. Guitarist Steve Cropper contributed guitar on the album, and is also credited as the co-author of three tracks.
A Night in Tunisia is a jazz album by Art Blakey and the Jazz Messengers which was recorded in August 1960.
"You Send Me" is a song written and originally recorded by American singer Sam Cooke, released as a single in 1957 by Keen Records. Produced by Bumps Blackwell and arranged and conducted by René Hall. The song, Cooke's debut single, was a massive commercial success, becoming a No. 1 hit on both Billboard's Rhythm & Blues Records chart and the Billboard Hot 100.
"Take Me to the River" is a 1974 song written by singer Al Green and guitarist Mabon "Teenie" Hodges. Hit versions were recorded by both Syl Johnson and Talking Heads. In 2004, Al Green's original version was ranked number 117 on Rolling Stone magazine's list of the Rolling Stone's 500 Greatest Songs of All Time.
The Man and His Music is a 1986 compilation album by Sam Cooke, released posthumously. It debuted about a month after Cooke was inducted into the Rock and Roll Hall of Fame.
Live at the Harlem Square Club, 1963 is the second live album by the American singer-songwriter Sam Cooke. The album was recorded at the Harlem Square Club in Miami and released in June 1985 in the United States by RCA Records. Initially recorded on January 12, 1963, to be released as a live album entitled One Night Stand, the concert album was not released until 1985. RCA Victor, at the time, viewed the album as too gritty and raw and possibly damaging to his pop image, and quietly kept the recordings in their archive.
"Little Red Rooster" is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie.
Portrait of a Legend: 1951–1964 is a compilation album by American singer-songwriter Sam Cooke, released posthumously on June 17, 2003, by ABKCO Records. The disc covers Cooke's entire career, from his early 1950s beginnings with the Soul Stirrers to the posthumous 1964 single "Shake". The collection includes most of the singer's hit singles, including "You Send Me", "Wonderful World", "Chain Gang", "Cupid", "Twistin' the Night Away", "Bring It On Home to Me", "Another Saturday Night", "Little Red Rooster", "Ain't That Good News", "Good Times", and what is often regarded as Cooke’s magnum opus, "A Change Is Gonna Come".
Ain't That Good News is the eleventh and final studio album by American R&B and soul singer-songwriter Sam Cooke, released mid-February 1964, on RCA Victor Records, in both mono and stereo, LPM 2899 and LSP 2899. Recording sessions for the album took place at RCA Victor's Music Center of the World Studio in February and December 1963 and January 1964. The cover photo was taken by American photographer Wallace Seawell. Ain't That Good News was the final studio album to be issued during Cooke's lifetime, before his death at the age of 33. With the exception of "Another Saturday Night", which had been released as a single early in the previous year, Ain't That Good News comprised the first material that Cooke had recorded in the six months following the drowning death of his 18-month-old son Vincent.
Otis Ray Redding Jr. was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Albert "June" Gardner was an American R&B and jazz drummer and bandleader from New Orleans whose professional music career spanned six decades.
Twistin' the Night Away is the eighth studio album by American singer-songwriter Sam Cooke. Produced by Hugo & Luigi, the album was released in April 1962 in the United States by RCA Victor. Twistin' the Night Away primarily capitalizes on the twist phenomenon and as a result became one of Cooke's most successful LPs, becoming his second to chart and creating a string of chart successes.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)