Nominal level is the operating level at which an electronic signal processing device is designed to operate. The electronic circuits that make up such equipment are limited in the maximum signal they can handle and the low-level internally generated electronic noise they add to the signal. The difference between the internal noise and the maximum level is the device's dynamic range. The nominal level is the level that these devices were designed to operate at, for best dynamic range and adequate headroom. When a signal is chained with improper gain staging through many devices, clipping may occur or the system may operate with reduced dynamic range.
In audio, a related measurement, signal-to-noise ratio, is usually defined as the difference between the nominal level and the noise floor, leaving the headroom as the difference between nominal and maximum output. [1] [2] The measured level is a time average, meaning that the peaks of audio signals regularly exceed the measured average level. The headroom measurement defines how far the peak levels can stray from the nominal measured level before clipping. The difference between the peaks and the average for a given signal is the crest factor.
VU meters are designed to represent the perceived loudness of a passage of music, or other audio content, measuring in volume units. Devices are designed so that the best signal quality is obtained when the meter rarely goes above nominal. The markings are often in dB instead of "VU", and the reference level should be defined in the device's manual. In most professional recording and sound reinforcement equipment, the nominal level is 0 VU =+4 dBu . In semi-professional and domestic equipment, the nominal level is usually −10 dBV. [3] This difference is due to the cost required to create larger power supplies and output higher levels. [4]
In broadcasting equipment, this is termed the Maximum Permitted Level, which is defined by European Broadcasting Union standards. These devices use peak programme meters instead of VU meters, which gives the reading a different meaning.
"Mic level" is sometimes defined as −60 dBV, though levels from microphones vary widely. [5]
In video systems, nominal levels are 1 V P-P for synched systems, such as baseband composite video, and 0.7 VP-P for systems without sync. [5] [6] [7] Note that these levels are measured peak-to-peak, while audio levels are time averages.
In electronics, the figures of merit of an amplifier are numerical measures that characterize its properties and performance. Figures of merit can be given as a list of specifications that include properties such as gain, bandwidth, noise and linearity, among others listed in this article. Figures of merit are important for determining the suitability of a particular amplifier for an intended use.
Bandwidth is the difference between the upper and lower frequencies in a continuous band of frequencies. It is typically measured in unit of hertz.
The decibel is a relative unit of measurement equal to one tenth of a bel (B). It expresses the ratio of two values of a power or root-power quantity on a logarithmic scale. Two signals whose levels differ by one decibel have a power ratio of 101/10 or root-power ratio of 101/20.
Dynamic range is the ratio between the largest and smallest values that a certain quantity can assume. It is often used in the context of signals, like sound and light. It is measured either as a ratio or as a base-10 (decibel) or base-2 logarithmic value of the ratio between the largest and smallest signal values.
Signal-to-noise ratio is a measure used in science and engineering that compares the level of a desired signal to the level of background noise. SNR is defined as the ratio of signal power to noise power, often expressed in decibels. A ratio higher than 1:1 indicates more signal than noise.
In electronics, a digital-to-analog converter is a system that converts a digital signal into an analog signal. An analog-to-digital converter (ADC) performs the reverse function.
Audio power is the electrical power transferred from an audio amplifier to a loudspeaker, measured in watts. The electrical power delivered to the loudspeaker, together with its efficiency, determines the sound power generated.
Audio system measurements are a means of quantifying system performance. These measurements are made for several purposes. Designers take measurements so that they can specify the performance of a piece of equipment. Maintenance engineers make them to ensure equipment is still working to specification, or to ensure that the cumulative defects of an audio path are within limits considered acceptable. Audio system measurements often accommodate psychoacoustic principles to measure the system in a way that relates to human hearing.
A spectrum analyzer measures the magnitude of an input signal versus frequency within the full frequency range of the instrument. The primary use is to measure the power of the spectrum of known and unknown signals. The input signal that most common spectrum analyzers measure is electrical; however, spectral compositions of other signals, such as acoustic pressure waves and optical light waves, can be considered through the use of an appropriate transducer. Spectrum analyzers for other types of signals also exist, such as optical spectrum analyzers which use direct optical techniques such as a monochromator to make measurements.
In electrical engineering and mechanical engineering, the power rating of equipment is the highest power input allowed to flow through particular equipment. According to the particular discipline, the term power may refer to electrical or mechanical power. A power rating can also involve average and maximum power, which may vary depending on the kind of equipment and its application.
A volume unit (VU) meter or standard volume indicator (SVI) is a device displaying a representation of the signal level in audio equipment.
In electronics and signal processing, full scale represents the maximum amplitude a system can represent.
In digital and analog audio, headroom refers to the amount by which the signal-handling capabilities of an audio system can exceed a designated nominal level. Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the nominal level without damaging the system or the audio signal, e.g., via clipping. Standards bodies differ in their recommendations for nominal level and headroom.
Decibels relative to full scale is a unit of measurement for amplitude levels in digital systems, such as pulse-code modulation (PCM), which have a defined maximum peak level. The unit is similar to the units dBov and decibels relative to overload (dBO).
A peak programme meter (PPM) is an instrument used in professional audio that indicates the level of an audio signal.
Audio noise measurement is a process carried out to assess the quality of audio equipment, such as the kind used in recording studios, broadcast engineering, and in-home high fidelity.
The alignment level in an audio signal chain or on an audio recording is a defined anchor point that represents a reasonable or typical level.
A quasi-peak detector is a type of electronic detector or rectifier. Quasi-peak detectors for specific purposes have usually been standardized with mathematically precisely defined dynamic characteristics of attack time, integration time, and decay time or fall-back time.
Broadcast-safe video is a term used in the broadcast industry to define video and audio compliant with the technical or regulatory broadcast requirements of the target area or region the feed might be broadcasting to. In the United States, the Federal Communications Commission (FCC) is the regulatory authority; in most of Europe, standards are set by the European Broadcasting Union (EBU).
An audio analyzer is a test and measurement instrument used to objectively quantify the audio performance of electronic and electro-acoustical devices. Audio quality metrics cover a wide variety of parameters, including level, gain, noise, harmonic and intermodulation distortion, frequency response, relative phase of signals, interchannel crosstalk, and more. In addition, many manufacturers have requirements for behavior and connectivity of audio devices that require specific tests and confirmations.