Octave (poetry)

Last updated

An octave is a verse form consisting of eight lines of iambic pentameter (in English) or of hendecasyllables (in Italian). The most common rhyme scheme for an octave is ABBA ABBA.

Contents

An octave is the first part of a Petrarchan sonnet, which ends with a contrasting sestet. In traditional Italian sonnets the octave always ends with a conclusion of one idea, giving way to another idea in the sestet. Some English sonnets break that rule, often to striking effect. In Milton's Sonnet 19, the sestet begins early, halfway through the last line of the octave:

When I consider how my light is spent
Ere half my days in this dark world and wide,
And that one talent which is death to hide
Lodg'd with me useless, though my soul more bent

To serve therewith my Maker and present
My true account, lest he returning chide,
"Doth God exact day-labor, light denied?"
I fondly ask. But patience, to prevent

That murmur, soon replies: "God doth not need
Either man's work or his own gifts: who best
Bear his mild yoke, they serve him best. His state
Is kingly; thousands at his bidding speed

And post o'er land and ocean without rest:
They also serve who only stand and wait." [1]

See also

Related Research Articles

<span class="mw-page-title-main">Sonnet</span> Poetic form, traditionally fourteen specifically-rhymed lines

A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect.

Poetry analysis is the process of investigating a poem's form, content, structural semiotics and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.

A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.

<span class="mw-page-title-main">Thomas Newton</span>

Thomas Newton was an English cleric, biblical scholar and author. He served as the Bishop of Bristol from 1761 to 1782.

A sestet is six lines of poetry forming a stanza or complete poem. A sestet is also the name given to the second division of an Italian sonnet, which must consist of an octave, of eight lines, succeeded by a sestet, of six lines.

The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines in two parts, the first part being an octave and the second being a sestet.

<span class="mw-page-title-main">Elizabethan literature</span>

Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, Richard Hooker, Ben Jonson, Philip Sidney, and Thomas Kyd.

In poetry, the volta, or turn, is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry.

<i>Holy Sonnets</i> Series of 19 poems by John Donne

The Holy Sonnets—also known as the Divine Meditations or Divine Sonnets—are a series of nineteen poems by the English poet John Donne (1572–1631). The sonnets were first published in 1633—two years after Donne's death. They are written predominantly in the style and form prescribed by Renaissance Italian poet Petrarch (1304–1374) in which the sonnet consisted of two quatrains and a sestet. However, several rhythmic and structural patterns as well as the inclusion of couplets are elements influenced by the sonnet form developed by English poet and playwright William Shakespeare (1564–1616).

Miltons 1645 <i>Poems</i>

Milton's 1645 Poems is a collection, divided into separate English and Latin sections, of John Milton's youthful poetry in a variety of genres, including such notable works as An Ode on the Morning of Christ's Nativity, Comus and Lycidas. Appearing in late 1645 or 1646, the octavo volume, whose full title is Poems of Mr. John Milton both English and Latin, compos'd at several times, was issued by the Royalist publisher Humphrey Moseley. In 1673, a year before his death, Milton issued a revised and expanded edition of the Poems.

<span class="mw-page-title-main">Petrarch's and Shakespeare's sonnets</span> Poetic analysis

The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones. Both writers cemented the sonnet's enduring appeal by demonstrating its flexibility and lyrical potency through the exceptional quality of their poems.

"London, 1802" is a poem by the English Romantic poet William Wordsworth. In the poem Wordsworth castigates the English people as stagnant and selfish, and eulogises seventeenth-century poet John Milton.

"The World Is Too Much with Us" is a sonnet by the English Romantic poet William Wordsworth. In it, Wordsworth criticises the world of the First Industrial Revolution for being absorbed in materialism and distancing itself from nature. Composed circa 1802, the poem was first published in Poems, in Two Volumes (1807). Like most Italian sonnets, its 14 lines are written in iambic pentameter.

"On the Late Massacre in Piedmont" is a sonnet by the English poet John Milton inspired by the Easter massacre of Waldensians in Piedmont by the troops of Charles Emmanuel II, Duke of Savoy in April 1655. Also known as Milton’s “Sonnet 18,” “On the Late Massacre at Piedmont” has been described by the famous essayist William Hazlitt as filled with “prophetic fury.”

Fixed verse forms are a kind of template or formula that poetry can be composed in. The opposite of fixed verse is free verse poetry, which by design has little or no pre-established guidelines.

"When I Consider How My Light is Spent" is one of the best known of the sonnets of John Milton (1608–1674). The last three lines are particularly well known; they conclude with "They also serve who only stand and wait", which is much quoted though rarely in context. Variants of it have been used as mottos in a number of contexts, for example the Dickin Medal for service animals bears the motto "We also serve", and the Navy Wives Clubs of America uses the motto "They Also Serve, Who Stay and Wait". In U.S. popular culture it is perhaps best known for Hall of Fame baseball broadcaster Vin Scully, who would quote it when showing a player not in the game.

<span class="mw-page-title-main">English Romantic sonnets</span>

The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, at least as a vehicle for love poetry, and he wrote no more than five.

"Reuben Bright" is a (modified) Petrarchan sonnet written by American poet Edwin Arlington Robinson, early in his career, and published in Children of the Night (1897). The poem acquired some fame as teaching material for English teachers.

"Holy Sonnet XIV" – also known by its first line as "Batter my heart, three-person'd God" – is a poem written by the English poet John Donne. It is a part of a larger series of poems called Holy Sonnets, comprising nineteen poems in total. The poem was printed and published for the first time in Poems in 1633, two years after the author's death. In the 1633 edition the sequence of the poems was different from that found in Herbert Grierson’s edition from 1912; that is why Holy Sonnet XIV features as Holy Sonnet X in older publications. However, the majority of twentieth-century and later editions of Donne's Holy Sonnets are found to prefer and use the order proposed by Grierson and thus include the sonnet as the fourteenth in the cycle.

"Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death.

References

  1. Milton, John. "Sonnet 19: When I consider how my light is spent". poetry foundation. poetry foundation. Retrieved 15 November 2020.