Exile in Guyville is the debut album by American singer-songwriter Liz Phair, released on June 22, 1993, by Matador Records. It was recorded at Idful Music Corporation in Chicago between 1992 and 1993 and produced by Phair and Brad Wood. The album received critical acclaim and in 2020, it was ranked No. 56 by Rolling Stone in its 500 Greatest Albums of All Time list. It was certified gold in 1998.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."
69 Love Songs is the sixth studio album by American indie pop band the Magnetic Fields, released on September 14, 1999, by Merge Records. As its title indicates, 69 Love Songs is a three-volume concept album composed of 69 love songs, all written by Magnetic Fields frontman Stephin Merritt.
More Adventurous is the third studio album by American indie rock band Rilo Kiley. Released on August 17, 2004 by Brute/Beaute Records, a self-made imprint distributed by Warner Records, it was the band's major label debut.
Mint Records is a Vancouver, British Columbia, Canada-based independent record label founded in 1991, by friends and campus radio enthusiasts Randy Iwata and Bill Baker. Mint has put out over 150 releases, several of which have won Juno Awards.
Pazz & Jop was an annual poll of top musical releases, compiled by American newspaper The Village Voice and created by music critic Robert Christgau. It published lists of the year's top releases for 1971 and, after Christgau's two-year absence from the Voice, each year from 1974 onward. The polls are tabulated from the submitted year-end top 10 lists of hundreds of music critics. It was named in acknowledgement of the defunct magazine Jazz & Pop, and adopted the ratings system used in that publication's annual critics poll.
Wild Gift is the second studio album by American rock band X, released on May 6, 1981, by Slash Records. It was very well received critically, and was voted the year's second best album in The Village Voice's Pazz & Jop poll. Wild Gift was later ranked at number 334 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Los Angeles is the debut studio album by American rock band X, released on April 26, 1980, by Slash Records. It was produced by ex-Doors keyboardist Ray Manzarek and includes a cover of the 1967 Doors song "Soul Kitchen".
Let It Be is the third studio album by American rock band the Replacements. It was released on October 2, 1984, by Twin/Tone Records. A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a little more sincere."
Into the Music is the 11th studio album by Northern Irish singer-songwriter Van Morrison, and was released in August 1979. It includes "Bright Side of the Road", which peaked at number 63 on the UK Singles Chart, and other songs in which Morrison sought to return to his more profound and transcendent style after the pop-oriented Wavelength. The record received favourable reviews from several music critics and was named as one of the year's best albums in the Pazz & Jop critics' poll.
Dig Me Out is the third studio album by the American rock band Sleater-Kinney, released on April 8, 1997, by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who would become the band's longest-serving drummer. The music on the record was influenced by traditional rock and roll bands, while the lyrics deal with issues of heartbreak and survival. The album cover is an homage to the Kinks' 1965 album The Kink Kontroversy.
Trouble in Paradise is the seventh studio album by the American musician Randy Newman, released in 1983. It includes "I Love L.A." and the first single, "The Blues", a duet with Paul Simon. "Same Girl" is about a woman addicted to heroin. Newman supported the album playing shows with the Roches.
New Sensations is the thirteenth solo studio album by American rock musician Lou Reed, released in April 1984 by RCA Records. John Jansen and Reed produced the album. New Sensations peaked at No. 56 on the U.S. Billboard 200 and at No. 92 on the UK Albums Chart. This marked the first time that Reed charted within the US Top 100 since his eighth solo studio album Street Hassle (1978), and the first time that Reed had charted in the UK since his sixth solo studio album Coney Island Baby (1976). Three singles were released from the album: "I Love You, Suzanne", "My Red Joystick" and "High in the City", with "I Love You, Suzanne" being the only single to chart, peaking at No. 78 on the UK Singles Chart. The music video for "I Love You, Suzanne" did, however, receive light rotation on MTV.
Howlin' Wind is the debut album by English singer-songwriter Graham Parker and his band the Rumour, released in April 1976. The Rumour were mainly former pub rock musicians, including guitarist Brinsley Schwarz and keyboardist Bob Andrews of the band Brinsley Schwarz; Parker's recent jobs included working as a petrol pump attendant. The music is a blend of rock and roll, R&B, reggae and folk music, behind Parker's searingly intelligent lyrics and passionate vocals. Critics likened Parker's spirit to British punk rock, then in its early stage, and retrospectively to that of singer-songwriters Elvis Costello and Joe Jackson, who would release their debut records within a few years of Howlin' Wind.
Separation Sunday is the second studio album by the American indie rock band the Hold Steady, released on May 3, 2005, through Frenchkiss Records. A concept album, Separation Sunday follows the interconnected stories of several fictional characters: Craig, Holly, a sometimes addict, sometimes prostitute, sometimes born again Christian or Catholic ; Charlemagne, a pimp; and Gideon, a skinhead, as they travel from city to city and party to party.
The Moldy Peaches is the debut album by American indie rock band the Moldy Peaches. It was primarily recorded in a basement in Port Townsend, Washington, and was released in 2001. The album has the dubious distinction of being released in the United States on September 11, 2001, the date of the attacks on the World Trade Center, while coincidentally featuring a song called "NYC's Like a Graveyard".
Lyres are a Boston-area garage rock band led by Jeff Conolly, founded in 1979 following the breakup of DMZ. Their most popular songs include "Don't Give It Up Now," "She Pays The Rent" and "Help You Ann".
The Neats were a rock band from Boston, Massachusetts, which existed from the late 1970s to early 1990s. They first recorded for the independent Propeller label, on which the band released the song "Six" in 1981. The following year, their well-received debut The Monkey's Head in the Corner of the Room, a 7-song EP, was released on Boston's Ace of Hearts Records. It was voted one of the best EPs of 1982 in Village Voice's annual Pazz & Jop poll. Three full-length albums followed. They occasionally played on the same bill as Mission of Burma; they once toured nationally with R.E.M.
Who's Landing in My Hangar? was the 1981 debut studio album by American rock band Human Switchboard.
A Promise Is a Promise is an album by the American band Lyres, released in 1988. A band timeline constructed by Pete Frame that was included in the gatefold claimed that the album was recorded by the 13th lineup of the Lyres. The cassette and CD versions of the album added seven songs.
