This article needs additional citations for verification .(December 2009) |
Onward to Golgotha | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | May 5, 1992 | |||
Recorded | September–November 1991 | |||
Studio | Trax East Studios, South River, New Jersey | |||
Genre | ||||
Length | 45:26 | |||
Label | Relapse | |||
Producer |
| |||
Incantation chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Onward to Golgotha is the debut studio album by American death metal band Incantation, released on May 5, 1992 by Relapse Records. It was re-released in October 2006 with a bonus DVD of live performances. Decibel added the album to their hall of fame.[ clarification needed ] To celebrate being added to the hall of fame, it was re-released on 180 gram vinyl, but limited to only 1,000 copies.
In response to the increasing commercial success of death metal in the early 1990s, the members of Incantation "were hell-bent on driving [the genre] back into darker underground regions where it had originally arisen from in the mid-to-late ’80s with bands like Possessed, Celtic Frost, Bathory and Death," according to Scott Koerber of Decibel . [3] Hence, the sound on Onward to Golgotha has been characterized by a "morbid, funereal atmosphere", drawing influence from black metal and doom metal. [4] Scott Koerber of Decibel described the album's sound as utilizing "swarming guitars, blasting darkness and crushing doom" guided by a "warlike, blackened death metal pace, with abstract leads and pinch harmonics illuminating the tangled mass." [5] Greg Prato of AllMusic described the album as "the sound of being swallowed whole into the bowels of hell" and "death metal at its most extreme." [6]
Incantation guitarist John McEntee cited the 1985 album Seven Churches by Possessed as a major influence on Onward to Golgotha. [7]
Greg Prato of AllMusic gave the album three and a half stars out of five. He wrote: "Onward to Golgotha does not let up one iota in its intensity -- evidenced in the vocal growls, manic riffing, and wicked drumbeats -- from beginning to end. Take a gander at some of the song titles. [...] Any question of how brutal it all must sound? Didn't think so." [8]
In 2021, Tom Morgan of Invisible Oranges wrote: "The whole aesthetic of Onward To Golgotha is in fact so well-realised that it has come to define the sonic parameters of ‘old school death metal’ in our collective imaginations. Although Incantation and Relapse’s relationship would eventually turn sour, Onward To Golgotha is an undeniable genre masterpiece – the very first released by the then-fledgling label." [9]
No. | Title | Length |
---|---|---|
1. | "Golgotha" | 3:29 |
2. | "Devoured Death" | 2:19 |
3. | "Blasphemous Cremation" | 4:24 |
4. | "Rotting Spiritual Embodiment" | 4:59 |
5. | "Unholy Massacre" | 4:38 |
6. | "Entrantment of Evil" | 2:39 |
7. | "Christening the Afterbirth" | 5:33 |
8. | "Immortal Cessation" | 3:26 |
9. | "Profanation" | 4:55 |
10. | "Deliverance of Horrific Prophecies" | 5:29 |
11. | "Eternal Torture" | 3:31 |
It's a sound on Onward to Golgotha that Decibel's Scott Koerber describes as '42 pounding minutes of swarming guitars, blasting darkness and crushing doom set to a warlike, blackened death metal pace'