"What It's Like" is a song by American musician Everlast. It was released in July 1998 as the lead single from his second studio album, Whitey Ford Sings the Blues (1998). The song is typical of the style Everlast embraced after leaving hip hop trio House of Pain, being a combination of rock, hip-hop and blues incorporating characterization and empathy towards impoverished protagonists.
"Waiting for a Star to Fall" is a song by American pop music duo Boy Meets Girl in 1988, written by the duo's two members, Shannon Rubicam and George Merrill. They wrote the song after witnessing a falling star at a Whitney Houston concert and originally offered the song to Houston, but Arista Records CEO Clive Davis rejected it. American singer Belinda Carlisle then recorded the song but denied its inclusion on her 1987 album Heaven on Earth, so Rubicam and Merrill decided to record and release the song themselves.
"Ooh Stick You" is the debut single recorded of American pop duo Daphne and Celeste. It was released on January 24, 2000, as the lead single from their debut album, We Didn't Say That!. It reached number eight in the United Kingdom, number 40 in Ireland, number 54 in Australia, and number five in New Zealand, where it went platinum for sales of over 10,000.
"Ooh La La" is a song by English electronic music duo Goldfrapp from their third studio album, Supernature (2005). Written and produced by Alison Goldfrapp and Will Gregory, the song consists largely of a synthesiser and guitar arrangement, and has been described as "a dirty, decadent homage to Marc Bolan". It features a sample from the 1969 song "Spirit in the Sky" by Norman Greenbaum.
"Angel of Mine" is a song by British R&B girl group Eternal from their first compilation album, Greatest Hits (1997). It was written by Rhett Lawrence and Travon Potts, produced by Lawrence, and released on 29 September 1997. The song became Eternal's 12th and final top-10 hit on the UK Singles Chart, peaking at number four. "Angel of Mine" was the ensemble's final single as a three-piece, as after its release, Kéllé Bryan left the group. In June 2019, "Angel of Mine" was ranked at number 91 on the Official Charts Company's "Top 100 Girl Band Singles of the Last 25 Years".
"Sweet like Chocolate" is a song by British garage music duo Shanks & Bigfoot with vocalist Sharon Woolf. It was released as a single on 17 May 1999 and was included on the duo's debut album, Swings and Roundabouts, the following year. Vocals on the track are sung by Sharon Woolf, who had also sung on their track "Straight from the Heart", which was released under their previous band name, 'Doolally'.
"The First Night" is a song by American singer Monica for her second studio album, The Boy Is Mine (1998). It was written by Tamara Savage and Jermaine Dupri, featuring production and additional vocals from the latter. Built around a sample of Diana Ross's 1976 recording "Love Hangover", penned by Marilyn McLeod and Pam Sawyer, who share co-writing credits, the song is about the protagonist's battle with sexual temptations on the night of her first date, despite her conflicting emotions and strong sexual desires.
"Girlfriend" is a pop and hip hop song by American boy band NSYNC. It was released on March 12, 2002, as the third and final single from their third studio album Celebrity. It was the group's last song to enter the top 10 of the US Billboard Hot 100, peaking at number five. "Girlfriend" additionally reached number one in Canada and charted within the top 10 in six other countries, including Australia, Germany, and the United Kingdom.
"Born Slippy .NUXX" is a song by British electronic music group Underworld. It was first released as the B-side to an unrelated track, "Born Slippy", in May 1995. The fragmented lyrics, by vocalist Karl Hyde, describe the perspective of an alcoholic.
"You're Makin' Me High" is the lead single from American singer Toni Braxton's second studio album, Secrets (1996). This mid-tempo song represents a joint collaboration between the Grammy Award-winning producer Babyface and Bryce Wilson, and was issued in the United States as a double A-side with "Let It Flow", the airplay hit from the 1995 film Waiting to Exhale. The beat of the song was originally for singer-songwriter Brandy, with Dallas Austin pegged to write a lyric to override; however, Braxton had Babyface write lyrics for the song.
"C'est la Vie" is a song by Irish girl group B*Witched. It served as their debut single and the lead single from their self-titled debut studio album (1998). Written by band members Edele Lynch, Keavy Lynch, Lindsay Armaou, and Sinéad O'Carroll, Ray "Madman" Hedges, Martin Brannigan and Tracy Ackerman, it was released by Epic and Glowworm Records on 25 May 1998.
"If You Could Read My Mind" is a song by Canadian singer-songwriter Gordon Lightfoot. Lightfoot wrote the lyrics while he was reflecting on his own divorce. It reached No. 1 on the Canadian Singles Chart on commercial release in 1970 and charted in several other countries on international release in 1971.
"Black Eyed Boy" is the third single from Scottish rock band Texas's fourth studio album, White on Blonde (1997). The song was released on 28 July 1997 and reached number five on the UK Singles Chart. Elsewhere, the song reached the top 50 in Australia, Belgium, France, Ireland, and Sweden.
"Where's the Love" is a song by American pop rock band Hanson. It was released on September 1, 1997, as the second single from the band's debut album, Middle of Nowhere (1997). Internationally, it was a successful follow-up to "MMMBop", reaching the top 10 in Australia, Canada, Finland, Hungary, New Zealand, and the United Kingdom. In the United States, "Where's the Love" did not chart on the Billboard Hot 100 due to rules regarding commercial releases, but it peaked at number 27 on the Billboard Hot 100 Airplay chart and number six on the Billboard Mainstream Top 40.
"Young Boy" is a song by Paul McCartney, included as the fifth track on his 10th studio album, Flaming Pie (1997). McCartney reportedly started working on the song in August 1994. The initial tracks were recorded in February 1995 at Steve Miller's studio in Sun Valley, Idaho, and were completed in May at McCartney's home studio.
"Ooh Aah... Just a Little Bit" is the debut solo single of Australian singer Gina G. The song was written by British songwriters Simon Caldwell and Steve Rodway, and released on 25 March 1996 as the first single from her debut album, Fresh! (1997). It reached No. 1 on the UK Singles Chart almost two months later and was also a number-one hit in Israel. In the US, the song peaked at No. 12 on the Billboard Hot 100. The song was the United Kingdom's entry in the Eurovision Song Contest 1996, held in Oslo, Norway, where it finished in eighth place. It was successful on the charts in Europe, Australia and the US, and was nominated for the Grammy Award for Best Dance Recording.
This is the discography of Coolio, an American rapper.
"C U When U Get There" is a song by American rapper Coolio featuring 40 Thevz. The song is based on the melody of Johann Pachelbel's Canon in D Major and was released in June 1997 as the first single from Coolio's third studio album, My Soul (1997). The track was also featured on the soundtrack to the 1997 comedy film Nothing to Lose.
"A Different Beat" is a song by Irish boy band Boyzone from their second studio album of the same name (1996). The song was written by Ronan Keating, Stephen Gately, Shane Lynch, Keith Duffy, Martin Brannigan, and Ray Hedges, and it was produced by Hedges with additional production by Trevor Horn on the radio edit. It was released as the album's second single on 2 December 1996 by Polydor Records, becoming their only UK number-one hit to be co-written by members of the group.
"1, 2, 3, 4 " is a song by American rapper Coolio. It was the third single released from his second studio album, Gangsta's Paradise (1995), in February 1996. Initially entitled "Sumpin' New", the song uses a sample from "Thighs High ", recorded in 1981 by American jazz trumpeter Tom Browne, and also includes a vocal sample from "Wikka Wrap" by the Evasions, from 1981. The song achieved success in several countries, including the United States, France, Iceland, and New Zealand, where it was a top-10 hit.
