McKinley Howard "Kenny" Dorham was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with underrated." Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album Page One.
Joe Henderson was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve.
Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title composition was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin," Silver recalls in the liner notes: "He was born on the island of Maio, one of the Cape Verde Islands."
Unity is an album by jazz organist Larry Young, released on the Blue Note label in August, 1966. The album features trumpeter Woody Shaw, tenor saxophonist Joe Henderson and drummer Elvin Jones. While not free jazz, the album features experimentation that was innovative for the time. Young chose the title because, "although everybody on the date was very much an individualist, they were all in the same frame of mood. It was evident from the start that everything was fitting together." The album was Young's second for Blue Note, and is widely considered a "post-bop" classic.
Vertigo is an album by American saxophonist Jackie McLean recorded in 1962 and 1963 but not released on the Blue Note label until 1980. The initial release contained only the five tracks from 1963, while the later 2000 limited CD edition, released as part of the "Connoisseur Series", added six tracks from a 1962 session originally marked for release as Jackie McLean Quintet, first issued in 1978 as part of a double LP entitled Hipnosis.
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
A Night at the Village Vanguard is a live album by tenor saxophonist Sonny Rollins, released on Blue Note Records in 1958. It was recorded at the Village Vanguard in New York City in November 1957 from three sets, two in the evening and one in the afternoon with different sidemen. For the afternoon set, Rollins played with Donald Bailey on bass and Pete LaRoca on drums; in the evening they were replaced respectively by Wilbur Ware and Elvin Jones.
A Night at Birdland Vol. 1 is a 1954 release by jazz artist Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curly Russell. One of the earliest hard bop recordings, it was first released by Blue Note Records as a 10" LP and then as a 12" LP containing material from the second 10" album. It was reissued for the first time on CD in 1987 with two additional tracks, previously released on a 2 LP Compilation in 1975 called Live Messengers (BN-LA473-J2). The CD was reissued again in 2001 as an "RVG Edition" remastered by Rudy Van Gelder with the tracks in a different order. The 1987 CD used the second 12" LP cover, the 2001 CD revived the original 10" LP cover.
At the Cafe Bohemia, Vol. 2 is a 1956 live album release by the Jazz Messengers. It was first released by Blue Note Records. This record featured the original incarnation of The Jazz Messengers, one of Art Blakey's most endearing bands, and was the second of two volumes recorded at Café Bohemia, a famous night club in Greenwich Village in New York, New York on November 23, 1955.
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
J. R. Monterose, born Frank Anthony Peter Vincent Monterose, Jr., was an American jazz saxophonist, playing mainly tenor and occasionally soprano.
Our Thing is the second album by American jazz tenor saxophonist Joe Henderson on Blue Note. It features performances by Henderson, trumpeter Kenny Dorham, pianist Andrew Hill, drummer Pete La Roca and bassist Eddie Khan of originals by Henderson and Dorham. The CD reissue added a bonus take of "Teeter Totter".
Goin' Up is an album by trumpeter Freddie Hubbard released on the Blue Note label in 1961. It features performances by Hubbard, Hank Mobley, McCoy Tyner, Paul Chambers and Philly Joe Jones.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
In 'n Out is the third album by the jazz saxophonist Joe Henderson, released on the Blue Note label. It was recorded on April 10, 1964, and contains performances by Henderson with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Richard Davis and drummer Elvin Jones.
New York Reunion is a 1991 album by McCoy Tyner released on the Chesky label. It was recorded in April 1991 and features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Al Foster. The AllMusic review by Scott Yanow states that "The advanced hard bop music is as rewarding as one would expect".
"Blue Bossa" is an instrumental jazz composition by Kenny Dorham. It was introduced on Joe Henderson's 1963 album Page One. A blend of hard bop and bossa nova, the tune was possibly influenced by Dorham's visit to the Rio de Janeiro Jazz Festival in 1961. The tune has since been recorded numerous times by different artists, making it a jazz standard.
Una Mas, titled Una Mas (One More Time) on the front cover, is a jazz album by trumpeter Kenny Dorham and his quintet, released in 1963 on Blue Note as BLP 4127 and BST 84127. The album would be the next-to-last studio session led by the trumpeter. Una Mas features three compositions by Dorham himself. An outtake from the session, the ballad "If Ever I Would Leave You", comes from the Broadway musical Camelot.
Trompeta Toccata is a 1964 jazz album by trumpeter Kenny Dorham. It was released by Blue Note Records in 1965 as BST 84181. It was remastered by original recording engineer Rudy Van Gelder in 2006. Trompeta Toccata, as with Dorham's previous album Una Mas, features only four pieces, three of which were written by the trumpeter himself. Trompeta Toccata would be his last appearance as a leader; Bob Blumenthal wrote in his 2006 liner notes for the album that "the remainder of Dorhams' recorded career was confined to sideman appearances that can be counted on the fingers of one hand".
"Recorda Me", which translates to "Remember Me" from Portuguese, is a jazz standard by the saxophonist Joe Henderson. It was introduced on Henderson's debut album Page One, in 1963. This album also featured the first recording of the jazz standard "Blue Bossa", written by trumpeter Kenny Dorham. English lyrics were later written by vocalist Kelley Johnson under the title "Remember Me.'
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