Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title composition was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin," Silver recalls in the liner notes: "He was born on the island of Maio, one of the Cape Verde Islands."
Power to the People is an album by jazz saxophonist Joe Henderson, released on Milestone in 1969. Featuring Henderson with trumpeter Mike Lawrence, pianist Herbie Hancock, bassist Ron Carter and drummer Jack DeJohnette. Hancock’s electric piano and Carter’s bass guitar are the first electric instruments to appear on a Henderson album.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, released by Blue Note Records in 1963. Besides Henderson, the musicians for the album were trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The album's tracks were all written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: "Recorda Me" by Henderson and "Blue Bossa" by Dorham. All the musicians but Tyner are credited are on the album's front cover; Tyner is listed simply as "etc.", because he was signed to the rival Impulse! Records label.
Super Blue is a 1978 album by jazz musician Freddie Hubbard. It was originally released on the Columbia label and peaked at #6 on the Billboard Charts. The album features performances by Hubbard, Hubert Laws, Joe Henderson and Kenny Barron with George Benson guesting on one track. In 2007 the album was rereleased on the Mosaic Contemporary label with three alternate takes.
The All Seeing Eye is the ninth jazz album by saxophonist Wayne Shorter, recorded on October 15, 1965, and released on the Blue Note label as BLP 4219 and BST 84219 in 1966. The album features performances by Shorter with trumpeter Freddie Hubbard, trombonist Grachan Moncur III, alto saxophonist James Spaulding, pianist Herbie Hancock, bassist Ron Carter and drummer Joe Chambers. Shorter's brother, Alan composed and plays fluegelhorn on the final track, “Mephistopheles”. The AllMusic review by Scott Yanow states: "it is clear from the start that the music on this CD reissue is not basic bop and blues... the dramatic selections, and their brand of controlled freedom has plenty of subtle surprises. This is stimulating music that still sounds fresh over three decades later".
Mode for Joe is the fifth studio album by American jazz saxophonist Joe Henderson, recorded and released in 1966. Featuring Henderson with a larger than usual ensemble consisting of trumpeter Lee Morgan, trombonist Curtis Fuller, vibraphonist Bobby Hutcherson, pianist Cedar Walton, bassist Ron Carter and drummer Joe Chambers. It was Henderson’s last Blue Note recording as leader until the live albums The State of the Tenor, Vols. 1 & 2 almost 20 years later.
The Rumproller is an album by jazz trumpeter Lee Morgan released on the Blue Note label. It was recorded mainly on April 21, 1965 and features performances by Morgan with Joe Henderson, Ronnie Mathews, Victor Sproles, and Billy Higgins.
In 'n Out is the third album by the jazz saxophonist Joe Henderson, released on the Blue Note label. It was recorded on April 10, 1964, and contains performances by Henderson with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Richard Davis and drummer Elvin Jones.
13th House is a 1981 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in October 1980 and features performances by Tyner with a big band that includes alto saxophonist Joe Ford, flautist Hubert Laws, tenor saxophonist Ricky Ford, trombonist Slide Hampton, bassist Ron Carter and trumpeters Oscar Brashear and Charles Sullivan.
Tetragon is the seventh album by jazz saxophonist Joe Henderson, and his second to be released on the Milestone label. It was recorded on September 27, 1967 and May 16, 1968 and features performances by Henderson with two different quartets, both with bassist Ron Carter, one with pianist Don Friedman and drummer Jack DeJohnette, the other with pianist Kenny Barron and drummer Louis Hayes. The Allmusic review by Scott Yanow states that "Highlights of this album include the title track, "I've Got You Under My Skin" and "Invitation."".
Mama Too Tight is an album by Archie Shepp released on Impulse! Records in 1967. The album contains tracks recorded by Shepp, trumpeter Tommy Turrentine, trombonists Grachan Moncur III and Roswell Rudd, tuba player Howard Johnson, clarinetist Perry Robinson, bassist Charlie Haden and drummer Beaver Harris in August of 1966.
The Way Ahead is an album by Archie Shepp, released on Impulse! Records in 1968. The album contains tracks recorded by Shepp, trumpeter Jimmy Owens, trombonist Grachan Moncur III, pianist Walter Davis Jr., bassist Ron Carter and drummers Roy Haynes and Beaver Harris in January of 1968 with two additional tracks featuring baritone saxophonist Charles Davis, pianist Dave Burrell and bassist Walter Booker recorded in February 1969, and first released on Kwanza (1974), added to the CD release.
Kwanza is an album by Archie Shepp released on Impulse! in 1974. The album contains tracks recorded from September 1968 to August 1969 by Shepp with four different ensembles.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Piccolo is a 1977 release by the Ron Carter Quartet. The quartet consists of Ron Carter on piccolo bass, Kenny Barron on piano, Buster Williams on double bass, and Ben Riley on drums. The album was recorded live at Sweet Basil in New York City on March 25–26, 1977. Piccolo is considered one of Ron Carter's best albums from the late 1970s due to its excellent recording, live-club feel, and exquisite musicianship. After being brought together by Carter and playing in his quartet for a few years, Barron, Williams, and Riley went on to form Sphere with Charlie Rouse.
If You're Not Part of the Solution, You're Part of the Problem is the eleventh album by American jazz tenor saxophonist Joe Henderson. It was rereleased in 2004 as At the Lighthouse, with an alternative album cover listing the personnel in place of the original title and several extra tracks. Henderson’s live band includes trumpeter Woody Shaw, keyboardist George Cables, bassist Ron McClure, tumbador Tony Waters and drummer Lenny White.
The Blues and Other Colors is an album by saxophonist James Moody recorded in 1968 and 1969 and released on the Milestone label.
Pinnacles is an album by jazz trombonist and arranger J. J. Johnson recorded in 1979 for the Milestone label.
The New Wave in Jazz is a live album recorded on March 28, 1965 at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.
Exploration is an album by trombonist and composer Grachan Moncur III. It was recorded in June 2004, and was released by Capri Records later that year. On the album, Moncur is accompanied by saxophonists Gary Bartz, Gary Smulyan, and Billy Harper, trumpeter Tim Hagans, trombonist Dave Woodley, horn player John Clark, bassist Ray Drummond, and drummer Andrew Cyrille. The music was arranged by Mark Masters. It was Moncur's first album after a lengthy hiatus, during which he wrote, taught, and dealt with dental issues.
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