Power to the People is an album by jazz saxophonist Joe Henderson, released on Milestone in 1969. Featuring Henderson with trumpeter Mike Lawrence, pianist Herbie Hancock, bassist Ron Carter and drummer Jack DeJohnette. Hancock’s electric piano and Carter’s bass guitar are the first electric instruments to appear on a Henderson album.
Straight Life is a soul/funk influenced jazz album recorded in 1970 by trumpeter Freddie Hubbard. It was recorded on 16 November 1970 and released between the albums Red Clay (1970) and First Light (1971). This is also Hubbard's eighteenth overall album.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, released by Blue Note Records in 1963. Besides Henderson, the musicians for the album were trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The album's tracks were all written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: "Recorda Me" by Henderson and "Blue Bossa" by Dorham. All the musicians but Tyner are credited are on the album's front cover; Tyner is listed simply as "etc.", because he was signed to the rival Impulse! Records label.
Super Blue is a 1978 album by jazz musician Freddie Hubbard. It was originally released on the Columbia label and peaked at #6 on the Billboard Charts. The album features performances by Hubbard, Hubert Laws, Joe Henderson and Kenny Barron with George Benson guesting on one track. In 2007 the album was rereleased on the Mosaic Contemporary label with three alternate takes.
Freddie Hubbard/Stanley Turrentine In Concert Volume One is a live album recorded in 1973 by jazz trumpeter Freddie Hubbard and tenor saxophonist Stanley Turrentine. It was recorded in Chicago and Detroit for Creed Taylor's CTI label and features performances by Hubbard, Turrentine, guitarist Eric Gale, bassist Ron Carter, drummer Jack DeJohnette and pianist Herbie Hancock.
Supertrios is a 1977 album by jazz pianist McCoy Tyner, his eleventh to be released on the Milestone label. It was recorded in April 1977 and features performances by Tyner with two rhythm sections: bassist Ron Carter and drummer Tony Williams on the first half of the album, and bassist Eddie Gómez and drummer Jack DeJohnette on the second.
Inner Voices is a 1977 album by jazz pianist McCoy Tyner, his twelfth to be released on the Milestone label. It was recorded in September 1977 and features performances by Tyner with bassist Ron Carter, guitarist Earl Klugh, drummers Jack DeJohnette and Eric Gravatt, a twelve piece horn section and seven member chorus.
Together is a 1979 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in August and September 1978 and features performances by Tyner with trumpeter Freddie Hubbard, flautist Hubert Laws, tenor saxophonist/bass clarinetist Bennie Maupin, vibraphonist Bobby Hutcherson, bassist Stanley Clarke, drummer Jack DeJohnette and percussionist Bill Summers.
13th House is a 1981 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in October 1980 and features performances by Tyner with a big band that includes alto saxophonist Joe Ford, flautist Hubert Laws, tenor saxophonist Ricky Ford, trombonist Slide Hampton, bassist Ron Carter and trumpeters Oscar Brashear and Charles Sullivan.
The Kicker is the sixth album by jazz tenor saxophonist Joe Henderson, and his first to be released on the Milestone label. It was recorded on August 10, 1967, with one track originating from a later session on September 27, and contains performances by Henderson with trumpeter Mike Lawrence, trombonist Grachan Moncur III, pianist Kenny Barron, bassist Ron Carter and drummer Louis Hayes. The AllMusic review by Scott Yanow states: "Joe Henderson's first recording for Milestone was very much a continuation of the adventurous acoustic music he had recorded previously for Blue Note".
Double Rainbow: The Music of Antonio Carlos Jobim is a 1995 album by jazz saxophonist Joe Henderson, released on Verve Records. It contains Henderson's rearrangement of music by Brazilian composer Antonio Carlos Jobim.
Special Edition is an album by drummer and pianist Jack DeJohnette featuring tenor saxophonist David Murray, alto saxophonist Arthur Blythe and bassist and cellist Slip Warren recorded in 1979 released on the ECM label in 1980. The AllMusic review by Scott Yanow states, "The first of Jack DeJohnette's Special Edition ensembles offered a sound that in many ways was revolutionary in modern contemporary and creative improvised music circa 1980... This CD deserves a definitive five-star rating for the lofty place it commands in the evolution of jazz headed toward new heights and horizons". A JazzTimes reviewer selected it in 2012 as one of DeJohnette's key albums.
Sweet Honey Bee is an album by American jazz pianist and composer Duke Pearson, released on the Blue Note label in 1967. The woman on the cover was Pearson's fiancee Betty.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Black Is the Color is an album by the American saxophonist Joe Henderson, released in 1972 on Milestone. The original idea for the album was "to approach it entirely from the standpoint of having no pre-conceived ideas for the musicians to relate to." However, after listening to a tape copy of one segment of the original session, the saxophonist "became aware of further possibilities. Making full use of 16-track tape, we could add to and improve upon what had already been recorded by multiple overdubbing of new parts, by myself and others, that would become permanent additions to the track." The players include keyboardist George Cables, bassists Dave Holland and Ron Carter, drummer Jack DeJohnette and percussionist Airto.
Number Two Express is the second studio album by the American jazz bassist Christian McBride. It was recorded in 1995 and released by Verve Records the following year. The album peaked at #23 in the Billboard Jazz Albums chart.
Piccolo is a 1977 release by the Ron Carter Quartet. The quartet consists of Ron Carter on piccolo bass, Kenny Barron on piano, Buster Williams on double bass, and Ben Riley on drums. The album was recorded live at Sweet Basil in New York City on March 25–26, 1977. Piccolo is considered one of Ron Carter's best albums from the late 1970s due to its excellent recording, live-club feel, and exquisite musicianship. After being brought together by Carter and playing in his quartet for a few years, Barron, Williams, and Riley went on to form Sphere with Charlie Rouse.
If You're Not Part of the Solution, You're Part of the Problem is the eleventh album by American jazz tenor saxophonist Joe Henderson. It was rereleased in 2004 as At the Lighthouse, with an alternative album cover listing the personnel in place of the original title and several extra tracks. Henderson’s live band includes trumpeter Woody Shaw, keyboardist George Cables, bassist Ron McClure, tumbador Tony Waters and drummer Lenny White.
Mirror Mirror is an album by the American jazz saxophonist Joe Henderson, recorded in 1980 and released on the German MPS label. It features pianist Chick Corea, bassist Ron Carter and drummer Billy Higgins.
The Countdown is the fifth studio album by American jazz pianist Mulgrew Miller. The album was released in 1988 by Landmark Records. For this record Miller teamed with Ron Carter on bass, Joe Henderson on tenor sax, and Tony Williams on drums. Initially, the album contained seven compositions, but later it was re-released with the bonus track "1684".
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