Joe Henderson in Japan | ||||
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Live album by | ||||
Released | End of April/early May 1973 [1] | |||
Recorded | August 4, 1971 | |||
Venue | Junk Club, Tokyo | |||
Genre | Jazz | |||
Length | 45:02 | |||
Label | Milestone MSP 9047 | |||
Producer | Orrin Keepnews | |||
Joe Henderson chronology | ||||
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Joe Henderson in Japan is a live album by American saxophonist Joe Henderson, recorded in 1971 at Junk Club in Tokyo, and released on Milestone Records in 1973. Henderson is joined by Japanese musicians Hideo Ichikawa on electric piano, bassist Kunimitsu Inaba and drummer Motohiko Hino.
Review scores | |
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Source | Rating |
Allmusic | [2] |
All About Jazz | (very favorable) [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Allmusic awarded the album with 4.5 stars and its review by Scott Yanow states: "Performing at the Junk Club in Tokyo, Henderson is joined by an all-Japanese rhythm section on lengthy versions of "'Round Midnight," "Blue Bossa," and his two originals "Out 'n' In" and "Junk Blues." Henderson sounds quite inspired throughout the set, and the obscure rhythm section (only Hino is known in the U.S.) really pushes him. An underrated gem." [2]
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
'Round Midnight is a 1963 studio album by the American jazz singer Betty Carter that was arranged by Claus Ogerman and Oliver Nelson.
Straight Life is a soul/funk influenced jazz album recorded in 1970 by trumpeter Freddie Hubbard. It was recorded on 16 November 1970 and released between the albums Red Clay (1970) and First Light (1971). This is also Hubbard's eighteenth overall album.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, recorded and released by Blue Note Records in 1963. Henderson is featured in a group with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The pieces on the album were written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: Henderson’s "Recorda Me" and Dorham’s "Blue Bossa". All of the musicians are listed on the album's front cover with the exception of Tyner, who is credited as "ETC." due to his being signed to rival Impulse! Records.
In 'n Out is the third album by the jazz saxophonist Joe Henderson, released on the Blue Note label. It was recorded on April 10, 1964, and contains performances by Henderson with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Richard Davis and drummer Elvin Jones.
Live at Long Beach City College (reissued in 1998 as Blues Dues (Live at Long Beach City College)) is an album by jazz guitarist Joe Pass, recorded in 1984.
Keystone Bop: Sunday Night is a live album by jazz trumpeter Freddie Hubbard, featuring tenor saxophonist Joe Henderson and vibraphonist Bobby Hutcherson. Recorded on Sunday, November 29th, 1981 and released in this form by the Prestige label in 1994. The Allmusic review by Scott Yanow states "Hubbard fans can be assured that this set finds him in excellent form on a good night".
Una Mas, titled Una Mas (One More Time) on the front cover, is a jazz album by trumpeter Kenny Dorham and his quintet, released in 1963 on Blue Note as BLP 4127 and BST 84127. The album would be the next-to-last studio session led by the trumpeter. Una Mas features three compositions by Dorham himself. An outtake from the session, the ballad "If Ever I Would Leave You", comes from the Broadway musical Camelot.
Pressure Sensitive is the debut album by American saxophonist Ronnie Laws released in 1975 by Blue Note. The album reached No. 25 on the Billboard Top Soul Albums chart.
Jazz 'n' Samba is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1964 for the Impulse! label.
All Blues is an album by bassist Ron Carter recorded at Van Gelder Studio in New Jersey in 1973 and released on the CTI label.
'Round Midnight is an album by guitarist Kenny Burrell recorded in 1972 and released on the Fantasy label.
Blues for Dracula is the debut album by American jazz drummer Philly Joe Jones which was recorded in 1958 for the Riverside label.
The Soul Explosion is an album by jazz saxophonist Illinois Jacquet which was recorded in 1969 and released on the Prestige label.
The Blues; That's Me! is an album by jazz saxophonist Illinois Jacquet which was recorded in 1969, and released on the Prestige label.
If You're Not Part of the Solution, You're Part of the Problem is the eleventh album by American jazz tenor saxophonist Joe Henderson. It was rereleased in 2004 as At the Lighthouse, with an alternative album cover listing the personnel in place of the original title and several extra tracks. Henderson’s live band includes trumpeter Woody Shaw, keyboardist George Cables, bassist Ron McClure, tumbador Tony Waters and drummer Lenny White.
Mean What You Say is an album by the Thad Jones/Pepper Adams Quintet recorded in 1966 and released on the Milestone label.
The Standard Joe is an album by American jazz saxophonist Joe Henderson recorded in 1991 and released on the Red label. It features Henderson in a trio with bassist Rufus Reid and drummer Al Foster.
Mikio Masuda is a Japanese jazz and jazz fusion keyboardist.
For Trane is a compilation album by American jazz vocalist Johnny Hartman that was released in 1995 by Blue Note Records. It contains material from two albums that Hartman recorded in Tokyo in 1972, Hartman Meets Hino and Hartman Sings Trane's Favorites. The original LPs were only available in Japan. For Trane marks the first time the songs have been released in the United States.