Palace of Charles of Lorraine | |
---|---|
General information | |
Type | Palace |
Architectural style | Neoclassical |
Address | Place du Musée / Museumplein 1 |
Town or city | 1000 City of Brussels, Brussels-Capital Region |
Country | Belgium |
Coordinates | 50°50′35″N4°21′26″E / 50.84306°N 4.35722°E |
Current tenants | Belgian Royal Library (KBR) |
Construction started | 1757 |
Inaugurated | 1766 |
Client | Prince Charles Alexander of Lorraine |
Design and construction | |
Architect(s) | Jean Faulte |
Other information | |
Public transit access |
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References | |
[1] |
The Palace of Charles of Lorraine (French : Palais de Charles de Lorraine; Dutch : Paleis van Karel van Lotharingen) is a neoclassical palace in the Royal Quarter of Brussels, Belgium. Its construction started in 1757 to serve as the residence of the Governor of the Habsburg Netherlands, Prince Charles Alexander of Lorraine, replacing the Palace of Orange-Nassau. It currently houses a museum, part of the Royal Library of Belgium (KBR).
Located on what is now the Place du Musée/Museumplein, the palace lies atop the Coudenberg hill, not far from the Place Royale/Koningsplein and the Mont des Arts/Kunstberg, as well as institutions such as the Royal Palace of Brussels and the Royal Museums of Fine Arts of Belgium. This area is served by Brussels-Central railway station, as well as by the metro stations Parc/Park (on lines 1 and 5) and Trône/Troon (on lines 2 and 6).
The construction of the current palace was started in 1757 on the site where the former Palace of Orange-Nassau, the Nassau Palace, had stood. It was to serve as the residence of Prince Charles Alexander of Lorraine, the Governor-General of what was then Austrian Netherlands from 1744 until 1780. Indeed, in 1731, the nearby Palace of Coudenberg had been destroyed by fire and the court had moved to the Palace of Nassau, which from then on was known as the "New Court". [2] An avid builder, Charles Alexander imagined grandiose projects for his capital. [3] This old palace, however, was dilapidated and no longer adapted to the taste of the time. It was thus sold for little money and almost completely demolished (except for Saint George's Chapel), to make way for the new palace. [4]
The first neoclassical wing, probably the work of the architect Jean Faulte , was completed by the architect Laurent-Benoît Dewez after Faulte's death in 1766. [4] A second wing in the same style, designed by the French architect Nicolas Roget , was attached perpendicularly to the palace in 1825 to house the Palace of National Industry, [5] intended to host periodic exhibitions supported by the sovereign of the United Kingdom of the Netherlands, William I. Its construction coincided with the completion of the first section of the Rue de la Régence/Regentschapsstraat, which ended temporarily at the foot of the Church of Our Blessed Lady of the Sablon.
During the French period, the City of Brussels bought the palace to install a library, an art gallery and a cabinet of physics and natural history, constituting the Museum of the department of the Dyle, [5] one of the fifteen departmental museums created under Napoleon's initiative, within the framework of the decentralisation of the Louvre in Paris. Bought by the Belgian State from the City, these collections form the embryo of Belgian artistic and literary heritage that will gradually be concentrated around the current Place du Musée/Museumplein. In 1804, the royal chapel was entrusted by Napoleon to the Protestant community of Brussels and became Brussels Protestant Church. It has largely retained its original appearance.
Until 1878, the Brussels Salon, a periodic exhibition of work by living artists, took place in the former apartments of Charles Alexander of Lorraine. This situation was not ideal because the permanent collection had to be temporarily stored or covered during the exhibition. In addition, the exhibitors complained that all paintings were not lit equally well. Renovation works were carried out so that in 1830 a Grand Gallery could open with a skylight. Nevertheless, low-hanging works were still difficult to see. In 1851, the exhibition was held in a temporary construction in the courtyard, before returning to its traditional location until 1881, when the first rooms of the new Museum of Fine Arts could be used. This museum remained the location for all subsequent editions.
Following Belgian independence, the Royal Library of Belgium (KBR), founded in 1837, gradually took over the premises. It moved successively into the museum of painting and sculpture, then into the Palace of National Industry. The first was set up in the new museum on the Rue de la Régence and the second, which became the Museum of Industry, [5] joined the Cinquantenaire Museum. Even the new wing, built at the rear of the Museum of Fine Arts by the architect E. Willame in 1879, to enclose the courtyard, was taken over by the administration and the numismatics cabinet of the Royal Library. Only the contemporary art collections of the museum remain on site.
With the construction of the Mont des Arts/Kunstberg complex in the 1960s, it was decided to demolish more than three quarters of the palace. Since then, once through the gate, the visitor discovers a space amputated in its original momentum, despite its fine quality. If some admirable salons have been preserved behind the façades, it is however possible to associate the heavy interventions of the 1960s with a façade operation. These demolitions removed all traces of the old Palace of Nassau from which the new wing was born, so that today only the uprooted extension remains.
Since 22 November 2001, the palace has been listed as a protected monument by the Monuments and Sites Directorate of the Brussels-Capital Region. [1] It closed in 2017 for renovations, and reopened in 2019. [6] Today, it serves as a museum for 18th-century items. The exhibits originate from the collections of the Royal Museum of Art and History (RMAH) and the Royal Library of Belgium (KBR). The palace also hosts the Royal Library's temporary exhibitions. [7]
The Palace of Charles of Lorraine counts five halls, each decorated in stucco and silk, whose interiors are reminiscent of the Austrian Netherlands and the Prince-Bishopric of Liège in the 18th century. An impressive staircase, adorned with a statue of Hercules sculpted by the Flemish sculptor Laurent Delvaux, leads up to the first-floor rotunda. [3] The rotunda's paving includes a central rosette made up of 28 types of Belgian marble, a sample of the Prince's collection of 5,000 minerals. [7]
Donated to the Protestant Church by decree in 1804, with a definitive concession in 1816, the former private chapel of Prince Charles Alexander of Lorraine (also called the Royal Chapel) was integrated into the new constructions of the Mont des Arts/Kunstberg in 1965. Restored and modified several times, this sanctuary was built in 1760–61 and presents a Louis XVI-style interior with several Régence and Louis XV elements. It is adorned with remarkable rosettes, putty, rocaille-style elements and garlands. In the jubé, there is an organ by Bernhard Dreymann dating from 1839 to 1841. [8]
Erected in 1848 at the centre of the Place du Musée, the statue of Charles Alexander of Lorraine was part of a series of sculptural works honouring great figures of Belgian history. Originally designed for Brussels Park, then for the Place Royale/Koningsplein, it had been ordered to the sculptor Louis Jehotte, also author of a statue of Charlemagne in Liège (Wallonia). Nowadays, the statue is relegated to the side of the square, above the technical block of the Museum of Modern Art. [3]
The City of Brussels is the largest municipality and historical centre of the Brussels-Capital Region, as well as the capital of the Flemish Region and Belgium. The City of Brussels is also the administrative centre of the European Union, as it hosts a number of principal EU institutions in its European Quarter.
Brussels Park is the largest urban public park in central Brussels, Belgium. Formerly known and still sometimes colloquially referred to as the Royal Park, it was the city's first public park, being originally laid out between 1776 and 1783 in a neoclassical style by the French architect Gilles-Barnabé Guimard and the Austrian landscape architect Joachim Zinner, as part of an urban project including the Place Royale/Koningsplein. The area of the rectangular park is 13.1 ha.
The Royal Library of Belgium is the national library of Belgium. The library has a history that goes back to the age of the Dukes of Burgundy. In the second half of the 20th century, a new building was constructed on the Mont des Arts/Kunstberg in central Brussels, near the Central Station. The library owns several collections of historical importance, like the Library of the Dukes of Burgundy, and is the depository for all books ever published in Belgium or abroad by Belgian authors.
The Palace of Coudenberg was a royal residence situated on the Coudenberg or Koudenberg, a small hill in what is today the Royal Quarter of Brussels, Belgium.
The Royal Palace of Brussels is the official palace of the King and Queen of the Belgians in the centre of the nation's capital, Brussels. However, it is not used as a royal residence, as the king and his family live in the Royal Palace of Laeken in northern Brussels. The website of the Belgian Monarchy describes the function of the Royal Palace as follows:
The Royal Palace is where His Majesty the King exercises his prerogatives as Head of State, grants audiences and deals with affairs of state. Apart from the offices of the King and the Queen, the Royal Palace houses the services of the Grand Marshal of the Court, the King's Head of Cabinet, the Head of the King's Military Household and the Intendant of the King's Civil List. The Royal Palace also includes the State Rooms where large receptions are held, as well as the apartments provided for foreign Heads of State during official visits.
The Royal Museums of Fine Arts of Belgium are a group of art museums in Brussels, Belgium. They are part of the institutions of the Belgian Federal Science Policy Office (BELSPO) and consist of six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum, the Antoine Wiertz Museum and the Constantin Meunier Museum.
The Academy Palace or Palace of the Academies is a neoclassical palace in Brussels, Belgium. It was originally built between 1823 and 1828 for Prince William II of Orange. Nowadays, it houses five Belgian academies including the Royal Academies for Science and the Arts of Belgium (RASAB). In English, it is also often called the Academy House.
The Mont des Arts or Kunstberg, meaning "Hill/Mount of the Arts", is an urban complex and historic site in central Brussels, Belgium, including the Royal Library of Belgium (KBR), the National Archives of Belgium, the Square – Brussels Meeting Centre, and a public garden.
The Place Royale or Koningsplein is a historic neoclassical square in the Royal Quarter of Brussels, Belgium. Modelled after the so-called French royal square and built between 1775 and 1782, according to a plan of the architects Jean-Benoît-Vincent Barré and Gilles-Barnabé Guimard, to replace the former Palace of Coudenberg, it was part of an urban project including Brussels Park.
The Church of St. James on Coudenberg is a Catholic church on the historic Place Royale/Koningsplein, in the Royal Quarter of Brussels, Belgium. It is dedicated to Saint James, one of the Twelve Apostles of Jesus.
Gilles-Barnabé Guimard was a French architect.
The Botanical Garden of Brussels is a former botanical garden in Brussels, Belgium. It was created in 1826 and stood on the Rue Royale/Koningsstraat in Saint-Josse-ten-Noode, near Brussels' Northern Quarter financial district, until its relocation in 1938 to the National Botanic Garden of Belgium in Meise, Flemish Brabant.
The following is a timeline of the history of Brussels, Belgium.
Neoclassical architecture appeared in Belgium during the period of Austrian occupation in the mid-18th century and enjoyed considerable longevity in the country, surviving through periods of French and Dutch occupation, and the birth of Independent Belgium, surviving well into the 20th century.
The Sablon or Zavel is a neighbourhood and hill in the historic upper town of Brussels, Belgium. At its heart are twin squares: the larger Grand Sablon or Grote Zavel square in the north-west and the smaller Petit Sablon or Kleine Zavel square and garden in the south-east, divided by the Church of Our Blessed Lady of the Sablon and the Rue de la Régence/Regentschapstraat. This area is served by Brussels-Chapel railway station and Brussels-Central railway station, as well as the tram stop Petit Sablon/Kleine Zavel.
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Nassau Palace was the former city palace of the House of Orange in Brussels. The palace was constructed in the 14th century and expanded in the following centuries. In the 18th century, it was acquired by Governor of the Habsburg Netherlands, Prince Charles Alexander of Lorraine, who replaced it with the Palace of Charles of Lorraine. Today, nothing remains except the chapel, which is part of the building of the Royal Library of Belgium (KBR).
The Palace of National Industry, also known as the Palace of the Products of National Industry Exhibition or simply the Palace of Industry, was an exhibition hall located in Brussels, Belgium, which was established for industrial exhibitions in the 1820s.
The Royal Quarter is a quarter in the historic upper town of Brussels, Belgium. It is situated between Brussels Park, the Royal Palace, the Mont des Arts/Kunstberg and the Sablon/Zavel. It is a excellent example of 18th-century urban architecture.