The Parker Building was a 12-story office and loft structure completed in 1900 at the southeast corner of Fourth Avenue (later Park Avenue South) and 19th Street, in Manhattan, New York City. The edifice occupied ground which was formerly the site of the Gettysburg Cyclorama structure. [1]
In 1902 the Parker Building was acquired by the Metropolitan Life Insurance Company. The acquisition was brokered by Frank E. Smith through John F. Hollingsworth. The latter accepted the Westminster Hotel, at Irving Place, as partial payment. [2] The aggregate mortgage on the Parker Building at the time was $900,000. [3]
Government experts appraised paintings and statuary from the Don Marcello Massaranti collection of Italian art on the 10th floor of the Parker Building in July 1902. [4] As of August 1904 the art collection continued to be exhibited there. Henry Walters bought the collection for $1,000,000 in Rome, Italy, in 1902. He eventually moved the art to his own gallery at Charles and Centre Streets in Baltimore, Maryland. The building was designed by architects Delano and Aldrich of New York City. [5] It became the Walters Art Museum. [6]
The Parker Building was sold by the John H. Parker Company through the C.E. Harrell & Company. The Parker Building was purchased by a group of Chicago capitalists for a price between $1,700,000 and $1,800,000. It was located on a large plot measuring 131 by 150 feet in size. The land it occupied was owned by the Matthews estate and passed into the hands of the Cameron Company in 1897. The Parker Company paid some $700,000 for the ground in August 1899. [1]
In October 1900 C.E. Harrell & Company leased approximately 30,000 feet of floor space in the Parker Building to the Kay Scheerer Company, a seller of surgical instruments and hospital supplies. [7]
The Parker Building and the adjacent Florence Hotel were burned irreparably by a fire which began on the sixth floor of the Parker Building, on January 10, 1908. A night watchman discovered the flames in rooms occupied by the Detmer Woolen Company. The hotel was separated from the Parker Building by a narrow alley measuring fifteen feet. The conflagration began around 7 p.m., and by 11 p.m. the Parker Building was gutted. [8]
It was erroneously reported that the fire was started by members of an Armenian Hunchakist sect which was targeting the A & M Karagheusian company, a rug importing firm, located on the fourth floor of the Parker Building. Mihran Karagheusian was threatened by Parseg Nevrovzyan several months prior to the fire. Nevrovzyan vowed to inflict $200,000 in damages to the Karagheusian business, but did not name the Parker Building in making his threat. Nevrovzyan was arrested. He promised to reveal to the Turkish government a revolutionary plot which he claimed Karagheusian's brother, Arshag, was interested in. Arshag resided in Constantinople. [9]
The Singer Building was an office building and early skyscraper in Manhattan, New York City. The headquarters of the Singer Manufacturing Company, was at the northwestern corner of Liberty Street and Broadway in the Financial District of Lower Manhattan. Frederick Gilbert Bourne, leader of the Singer Company, commissioned the building, which architect Ernest Flagg designed in multiple phases from 1897 to 1908. The building's architecture contained elements of the Beaux-Arts and French Second Empire styles.
The Weylin Hotel was a hotel at 527 - 531 Madison Avenue and 40 - 54 East 54th Street in New York City. It was on the southeast corner of 54th Street. The structure was sixteen stories tall and opened in March 1921. The building fronted sixty-one feet on Madison Avenue and one hundred forty-eight feet on 54th Street. It contained 125,000 square feet (11,600 m2) of space.
The Marbridge Building is an office building at 1328 Broadway, on the east side of Sixth Avenue between 34th and 35th Streets in Herald Square, Manhattan, New York City. It opened in 1909, an 11-story structure, utilized in part by men's clothier Rogers Peet. Until October 1910 it stood opposite the Alpine apartment house, which was at the northeast corner of Broadway and 33rd Street. The Alpine and old stores between 33rd and 34th Streets were demolished to make room for the $5,000,000 Hotel McAlpin near the end of 1910. On the other side of Broadway were located the Macy's Herald Square and Saks Incorporated stores, with the Gimbels store just below.
The Studebaker Building is a former structure at 1600 Broadway on the northeast corner at 48th Street in Manhattan, New York City. It was erected by the Juilliard Estate, in 1902, between Broadway and 7th Avenue, in the area north of Times Square. It was demolished in 2004 to make room for an apartment tower, a twenty- five story, 136 unit, luxury condominium designed by architect Einhorn Yaffee Prescott.
The Detmer Woolen Company was founded in 1885 in New York City by Julian Francis Detmer. The business dealt primarily with textile mills in New England. Detmer was a native of Cleveland, Ohio who came to New York City and started a woolens wholesale and importing firm. He was president of Detmer & Moore, Detmer & Richter, the Detmer Woolen Company, and Detmer, Bruner and Mason.
The Whitehall Building is a three-section residential and office building next to Battery Park in Lower Manhattan, New York City, near the southern tip of Manhattan Island. The original 20-story structure on Battery Place, between West Street and Washington Street, was designed by Henry Janeway Hardenbergh, while the 31-story Whitehall Building Annex on West Street was designed by Clinton and Russell. The original building and annex are both at 17 Battery Place. Another 22-story addition at 2 Washington Street, an International Style building located north of the original building and east of the annex, was designed by Morris Lapidus.
Hotel Pierrepont was an establishment located at 43 West 32nd Street between Broadway and Fifth Avenue in Manhattan, New York City. Completed in 1906, the building was twelve stories tall, made of fireproof brick and stone. It had a cellar and a subcellar. It had one hundred seventy rooms, with single rooms and suites, and ninety bathrooms. The edifice measured fifty-nine feet by ninety-eight and nine tenths feet. It was located adjacent to the Rogers Peet building. Hotel Pierrepont is important to the history of Manhattan in the early 20th century. It is memorable for its prime location.
The Cartier Building, also 653 Fifth Avenue, is a commercial building on the southeast corner of 52nd Street and Fifth Avenue in the Midtown Manhattan neighborhood of New York City. The building serves as the flagship store of Cartier in New York City. It consists of two conjoined residences completed in 1905: the Morton F. Plant residence at 651–653 Fifth Avenue, designed by Robert W. Gibson, and the Edward Holbrook residence at 4 East 52nd Street, designed by C. P. H. Gilbert.
1 Broadway is a 12-story office building in the Financial District of Manhattan, New York City. It is located at the intersection of Battery Place and Broadway, adjacent to Bowling Green to the east and the Battery to the south.
The Globe Building, Beebe Building and the Hotel Cecil are a trio of historic office/hotel buildings located in Downtown Seattle, Washington, United States. The buildings occupy the entire west side of the 1000 block of 1st Avenue between Madison and Spring streets. The three buildings were constructed from late 1900 to 1901 for Syracuse-based investors Clifford Beebe and William Nottingham by the Clise Investment Company, headed by businessman James Clise (1855–1938), as a result of the Alaska Gold Rush which fueled the construction of many such buildings in downtown Seattle.
The Cable Building is located at 611 Broadway at the northwest corner with Houston Street in NoHo and Greenwich Village, in Manhattan, New York City. Since it spans a block, the Cable Building also has addresses of 2–18 West Houston Street and 178–188 Mercer Street.
The Pabst Hotel occupied the north side of 42nd Street in Manhattan, New York City, between 7th Avenue and Broadway, in Longacre Square, from 1899 to 1902. It was demolished to make room for the new headquarters of The New York Times, for which Longacre Square was renamed Times Square.
The Morse Building, also known as the Nassau–Beekman Building and 140 Nassau Street, is a residential building in the Financial District of Manhattan in New York City, at the northeast corner of Nassau and Beekman Streets. The Morse Building, designed by Benjamin Silliman Jr. and James M. Farnsworth, contains elements of the Victorian Gothic, Neo-Grec, and Rundbogenstil style.
The Spingler Building is an eight-story Romanesque building at 5–9 Union Square West, between 14th and 15th Streets, in the Union Square neighborhood of Manhattan, New York City. Built in 1897 by William H. Hume & Son, it replaced a five-story building of the same name, which burned down in 1892. The Spingler Building occupies an L-shaped lot wrapping around 15 Union Square West to the north, and is also adjacent to the Lincoln Building to the south.
390 Fifth Avenue, also known as the Gorham Building, is an Italian Renaissance Revival palazzo-style building at Fifth Avenue and West 36th Street in the Midtown Manhattan neighborhood of New York City, United States. It was designed by McKim, Mead & White, with Stanford White as the partner in charge, and built in 1904–1906. The building was named for the Gorham Manufacturing Company, a major manufacturer of sterling and silverplate, and was a successor to the former Gorham Manufacturing Company Building at 889 Broadway. The building features bronze ornamentation and a copper cornice.
224 West 57th Street, also known as the Argonaut Building and formerly as the Demarest and Peerless Company Building, is a commercial building on the southeast corner of Broadway and 57th Street in Midtown Manhattan, New York City, just south of Columbus Circle. The building consists of two formerly separate structures, the A. T. Demarest & Company Building and the Peerless Motor Car Company Building, both used by automobile companies. Both structures were designed by Francis H. Kimball and erected by the George A. Fuller Company with similar Gothic Revival and Romanesque Revival architectural details.
46 West 55th Street is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along the south side of 55th Street between Fifth Avenue and Sixth Avenue. The five-story building was designed by Thomas Thomas in the Italianate style and was constructed in 1869. It was redesigned in the neoclassical style between 1903 and 1904 by Edward L. Tilton. As redesigned by Tilton, the first floor contains a limestone entrance, while the other floors contain red and black brick with limestone moldings. The first four stories are bowed slightly outward.
12 East 53rd Street, also the Fisk–Harkness House, is a building in the Midtown Manhattan neighborhood of New York City. It is along the south side of 53rd Street between Madison Avenue and Fifth Avenue. The six-story building was designed by Griffith Thomas and was constructed in 1871. It was redesigned in the Tudor-inspired Gothic Revival style in 1906 by Raleigh C. Gildersleeve.
647 Fifth Avenue, originally known as the George W. Vanderbilt Residence, is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along the east side of Fifth Avenue between 51st Street and 52nd Street. The building was designed by Hunt & Hunt as one of the "Marble Twins", a pair of houses at 645 and 647 Fifth Avenue. The houses were constructed between 1902 and 1905 as Vanderbilt family residences. Number 645 was occupied by William B. Osgood Field, while number 647 was owned by George W. Vanderbilt and rented to Robert Wilson Goelet; both were part of the Vanderbilt family by marriage.
The Bryant Park Studios is an office building at 80 West 40th Street in the Midtown Manhattan neighborhood of New York City, at the corner of 40th Street and Sixth Avenue. The building, overlooking the southwest corner of Bryant Park, was designed by Charles A. Rich in the French Beaux-Arts style. Built from 1900 to 1901 by Abraham A. Anderson, the building is one of several in Manhattan that were built in the early 20th century as both studios and residences for artists.