Paul Bley | ||||
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Studio album by | ||||
Released | 1955 | |||
Recorded | February 3 and August 26 & 30, 1954 | |||
Studio | Fine Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 41:11 | |||
Label | Wing Records MGW 60001 | |||
Paul Bley chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Penguin Guide to Jazz | [2] |
Paul Bley is the second album by Canadian jazz pianist Paul Bley featuring tracks recorded in 1954 and released on Wing Records (a Mercury Records subsidiary established in 1955).
Eugene Chadbourne, reviewing the album for Allmusic, said of the album: "Pick a personality trait of the Paul Bley style and chances are it won't be found anywhere here, as lovely a piano trio jazz record as this is... For the most part the tone of the pianist remains almost frigid in its consistency; volume level rarely varies and the direction of the improvisations is solidly mainstream... The obvious problem with someone like Bley or Jimi Hendrix is that once they developed their totally unique musical personality, their earlier work starts to sound a little boring". [1] The Penguin Guide to Jazz said "At this stage of his career, he's a very orthodox bopper, aware of the blues but certainly not restricted by them, possibly exploring aspects of Tristano's evolution as well, and certainly listening to classical pianists for technique and harmonic ideas". [2]
Mellow Mood is an album by jazz pianist Oscar Peterson and his trio, released in 1968. The session was recorded in Germany at the private studio of Hans Georg Brunner-Schwer and released on the German MPS label. This album was the fifth part of Peterson's Exclusively for My Friends series on MPS. The series was reissued as a box set in 1992 by MPS. A remastered SACD was issued in 2003 on Verve Records.
Open, to Love is a jazz album by Paul Bley. It features Bley performing seven solo piano pieces and is considered not only one of his best albums, but a defining album in the history of the ECM record label. Three of the tracks were composed by ex-wife Carla Bley and another two by Bley's soon-to-be-ex-wife Annette Peacock. The album is one of the first showcases of the pointillism and silence that would inform much of his later work.
Paul Bley with Gary Peacock is an album by Canadian jazz pianist Paul Bley with American bassist Gary Peacock recorded in 1963 and 1968 and released on the ECM label in 1970.
Ballads is an album by Canadian jazz pianist Paul Bley recorded in 1967 and released on the ECM label in 1971.
In the Evenings Out There is an album by pianist Paul Bley, bassist Gary Peacock, drummer Tony Oxley and saxophonist John Surman recorded in 1991 and released on the ECM label in 1993.
Notes is an album by Canadian jazz pianist Paul Bley and American drummer Paul Motian recorded in 1987 and released on the Italian Soul Note label.
Memoirs is an album by pianist Paul Bley, bassist Charlie Haden and drummer Paul Motian recorded in 1990 and released on the Italian Soul Note label.
Introducing Paul Bley is the debut album by Canadian jazz pianist Paul Bley recorded in 1953 and released on Charles Mingus' Debut label.
Footloose! is an album led by jazz pianist Paul Bley featuring tracks recorded in 1962 & 1963 and released on the Savoy label. Tracks from this album, along with alternate takes and addition material from the sessions, were later released as Syndrome and Floater.
Touching is the sixth album led by jazz pianist Paul Bley featuring tracks recorded in Copenhagen in 1965 and released on the Danish Fontana label.
Closer is the seventh album led by jazz pianist Paul Bley, featuring seven compositions by Carla Bley, recorded in 1965 and released on the ESP-Disk label.
Quiet Song is an album by pianist Paul Bley, clarinetist Jimmy Giuffre and guitarist Bill Connors recorded in 1974 and released on Bley's own Improvising Artists label in 1975.
Japan Suite is a live album by pianist Paul Bley, drummer Barry Altschul and bassist Gary Peacock recorded in Japan in 1976 and released on Bley's own Improvising Artists label in 1977.
Axis is a live solo album by pianist Paul Bley recorded in New York in 1977 and released on Bley's own Improvising Artists label the following year.
Questions is an album by pianist Paul Bley recorded in Denmark in 1985 and released on the SteepleChase label.
My Standard is an album of jazz standards by pianist Paul Bley recorded in Denmark in 1985 and released on the SteepleChase label.
BeBopBeBopBeBopBeBop is an album of bebop standards by pianist Paul Bley recorded in Denmark in 1989 and released on the SteepleChase label.
If We May is an album jazz standards by pianist Paul Bley recorded in 1993 and released on the SteepleChase label.
Kessel Plays Standards is an album by guitarist Barney Kessel released on the Contemporary label and featuring eight tracks originally released on the Barney Kessel Volume 2 10-inch album which were recorded at sessions in 1954 along with an additional four tracks from 1955.
Out of Nowhere is an album by American jazz saxophonist Lee Konitz and pianist Paul Bley recorded in 1997 and released on the Danish SteepleChase label.