The Symphony No. 5 by Gustav Mahler was composed in 1901 and 1902, mostly during the summer months at Mahler's holiday cottage at Maiernigg. Among its most distinctive features are the trumpet solo that opens the work with a rhythmic motif similar to the opening of Ludwig van Beethoven's Symphony No. 5, the horn solos in the third movement and the frequently performed Adagietto.
The Symphony No. 1 in D major by Gustav Mahler was mainly composed between late 1887 and March 1888, though it incorporates music Mahler had composed for previous works. It was composed while Mahler was second conductor at the Leipzig Opera in Germany. Although in his letters Mahler almost always referred to the work as a symphony, the first two performances described it as a symphonic poem and as a tone poem in symphonic form, respectively. The work was premièred at the Vigadó Concert Hall in Budapest, Hungary, in 1889, but was not well-received. Mahler made some major revisions for the second performance, given at Hamburg, Germany, in October 1893; further alterations were made in the years prior to the first publication, in late 1898. Some modern performances and recordings give the work the title Titan, despite the fact that Mahler only used this label for the second and third performances, and never after the work had reached its definitive four-movement form in 1896.
The Symphony No. 10 in F-sharp major by Gustav Mahler was written in the summer of 1910, and was his final composition. At the time of Mahler's death, the composition was substantially complete in the form of a continuous draft, but not fully elaborated or orchestrated, and thus not performable. Only the first movement is regarded as reasonably complete and performable as Mahler intended. Perhaps as a reflection of the inner turmoil he was undergoing at the time, the 10th Symphony is arguably his most dissonant work.
Pelléas et Mélisande is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
Pelléas and Mélisande is a Symbolist play by Maurice Maeterlinck.
Pelléas and Mélisande is a Symbolist play by the Belgian playwright and author Maurice Maeterlinck. It's about the forbidden, doomed love of the title characters and was first performed in 1893.
Anton Bruckner's Symphony No. 3 in D minor, WAB 103, was dedicated to Richard Wagner and is sometimes known as his "Wagner Symphony". It was written in 1873, revised in 1877 and again in 1889.
Pelléas et Mélisande, JS 147 is incidental music by Jean Sibelius for Maurice Maeterlinck's 1892 play Pelléas and Mélisande. Sibelius composed in 1905 ten parts, overtures to the five acts and five other movements. It was first performed at the Swedish Theatre in Helsinki on 17 March 1905 to a translation by Bertel Gripenberg, conducted by the composer.
Verklärte Nacht, Op. 4, is a string sextet in one movement composed by Arnold Schoenberg in 1899. Composed in just three weeks, it is considered his earliest important work. It was inspired by Richard Dehmel's poem of the same name, combined with the influence of Schoenberg's strong feelings upon meeting the sister of his teacher, Alexander von Zemlinsky (1877–1942), whom he married in 1901. The movement can be divided into five distinct sections which refer to the five stanzas of Dehmel's poem; however, there are no unified criteria regarding movement separation.
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime: String Quartet No. 1 in D minor, Opus 7 (1905), String Quartet No. 2 in F♯ minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936).
Sechs kleine Klavierstücke, Op. 19 is a set of pieces for solo piano written by the Austrian composer Arnold Schoenberg, published in 1913 at Universal Edition in Vienna.
Pelléas et Mélisande, Op. 80 is a suite derived from incidental music by Gabriel Fauré for Maurice Maeterlinck's play of the same name. He was the first of four leading composers to write music inspired by Maeterlinck's drama. Debussy, Schoenberg and Sibelius followed in the first decade of the 20th century.
Chamber Symphony No. 2, Op. 38, by Arnold Schoenberg was begun in 1906 and completed in 1939. The work is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets and strings, and is divided into two movements, the first marked Adagio and the second marked Con Fuoco-Lento. The work's belated completion was prompted by the conductor Fritz Stiedry, who asked Schoenberg for an orchestral piece for his New Friends of Music Orchestra in New York. The work was first performed there on December 14, 1940, under Stiedry's direction.
Anton Bruckner's String Quintet in F major, WAB 112 was composed in 1878/79 in Vienna.
Alexander Zemlinsky or Alexander von Zemlinsky was an Austrian composer, conductor, and teacher.
Variations for Orchestra, Op. 31 (1926–28) is an orchestral set of variations on a theme, composed by Arnold Schoenberg and is his first twelve-tone composition for a large ensemble. Premiered in December 1928 by the Berlin Philharmonic conducted by Wilhelm Furtwängler, it was greeted by a tumultuous scandal.
Pelléas et Mélisande is a 162-minute studio album of Claude Debussy's opera, performed by Christine Barbaux, José van Dam, Nadine Denize, Ruggero Raimondi, Frederica von Stade, Richard Stilwell and Pascal Thomas with the Chorus of the German Opera Berlin and the Berlin Philharmonic Orchestra under the direction of Herbert von Karajan. It was released in 1979.
Die Seejungfrau is a fantasy for large orchestra in three movements by Austrian composer Alexander von Zemlinsky, based on the folk-tale "The Little Mermaid" by Hans Christian Andersen.
The Symphony in B flat major is an orchestral work by Austrian composer Alexander Zemlinsky. Although often referred to as ‘No. 2’, this designation is not the composer's own. It was actually his third essay in symphonic form following the symphonies in E minor of 1891 and D minor (1892).
