Persian columns or Persepolitan columns are the distinctive form of column developed in the Achaemenid architecture of ancient Persia, probably beginning shortly before 500 BCE. They are mainly known from Persepolis, where the massive main columns have a base, fluted shaft, and a double-animal capital, most with bulls. [1] Achaemenid palaces had enormous hypostyle halls called apadana, which were supported inside by several rows of columns. The Throne Hall or "Hall of a Hundred Columns" at Persepolis, measuring 70 × 70 metres was built by the Achaemenid king Artaxerxes I. The apadana hall is even larger. These often included a throne for the king and were used for grand ceremonial assemblies; the largest at Persepolis and Susa could fit ten thousand people at a time. [2]
The Achaemenids had little experience of stone architecture, but were able to import artists and craftsmen from around their empire to develop a hybrid imperial style drawing on influences from Mesopotamia, Egypt and Lydia in Anatolia, as well as Elam in Persia itself. The style was probably developed in the Palace of Darius in Susa, but the most numerous and complete survivals are at Persepolis, where several columns remain standing. [3] Imperial building in the style stopped abruptly with the invasion by Alexander the Great in 330 BCE, when Persepolis was burned down.
The forms of the columns and capitals vary somewhat between different buildings. Generally the capitals are carved with two heavily decorated back-to-back animals projecting out from the column. These function as brackets to support the architrave or roof timbers, while the flat backs of the animals support timbers running at right angles (see the reconstruction in the Louvre below). As they project the animals may be called protomes. The bull is the most common animal, but there are also lions, bulls with the head of a man in the style of the Assyrian lamassu, [4] and griffins with the heads of eagles and the bodies of lions. [5]
The bulls and lions may reflect the symbolism around Nowruz, the Persian New Year at the spring equinox, of an eternally fighting bull personifying the moon, and a lion personifying the Sun. This was the day when tributary nations presented their annual tribute to the king, as depicted in the stairway reliefs at Persepolis, and it has been suggested that Persepolis was specifically built for Nowruz celebrations. [6]
The capital is much longer than in most other styles of columns. While some smaller columns move quickly from the animals to the plain shaft below, the largest and grandest examples have a long intervening section with double volutes at the top and, inverted, at the bottom of a long fluted square zone, although the shaft of the column is round. At the top of the round fluted shaft are two sections with a loosely plant-based design, the upper a form of "palm capital", spreading as it rises, and the lower suggesting leaves drooping downwards. Other capitals have the animals and the two lower plant-based elements, but not the section in between with the volutes; the example in Chicago is of this type. There are various small mouldings between the various elements, reflecting a Greek style. The horns and ears of the animals are often separate pieces, fitting into the head by square plugs. The columns were polished and at least the capitals were painted, in the case of wooden ones on a plaster coating. The style reflects influences from the many cultures that the Persian Empire conquered including Egypt, Babylon, and Lydia, as well as Greece, where the Persians had only temporary success; the final result is distinctively Persian. [7]
It is thought the stone columns that survive were preceded by wooden versions, and these continued to be used. [5] The move to stone may have come when sufficiently large trees for the biggest buildings became difficult or impossible to source. The column shafts can be as tall as 20 metres. The base is in stone even for wooden columns, and sometimes carries an inscription saying which king erected the building. Most are round, but an early square type has two steps. [5]
In grand settings the columns are usually fluted. The flutes are shallow, with arrises, like the Greek Doric order, but they are more numerous, and therefore narrower. The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [8] The early Doric temples seem to have had a similar principle, before 20 flutes became the convention. [9]
Fluting is also found in other parts of the classical Persian column. The bases are often fluted, and the "bell" part of the capital has stylized plant ornament that comes close to fluting. Above this there is usually a tall section with four flat fluted volutes.
The full form of Persian column seems only to have been used at a few sites outside Persia around the empire in the Achaemenid period, in Armenia and even Levantine colonies in Iberia. [10] The columns influenced the Pillars of Ashoka erected in India some 80 years after Alexander the Great destroyed the Persian Empire, and other imperial buildings in the architecture of the Maurya Empire. [11]
The much smaller Mathura lion capital of the 1st century CE shows clear influence. They can be seen in relief decoration around Buddhist stupas in Gandhara in the 2nd or 3rd century CE, [12] and Persian columns decorate the Karla Caves [13] and Nasik Caves. [14] The style did not develop in Persia itself, but elements continued to appear under later dynasties before the arrival of Islam. [10]
From the 19th-century the full Persepolitan form of the column was revived, initially by Parsees in India [16] and eclectic architects in Europe, and only later used in public buildings in Iran under the Pahlavi dynasty (from 1925), [17] though the former royal palace in the Afif-Abad Garden, of 1863, tentatively uses some elements of the capitals.
Reza Shah, the first Pahlavi Shah of Iran, promoted interest in the Achaemenids in various ways to foster Iranian nationalism and support the legitimacy of his regime. [18] Significant buildings in Tehran were supervised as to the authenticity of their style by European archaeologists, especially André Godard, Maxime Siroux (both also architects), and Ernst Herzfeld, who had been brought to Iran to dig, curate, and train students. These include the police headquarters and the Bank Melli Iran headquarters. [17]
Though the Islamic Republic of Iran prefers buildings that refer to Islamic architecture, miniature Persian columns support the Scholars Pavilion donated to the United Nations Office at Vienna in 2009. [19]
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term column applies especially to a large round support with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a post. Supports with a rectangular or other non-round section are usually called piers.
Xerxes I, commonly known as Xerxes the Great, was a Persian ruler who served as the fourth King of Kings of the Achaemenid Empire, reigning from 486 BC until his assassination in 465 BC. He was the son of Darius the Great and Atossa, a daughter of Cyrus the Great. In Western history, Xerxes is best known for his invasion of Greece in 480 BC, which ended in Persian defeat. Xerxes was designated successor by Darius over his elder brother Artobazan and inherited a large, multi-ethnic empire upon his father's death. He consolidated his power by crushing revolts in Egypt and Babylon, and renewed his father's campaign to subjugate Greece and punish Athens and its allies for their interference in the Ionian Revolt. In 480 BC, Xerxes personally led a large army and crossed the Hellespont into Europe. He achieved victories at Thermopylae and Artemisium before capturing and razing Athens. His forces gained control of mainland Greece north of the Isthmus of Corinth until their defeat at the Battle of Salamis. Fearing that the Greeks might trap him in Europe, Xerxes retreated with the greater part of his army back to Asia, leaving behind Mardonius to continue his campaign. Mardonius was defeated at Plataea the following year, effectively ending the Persian invasion.
Susa was an ancient city in the lower Zagros Mountains about 250 km (160 mi) east of the Tigris, between the Karkheh and Dez Rivers in modern day Iran. One of the most important cities of the Ancient Near East, Susa served as the capital of Elam and the winter capital of Achaemenid Empire, and remained a strategic centre during the Parthian and Sasanian periods.
Persepolis was the ceremonial capital of the Achaemenid Empire. It is situated in the plains of Marvdasht, encircled by southern Zagros mountains, Fars province of Iran. It is one of the key Iranian Cultural heritages. The city of Shiraz is situated 60 km (37 mi) southwest of Persepolis. UNESCO declared the ruins of Persepolis a World Heritage Site in 1979.
In architecture the capital or chapiter forms the topmost member of a column. It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves.
A talar or talaar is a type of porch or hall in Iranian architecture. It generally refers to a porch fronting a building, supported by columns, and open on one or three sides. The term is also applied more widely to denote a throne hall or audience hall with some of these features.
The pillars of Ashoka are a series of monolithic pillars dispersed throughout the Indian subcontinent, erected—or at least inscribed with edicts—by the 3rd Mauryan Emperor Ashoka the Great, who reigned from c. 268 to 232 BC. Ashoka used the expression Dhaṃma thaṃbhā, i.e. "pillars of the Dharma" to describe his own pillars. These pillars constitute important monuments of the architecture of India, most of them exhibiting the characteristic Mauryan polish. Twenty of the pillars erected by Ashoka still survive, including those with inscriptions of his edicts. Only a few with animal capitals survive of which seven complete specimens are known. Two pillars were relocated by Firuz Shah Tughlaq to Delhi. Several pillars were relocated later by Mughal Empire rulers, the animal capitals being removed. Averaging between 12 and 15 m in height, and weighing up to 50 tons each, the pillars were dragged, sometimes hundreds of miles, to where they were erected.
Apadana is a large hypostyle hall in Persepolis, Iran. It belongs to the oldest building phase of the city of Persepolis, in the first half of the 6th century BC, as part of the original design by Darius the Great. Its construction was completed by Xerxes I. Modern scholarship "demonstrates the metaphorical nature of the Apadana reliefs as idealised social orders".
A protome is a type of adornment that takes the form of the head and upper torso of either a human or an animal.
Fluting in architecture and the decorative arts consists of shallow grooves running along a surface. The term typically refers to the curved grooves (flutes) running vertically on a column shaft or a pilaster, but is not restricted to those two applications. If the hollowing out of material meets in a point, the point is called an arris. If the raised ridge between two flutes appears flat, the ridge is a fillet.
Achaemenid architecture includes all architectural achievements of the Achaemenid Persians manifesting in construction of spectacular cities used for governance and inhabitation, temples made for worship and social gatherings, and mausoleums erected in honor of fallen kings. Achaemenid architecture was influenced by Mesopotamian, Assyrian, Egyptian, Elamite, Lydian, Greek and Median architecture. The quintessential feature of Persian architecture was its eclectic nature with foreign elements, yet producing a unique Persian identity seen in the finished product. Achaemenid architecture is academically classified under Persian architecture in terms of its style and design.
The Lion Capital of Ashoka is the capital, or head, of a column erected by the Mauryan emperor Ashoka in Sarnath, India, c. 250 BCE. Its crowning features are four life-sized lions set back to back on a drum-shaped abacus. The side of the abacus is adorned with wheels in relief, and interspersing them, four animals, a lion, an elephant, a bull, and a galloping horse follow each other from right to left. A bell-shaped lotus forms the lowest member of the capital, and the whole 2.1 metres (7 ft) tall, carved out of a single block of sandstone and highly polished, was secured to its monolithic column by a metal dowel. Erected after Ashoka's conversion to Buddhism, it commemorated the site of Gautama Buddha's first sermon some two centuries before.
The Tachara, or the Tachar Château, also referred to as the Palace of Darius the Great, was the exclusive building of Darius I at Persepolis, Iran. It is located 70 km northeast of the modern city of Shiraz in Fars Province.
Persian art or Iranian art has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article.
The Pataliputra capital is a monumental rectangular capital with volutes and Classical Greek designs, that was discovered in the palace ruins of the ancient Mauryan Empire capital city of Pataliputra. It is dated to the 3rd century BCE.
Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
The Palace of Darius in Susa was a palace complex that was built at the site of Susa, Iran, during the reign of Darius I over the Achaemenid Empire. The construction was conducted parallel to that of Persepolis. Manpower and raw materials from various parts of the Achaemenid Empire contributed to its construction. It was once destroyed by fire and was partially restored later; little has remained from the complex, which is today part of an archaeological site.
Mauryan polish describes one of the frequent characteristics of architecture and sculptures of the Maurya Empire in India, which gives a very smooth and shiny surface to the stone material, generally of sandstone or granite. Mauryan polish is found especially in the Ashoka Pillars as well as in some constructions like the Barabar Caves. The technique did not end with the empire, but continued to be "used on occasion up to the first or second century A.D.", although the presence of the polish sometimes complicates dating, as with the Didarganj Yakshi. According to the archaeologist John Marshall: the "extraordinary precision and accuracy which characterizes all Mauryan works, and which has never, we venture to say, been surpassed even by the finest workmanship on Athenian buildings".
The Masarh lion is a stone sculpture found at Masarh, a village near Arrah town in the Bhojpur district of the Indian state of Bihar. This sculpture is generally dated to the 3rd century B.C.
The Archaeology of Iran encompasses the following subjects: