Joe's Garage is a three-part rock opera released by American musician Frank Zappa in September and November 1979. Originally released as two separate albums on Zappa Records, the project was later remastered and reissued as a triple album box set, Joe's Garage, Acts I, II & III, in 1987. The story is told by a character identified as the "Central Scrutinizer" narrating the story of Joe, an average adolescent male, from Canoga Park, Los Angeles, who forms a garage rock band, has unsatisfying relationships with women, gives all of his money to a government-assisted and insincere religion, explores sexual activities with appliances, and is imprisoned. After being released from prison into a dystopian society in which music itself has been criminalized, he lapses into insanity.
Edwin Jobson is an English musician noted for his use of synthesizers. He has been a member of several progressive rock bands, including Curved Air, Roxy Music, U.K. and Jethro Tull. He was also part of Frank Zappa's band in 1976–77. Aside from his keyboard work Jobson has also gained acclaim for his violin playing. He won the Lifetime Achievement Award at the 2017 Progressive Music Awards. In March 2019 Jobson was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
Hot Rats is the second solo album by Frank Zappa, released in October 1969. It was Zappa's first recording project after the dissolution of the original version of the Mothers of Invention. Five of the six songs are instrumental, while "Willie the Pimp" features vocals by Captain Beefheart. In his original sleeve notes, Zappa described the album as "a movie for your ears".
Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86. The album itself became the biggest commercial success of Zappa's career, reaching number 10 on the US Billboard 200.
One Size Fits All is the fourteenth album by the Mothers of Invention, and the twentieth overall album by Frank Zappa, released in June 1975. The album reached #26 on the Billboard Top LPs & Tape chart in the United States in August 1975.
Roxy & Elsewhere is a double live album by Frank Zappa and The Mothers, released on September 10, 1974. Most of the songs were recorded on December 8, 9 and 10, 1973 at The Roxy Theatre in Hollywood, California.
Zoot Allures is the 22nd album by the American rock musician Frank Zappa, released in October 1976 and his only release on the Warner Bros. Records label. Due to a lawsuit with his former manager, Herb Cohen, Zappa's recording contract was temporarily reassigned from DiscReet Records to Warner Bros.
You Can't Do That on Stage Anymore, Vol. 3 is a double disc live album by Frank Zappa, spanning from December 10, 1971, to December 23, 1984. It was released in 1989.
You Can't Do That on Stage Anymore, Vol. 5 is a double compact disc collection of live recordings by Frank Zappa. Disc one comprises performances by the original Mothers of Invention, spanning the period from 1965 to 1969. "My Guitar" had been previously released as a single in 1969. Disc two comprises performances from the summer 1982 tour of Europe. It was released in 1992 under the label Rykodisc. The last track on this collection ends with Zappa's anger at some audience members tossing cigarettes on stage; after a warning to stop was not obeyed, the disc ends with Zappa stating, "Houselights! The concert's over!"
You Can't Do That on Stage Anymore, Vol. 6 is the last of six double-disc collection volumes of live performances by Frank Zappa recorded between 1970 and 1988. All of the material on Disc one has a sexual theme. Zappa used the monologue in "Is That Guy Kidding or What?", to ridicule Peter Frampton's album I'm in You with its double entendre title and pop pretensions. Disc two includes performances from Zappa's shows between 1976 and 1981 at the Palladium in New York City, as well as material like "The Illinois Enema Bandit" and "Strictly Genteel" that he frequently used as closing songs at concerts. It was released on October 23, 1992, under the label Rykodisc.
FZ:OZ is a live album by Frank Zappa, released in 2002 as a two-CD set and is the first release on the Vaulternative Records label from the Zappa Family Trust. It contains almost all of the January 20, 1976 concert at the Hordern Pavilion in Sydney, Australia.
"Inca Roads" is the opening track of the Frank Zappa and the Mothers of Invention 1975 album, One Size Fits All. The song features unusual time signatures, lyrics and vocals. The marimba-playing of Zappa's percussionist Ruth Underwood is featured prominently. The song was played in concert from 1970 to 1976, 1979 and 1988.
Buffalo is a live album by Frank Zappa, posthumously released in April 2007 as a two-CD set, consisting of the complete concert given on October 25, 1980 at the Buffalo Memorial Auditorium in Buffalo, New York with a band that has previously been heard on Tinsel Town Rebellion (1981) and Shut Up 'n Play Yer Guitar (1981). It is the second installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, the first release being FZ:OZ, the concert on January 20, 1976 at the Hordern Pavilion in Sydney.
Tinsel Town Rebellion is a double live album released by Frank Zappa in May 1981. The album was conceived by Zappa after he scrapped the planned albums Warts and All and Crush All Boxes, and contains tracks that were intended for those albums.
Hammersmith Odeon is a triple album by Frank Zappa, recorded on January 25, 26 & 27, 1978 and February 28, 1978, and released posthumously in 2010 by the Zappa Family Trust. It is the fifth installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, following the releases of FZ:OZ (2002), Buffalo (2007), Wazoo (2007) and Philly '76 (2009).
You Can't Do That on Stage Anymore, Vol. 2 is a live album by Frank Zappa. Despite the subtitle 'The Helsinki Concert', the album is not one complete concert, but was, in fact, assembled from two different concerts performed in Helsinki in 1974. The working title for this album was The Helsinki Tapes, a title more accurately reflecting the fact that the album was composed of performances from more than one show. It is the only album of the series You Can't Do That on Stage Anymore that includes only one Frank Zappa Band, and only one location of concert. All other albums mix different bands and different time periods in the stage career of Frank Zappa.
Carnegie Hall is a quadruple live album by Frank Zappa and The Mothers of Invention, released posthumously on October 31, 2011, by the Zappa Family Trust on Vaulternative Records. It is a mono recording of the two shows given on October 11, 1971 at Carnegie Hall in New York and the sixth installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, following the releases of FZ:OZ (2002), Buffalo (2007), Wazoo (2007), Philly '76 (2009) and Hammersmith Odeon (2010).
Lady Bianca is an American electric blues singer, songwriter and arranger. Lady Bianca has worked as a session singer, depicted Billie Holiday on stage, and since 1995 released six solo albums, three of which were nominated for a Grammy Award.
Road Tapes, Venue #1 is a double live album by Frank Zappa, released posthumously on October 31, 2012, by the Zappa Family Trust on Vaulternative Records. It was recorded on August 25, 1968 at the Kerrisdale Cyclone Taylor Arena in Vancouver, British Columbia. It is the seventh installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, following the releases of FZ:OZ (2002), Buffalo (2007), Wazoo (2007), Philly '76 (2009), Hammersmith Odeon (2010) and Carnegie Hall (2011).
Zappa/Erie is a live album by Frank Zappa, released posthumously on June 17, 2022. The album is a six CD boxset consisting of several shows performed in the Erie, Pennsylvania area in 1974 and 1976. All the material is previously unreleased, except for roughly ten minutes of audio that appeared on Roxy & Elsewhere (1974) in an edited form.
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