Playing the Field | ||||
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Studio album by | ||||
Released | 1960 | |||
Recorded | 1960 | |||
Studio | Capitol Studios | |||
Genre | Vocal jazz | |||
Length | 32:44 | |||
Label | Capitol Records | |||
Producer | Tom Morgan | |||
Mark Murphy chronology | ||||
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Playing the Field is a studio album by Mark Murphy.
Playing the Field is the fifth album by American jazz vocalist Mark Murphy and his third for Capitol Records. It was recorded in 1960, when Murphy was 28 years old, and released by the Capitol Records label in the United States in 1960. The album is a collection of pop tunes and standards performed with a jazz band.
Capitol Records producer Tom Morgan signed Murphy to a three-album contract when Murphy was on the West Coast in 1958 on the basis of the two albums he recorded for Milt Gabler of Decca Records. [1] [2] This release was his final album for Capitol. Although none of his Capitol records were as commercially successful as Murphy and his label had hoped, they marked the beginning of a long, interesting and influential career.
The arrangements for this release were done by Bill Holman. Holman had arranged his prior Capitol releases. [3] [2] The recordings are divided between small band and trio arrangements.
Pianist Jimmy Rowles returns for his final appearance with Murphy. He was an in-demand accompanist for singers such as Billie Holiday, Ella Fitzgerald, Jo Stafford, Anita O'Day, and Julie London. [4] Rowles along with bassist Joe Mondragon and drummer Shelly Manne formed the rhythm section. [2] The trumpeter Conte Candoli returned as well. [2] [3]
Ellington's "I Didn't Know About You" was a song Murphy heard Nicky DeFrancis perform at "Jilly" Rizzo's 52nd street bar Jilly's Saloon. Murphy said, "He was fantastic – played like Erroll Garner and sang like the Italian singers in Philadelphia, where he was from. He did the hippest tunes in New York at that time, like "I Guess I'll Hang My Tears Out to Dry" and "I Didn't Know About You". If you asked for them, everyone knew you were hip. That's why they sometimes appeared in my records". [3]
Buddy DeSylva's "Wishing (Will Make It So)" is from 1939's Love Affair co-starring Charles Boyer and Irene Dunne. "Put the Blame on Mame" is a song featured in the 1946 film noir Gilda in which Rita Hayworth lip synch ed to Anita Ellis' vocal recording. Apparently it was a Murphy favorite and he adds a few original lines. [3] Murphy and Producer Tom Morgan thought it had potential to be a hit single but Capitol declined to release and promote it as a single. Murphy said, "By that time they had given up on me. They released the album and said Goodbye". [3]
Review scores | |
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Source | Rating |
The Virgin Encyclopedia of Popular Music | [5] |
Colin Larkin assigns the record 3 stars in The Virgin Encyclopedia of Popular Music. [5] Three stars means, "Good. By the artist's usual standards and therefore recommended". [5] He wrote, "the appearance of several albums in the late 50s announced that the jazz world had a new and important singer in its midst". [5]
Murphy biographer Peter Jones says the album "was probably his worst to date, with several sub-two minute tracks, presumably in hopes of some easy radio play. The mood is relentlessly upbeat, but much of the material is forgettable, and there is too much insincere showbiz sparkle and showing off . . . From the laddish title to the cover, Murphy was again being sold as a babe-magnet-cum-man-about-town, depicted in various sophisticated poses with four different females." [2] Jones points out that Murphy had grown up with bebop and swing, but was trying to achieve stardom in the mainstream commercial record market. "That seemed to mean presenting himself as a young hipster, a swinging cool dude around town, toying with the affections of innumerable women, and having a whale of a time". Jones wrote, "The one thing Murphy hadn't yet tried was just being himself". [2]
Will Friedwald said that the albums made during this period from 1956 to 1960 "reveal a young singer with a strong, dark, attractive voice, with a lot of good ideas and an obvious commitment to the jazz idiom-but one who stops just short of having a sound and a style of his own". [1] Friedwald wrote, "As Murphy himself noted, the audience for these songs just wasn't his, and vice versa-even though he succeeded in doing something aesthetically interesting and indeed hip with material that no one would have thought could lend itself to such a treatment". [1]
Whisper Not is a 1966 studio album by American jazz singer Ella Fitzgerald, with the Marty Paich Orchestra. She had previously recorded with Marty Paich and his more familiar Dek-tette on the 1957 album Ella Swings Lightly.
James George Hunter, known professionally as Jimmy Rowles, was an American jazz pianist, vocalist, and composer. As a bandleader and accompanist, he explored multiple styles including swing and cool jazz.
Secondo "Conte" Candoli was an American jazz trumpeter based on the West Coast. He played in the big bands of Woody Herman, Stan Kenton, Benny Goodman, and Dizzy Gillespie, and in Doc Severinsen's NBC Orchestra on The Tonight Show Starring Johnny Carson. He played with Gerry Mulligan, and on Frank Sinatra's TV specials. He also recorded with Supersax, a Charlie Parker tribute band that consisted of a saxophone quintet, the rhythm section, and either a trumpet or trombone.
Get Happy! is a 1959 album by the American jazz singer Ella Fitzgerald, recorded with various studio orchestras over a two-year period.
Mark Howe Murphy was an American jazz singer based at various times in New York City, Los Angeles, London, and San Francisco. He recorded 51 albums under his own name during his lifetime and was principally known for his innovative vocal improvisations. He was the recipient of the 1996, 1997, 2000, and 2001 Down Beat magazine readers' jazz poll for Best Male Vocalist and was also nominated five times for the Grammy Award for Best Vocal Jazz Performance. He wrote lyrics to the jazz tunes "Stolen Moments" and "Red Clay".
Richie Kamuca was an American jazz tenor saxophonist.
Joe Mondragon was an American jazz bassist.
Willis Leonard Holman was an American composer, arranger, conductor, saxophonist, and songwriter working in jazz and traditional pop. His career spanned over seven decades, starting with the Charlie Barnet orchestra in 1950.
Something Cool is the debut solo album by June Christy, released on Capitol Records first as a 10-inch LP of seven selections in August of 1954, and then as a 12-inch LP of eleven selections the following August, both times in monophonic sound. The original seven selections for the 1954 release were recorded over seven sessions from August of 1953 through March of 1954, with the additional four for the 1955 issue from four additional sessions in December of 1954 as well as May and June of 1955, with arrangements for all sessions written and conducted by Pete Rugolo. Her saxophonist husband, Bob Cooper, also played on many of these sessions. In April of 1960, Christy and Rugolo re-recorded all 11 selections in stereophonic sound, so that a stereo version of Something Cool could be issued. For many years, this re-recorded version of the album was the only one commercially available.
Big Band Specials is a 1962 album by June Christy, with tracks arranged by Bill Holman, Shorty Rogers and husband Bob Cooper.
City of Glass, an album originally issued as a 10" LP by Stan Kenton, consists entirely of the music of Bob Graettinger. The original album has been reconstituted in different LP re-issues, and the entire set of Kenton/Graettinger Capitol Records sessions is on the digital CD City of Glass.
Maynard Ferguson Octet is an album by Canadian jazz trumpeter/trombonist Maynard Ferguson featuring tracks recorded in 1955 and released on the EmArcy label.
Perk Up is an album by the drummer Shelly Manne recorded in 1967, but not released until an issue on the Concord Jazz label in 1976.
The Sound of Nancy Wilson is a 1968 studio album by Nancy Wilson, originally subtitled "...An Experience in Motion and Emotion." It features a mixture of vocal jazz, soul, and popular music, and several prominent jazz instrumentalists perform on the album, including Benny Carter, Harry "Sweets" Edison, Shelly Manne, and pianist Jimmy Jones, who also serves as arranger and conductor. The song "Peace of Mind" was released as a single in October 1968.
I Love Everybody is a studio album by American jazz vocalist Johnny Hartman, released in 1967 by ABC Records. It was produced by Bob Thiele and features arrangements and conducting by Jack Pleis and Oliver Nelson.
Vicky Lane (born Grace Patricia Rose Coghlan was an Irish-American film actress who also worked as a singer.
Some Time Ago is the 37th album by American jazz vocalist Mark Murphy. It was recorded in 1999 when Murphy was 68 years old and released by the HighNote Records label in the United States in 2000. The album is a collection of jazz bebop tunes and standards with Murphy backed by a jazz quintet.
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The Best of Mark Murphy: The Capitol Years is a compilation of selected highlights of singer Mark Murphy's recordings for the Capitol Records label. It was released in 1997.