Mary Anne Disraeli, 1st Viscountess Beaconsfield was a British peeress and society figure who was the wife of the British statesman Benjamin Disraeli.
Sir John Everett Millais, 1st Baronet was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street. Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–52.
Earl of Beaconsfield, of Hughenden in the County of Buckingham, was a title in the Peerage of the United Kingdom. It was created in 1876 for Prime Minister Benjamin Disraeli, a favourite of Queen Victoria. Victoria favoured Disraeli's Tory policies over those of his Liberal rival, William Ewart Gladstone. Disraeli had also promoted the Royal Titles Act 1876 that had given Victoria the title of Empress of India. The subsidiary title of the earldom was Viscount Hughenden, of Hughenden in the County of Buckingham, also in the Peerage of the United Kingdom.
Events from the year 1852 in art.
Hughenden Manor, Hughenden, Buckinghamshire, England, is a Victorian mansion, with earlier origins, that served as the country house of the Prime Minister, Benjamin Disraeli, 1st Earl of Beaconsfield. It is now owned by the National Trust and open to the public. It sits on the brow of the hill to the west of the main A4128 road that links Hughenden to High Wycombe.
Sir Edwin Henry Landseer was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. His best-known works are the lion sculptures at the base of Nelson's Column in Trafalgar Square.
Sir Francis Grant was a Scottish portrait painter who painted Queen Victoria and many British aristocratic and political figures. He served as President of the Royal Academy.
The Shadow of Death is a religious painting by the English painter William Holman Hunt, on which he worked from 1870 to 1873, during his second trip to the Holy Land. It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood. The shadow of his outstretched arms falls on a wooden spar on which carpentry tools hang, creating a "shadow of death" prefiguring the crucifixion. The arch of the window also creates a natural halo around the head of Christ. His mother Mary is depicted from behind, gazing up at the shadow, having been looking into a box in which she has kept the gifts given by the Magi.
A Private View at the Royal Academy, 1881 is a painting by the English artist William Powell Frith exhibited at the Royal Academy of Arts in London in 1883. It depicts a group of distinguished Victorians visiting the Royal Academy Summer Exhibition in 1881, just after the death of the Prime Minister Benjamin Disraeli, whose portrait by John Everett Millais was included on a screen at the special request of Queen Victoria. The room is Gallery III, the largest and most imposing room at Burlington House.
A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period. It was accompanied, at the Royal Academy of Arts in London in 1852, with a long quote reading: "When the clock of the Palais de Justice shall sound upon the great bell, at daybreak, then each good Catholic must bind a strip of white linen round his arm, and place a fair white cross in his cap.—The order of the Duke of Guise." This long title is usually abbreviated to A Huguenot or A Huguenot, on St Bartholomew's Day.
Events from the year 1876 in the United Kingdom.
Louise Jane Jopling was an English painter of the Victorian era, and one of the most prominent female artists of her generation.
John Ruskin is a portrait of the leading Victorian art critic John Ruskin (1819–1900). It was painted by the Pre-Raphaelite artist John Everett Millais (1829–1896) during 1853–54. John Ruskin was an early advocate of the Pre-Raphaelite group of artists and part of their success was due to his efforts.
Primrose Day marked the anniversary of the death of the British statesman and prime minister Benjamin Disraeli, 1st Earl of Beaconsfield, on 19 April 1881. The day was marked each year into the 1920s, with arrangements of primroses left at Disraeli's tomb at St Michael and All Angels Church, Hughenden and his statue in Parliament Square and many supporters wearing primroses as buttonholes, garlands, and hat decorations.
Earthstopper on the Banks of the Derwent is a painting by Joseph Wright of Derby originally completed in 1773. The scene shows a man digging at nighttime beside the River Derwent in Derbyshire.
Thomas Carlyle is an unfinished portrait of the Scottish essayist, historian and philosopher of the same name painted by English Pre-Raphaelite painter John Everett Millais in 1877.
Portrait of Benjamin Disraeli is an 1881 portrait painting by the English artist John Everett Millais featuring the British politician and Prime Minister Benjamin Disraeli. Known in his youth as a novelist, Disraeli turned to politics during the Victorian era and twice held the premiership. He was made Earl of Beaconsfield in 1876.
Portrait of Benjamin Disraeli may refer to:
