Portrait of Cardinal Bibbiena | |
---|---|
Italian: Ritratto del cardinale Bibbiena | |
Artist | Raphael |
Year | c.1516 |
Medium | Oil on canvas |
Dimensions | 85 cm× 66.3 cm(33 in× 26.1 in) |
Location | Galleria Palatina (Palazzo Pitti), Florence |
The Portrait of Cardinal Bibbiena is a painting of Cardinal Bernardo Dovizi da Bibbiena (pope Leo X's private secretary) by Raphael, created around 1516. It is currently housed in the Palazzo Pitti in Florence. [1] The rendering appears more rigid than usual for Raphael, leading some critics to attribute it to one of his pupils or suggest it may be a copy of a lost original by the artist.
Raffaello Sanzio da Urbino, now generally known in English as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period.
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Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola is an oil painting dated circa 1518 that was formerly believed to depict Giovanna d'Aragona. It has been variously ascribed to Raphael, Giulio Romano, or the school of Raphael; it is now usually taken to have been executed by Giulio Romano based on a sketch by Raphael and then altered by Raphael. The painting is now in the Louvre Museum in Lens.
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Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890. It was previously recorded in London in the Acton collection. Its inventory number is 175.
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The 'Diotallevi Madonna is an oil on panel painting by Raphael, created c. 1504. It is held in the Bode Museum, in Berlin, where it entered in 1841-1842 from Marquess Diotallevi's collection in Rimini. Previously attributed to Raphael's teacher Perugino, almost all art historians now attribute it to Raphael, with the exception of Adolfo Venturi who attributes it and parts of Perugino's Madonna della Consolazione to an anonymous, "Master of the Diotallevi Madonna".