Portrait of George IV | |
---|---|
Artist | Thomas Lawrence |
Year | 1821 |
Type | Oil on canvas, portrait |
Dimensions | 295.4 cm× 205.4 cm(116.3 in× 80.9 in) |
Location | Royal Collection, London |
George IV is an 1821 portrait painting by the English artist Thomas Lawrence portraying George IV, the reigning monarch of the United Kingdom. [1] George is depicted in the robes he wore for his Coronation in July 1821. Lawrence was Britain's pre-eminent portrait painter and had previously depicted George on a number of occasions during the Regency era before he came to the throne in succession to his father George III in 1820. Lawrence had recently been elected to succeed Benjamin West as President of the Royal Academy
George has designed the coronation robes himself, and commissioned the painting from Lawrence for the throne room where it still hangs today as part of the Royal Collection. [2] The following year he posed for a more informal painting by Lawrence which is now part of the Wallace Collection. [3]
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
The Crown Jewels of the United Kingdom, originally the Crown Jewels of England, are a collection of royal ceremonial objects kept in the Jewel House at the Tower of London, which include the coronation regalia and vestments worn by British monarchs.
The coronation of the monarch of the United Kingdom is an initiation ceremony in which they are formally invested with regalia and crowned at Westminster Abbey. It corresponds to the coronations that formerly took place in other European monarchies, which have all abandoned coronations in favour of inauguration or enthronement ceremonies. A coronation is a symbolic formality and does not signify the official beginning of the monarch's reign; de jure and de facto his or her reign commences from the moment of the preceding monarch's death or abdication, maintaining legal continuity of the monarchy.
Sir George Hayter was an English painter, specialising in portraits and large works involving sometimes several hundred individual portraits. Queen Victoria appreciated his merits and appointed Hayter her Principal Painter in Ordinary and also awarded him a Knighthood in 1841.
Montagu House was a prominent residence situated near to the southwest corner of Greenwich Park, overlooking the common at Blackheath in what is today southeast London. Adjacent to the Ranger's House, it was the royal residence of Caroline of Brunswick before being demolished in 1815.
Portrait of William Linley is a 1788 portrait painting by the British artist Thomas Lawrence depicting William Linley.
Conversation Piece at the Royal Lodge, Windsor is an oil-on-canvas painting by Herbert James Gunn. It is part of the collection of the National Portrait Gallery (NPG) in London. The painting depicts King George VI and Queen Elizabeth and their daughters, Princesses Elizabeth and Margaret, taking tea in the Royal Lodge in Windsor Great Park. It was commissioned by the NPG in 1950.
The Coronation of Queen Victoria is an 1839 painting by the British artist George Hayter. It depicts in oils the Coronation of Queen Victoria at Westminster Abbey on 28 June 1838. Victoria was eighteen when she succeeded her uncle William IV to the throne on 20 June 1837 and went on to reign until 1901.
Caroline, Princess of Wales and Princess Charlotte is an 1801 portrait by the British artist Sir Thomas Lawrence depicting Caroline, Princess of Wales and her daughter Charlotte of Wales, then second in line to the throne after her father George, Prince of Wales who was the eldest son of George III. By this stage in their marriage Caroline and her husband were estranged and effectively separated.
Portrait of Queen Charlotte is a 1789 portrait painting by the English artist Thomas Lawrence of the British queen Charlotte of Mecklenburg-Strelitz.
Portrait of Charles X is an 1825 portrait painting by the British artist Sir Thomas Lawrence depicting the reigning French monarch Charles X. Following the French Revolution that saw his eldest brother overthrown and executed, Charles has spent many years in exile including a period in Britain. His brother Louis XVIII was restored to the throne with British assistance in 1814 and then again in 1815 following the Battle of Waterloo. Charles, as his heir, led the conservative Ultra-royalist faction in French politics. When his brother died in 1824 he succeeded to the throne. The last member of the House of Bourbon to reign, he had an elaborate coronation in Reims in May 1825. The same year Charles was painted in his coronation robes by the French artist Robert Lefèvre.
The Portrait of Marshal Blücher is an 1814 portrait painting by the English artist Thomas Lawrence of the Prussian Field Marshal Gebhard Leberecht von Blücher.
Portrait of Lord Liverpool is a work by the English artist Thomas Lawrence depicting the British politician and Prime Minister Lord Liverpool.
Victoria, Duchess of Kent with Princess Victoria is an 1821 portrait painting by the British artist William Beechey of Victoria, Duchess of Kent and her young daughter the future Queen Victoria. It was painted at Kensington Palace in London and completed the following year. It was exhibited at the Royal Academy in May 1822.
The Portrait of Francis I of Austria is a painting by the British artist Sir Thomas Lawrence depicting the Austrian Emperor Francis I.
George III is am 1809 portrait painting by the English artist Thomas Lawrence depicting the British monarch George III. It is an oil painting on canvas depicting the King in his robes for the State Opening of Parliament. It was commissioned by George as a gift for the former Prime Minister of the United Kingdom Henry Addington. George had reigned since 1760, but he was troubled by occasional bouts of mental instability. In 1810, shortly after celebrating the Golden Jubilee on the throne, George was overcome by a more lasting loss of control and his eldest son George was declared Prince Regent. The image by Lawrence continued to be used to represent the King throughout the remainder of his reign.
Sir Walter Scott is a portrait painting by the English artist Thomas Lawrence of the Scottish writer Sir Walter Scott. Begun in 1820, it was completed in 1826 and exhibited at the 1827 Royal Academy Summer Exhibition. Lawrence was Britain's foremost society portraitist of the Regency era and was commissioned by George IV, a regular patron of the artist for whom he supplied various paintings for the Waterloo Chamber, to depict Scott for a fee of three hundred guineas.
Princess Charlotte is an 1817 portrait painting by the British artist George Dawe depicting Princess Charlotte of Wales, the daughter of the Prince Regent.
Portrait of the Duchess of Berry is an 1825 portrait painting by the English artist Sir Thomas Lawrence. It depicts the Italian-born French royal Marie-Caroline, Duchess of Berry, the widowed daughter-in-law of the reigning French monarch Charles X. A few months after the assassination of her husband in 1820, she gave birth to a child Henri who seemed to secure the succession for the House of Bourbon.
Coronation Portrait of George III is a portrait painting of 1762 by the Scottish artist Allan Ramsay depicting the British monarch George III in his coronation robes. George's coronation had taken place on 22 September 1761 at Westminster Abbey, where he was crowned alongside his wife Queen Charlotte. The new king had inherited the crown from his grandfather George II in 1760 at the age of twenty-two.