Radio Free Dixie

Last updated

Radio Free Dixie was a radio program broadcast from Cuba by American civil rights leader Robert F. Williams in the early 1960s that advocated for racial equality. It called on black Americans to rise up against what Williams saw as an inherently racist system. The radio program featured music, political conversation, and storytelling. [1]

Contents

History

Robert Williams

Robert Williams was born on February 26, 1925, in Union County, Monroe, North Carolina. [2] [1] Growing up in Monroe, Williams faced the extremes of southern racism. One documentation from a 1939 Monroe newspaper reported a Ku Klux Klan rally with a potential 5,000 attending members. [1] During these trying times, Williams was inspired by his headstrong relatives. His uncle Charlie Williams and grandmother Ellen Williams were known in town for putting their foot down for what they believed in. Individuals like these propelled Williams to be involved in his community. [1]

Throughout William's life he became deeply involved with advocating for the black community. In 1953, he became president of the Monroe chapter of the NAACP. In 1959, he launched The Crusader weekly newspaper, a newspaper for black America. [1]

Eventually, after years of activism, Williams and his family were exiled to Havana, Cuba, after heated disputes with the government. At that point, Williams was considered to be a radical black nationalist. [1]

Timeline of Radio Free Dixie

In 1961, Freedom Riders came traveling through Monroe, North Carolina, Williams's hometown. He and his wife agreed to shelter some of the activists, a white family, who were beaten and bloodied by local Klansmen. [3] When local law enforcement was alerted about this, they wrongfully charged Williams with kidnapping the family, even though he was only trying to shelter them from violence. To escape imprisonment, or perhaps worse, he and his family fled the country to Cuba. [3]

During William's exile to Cuba from Monroe, North Carolina, he aired Radio Free Dixie from 1961 to 1965. Cuba was in the midst of the Cold War, with the Cuban Missile Crisis on the rise. No doubt, the spirit of revolution in Cuba fueled Williams's launch, and his general acceptance in Cuba. In fact, Fidel Castro not only granted Williams permission to seek shelter in Cuba, but also allowed him to broadcast his revolutionary radio program. [4]

Radio Free Dixie broadcast soul music, including tunes like Herbie Hancock's "Watermelon Man" and Nina Simone's "Mississippi Goddam," news, and commentary from Havana. Besides playing jazz and blues music, Williams frequently played "new jazz music" as a method of "psychological propaganda." [1] Newer jazz music was though of extremely motivating and mobilizing to those who listened, and Williams wanted his audience to rise up against white supremacy. Williams would strategically play specific types of music while news on voter registration or other political issues were being reported on. Inspired by a childhood of storytelling, so too was the broadcast. [1] The Radio featured characters like political leftists who would come on air and share their stories in government. These stories became condensed into a transcript called, "Negroes with Guns" that was widely known in the movement, and had a play based on it. [1] This transcript advocated for nonviolent direct action. While Williams believed in nonviolence, he differed from Martin Luther King Jr. in believing that white supremacists may eventually become numb to its effects. [1]

Williams said, "This was really the first true radio where the black people could say what they want to say and they don't have to worry about sponsors, they don't have to worry about censors." [4] One listener from Los Angeles in 1962 said, "Every time I play my copy, I let someone else make another recording. That way more people will hear the true story of Monroe." [4]

The program reached the entire continental United States using 50,000 watts at 690 kHz AM, and ran at 11p.m. Eastern time. [5] [6] "Radio Free Dixie is proud to present the seldom-heard songs of brutal oppression and dehumanization that no American radio station dares broadcast," an announcer touted. Amid the climate of the 1965 Watts riots, Williams used the station to call for assertive action: "In the spirit of 76, in the Spirit of Los Angeles, let our people take to the streets in fierce numbers, and in the cause of freedom and justice, let our battle cry be heard around the world. Freedom! Freedom! Freedom now, or death!"

While the broadcast reached America across the map, Williams was sure to advocate for the fact that it was targeted to southern blacks specifically, because they really had no other voice in the movement, according to Williams. [1] Hence, the name of the station, "Radio Free Dixie" because it was intended for the Southern Dixie states. [1] William's broadcast was revolutionary and not something America had ever heard before. It was the kind of school of thought that would most likely not have been broadcast from the United States with Williams often advocating for radical ideals like a militant community saying things like, "If we are ever going to be free, we must liberate ourselves. [7] "

Bootleg tapes of the program circulated throughout the United States, and recordings of Radio Free Dixie were also aired on WBAI in New York City and KPFA in Berkeley, California. [8]

Programming ended in 1965 when Williams moved to China at Mao Zedong's invitation.

Related Research Articles

Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.

<span class="mw-page-title-main">Civil rights movement</span> 1954–1968 U.S. social movement

The civil rights movement was a social movement and campaign from 1954 to 1968 in the United States to abolish legalized racial segregation, discrimination, and disenfranchisement in the country. The movement had its origins in the Reconstruction era during the late 19th century and had its modern roots in the 1940s, although the movement made its largest legislative gains in the 1960s after years of direct actions and grassroots protests. The social movement's major nonviolent resistance and civil disobedience campaigns eventually secured new protections in federal law for the civil rights of all Americans.

<span class="mw-page-title-main">Monroe, North Carolina</span> City in North Carolina, United States

Monroe is a city in and the county seat of Union County, North Carolina, United States. The population increased from 32,797 in 2010 to 34,551 in 2020. It is within the rapidly growing Charlotte metropolitan area. Monroe has a council-manager form of government.

<span class="mw-page-title-main">DeFord Bailey</span> American country musician (1899–1982)

DeFord Bailey was an American country music and blues star from the 1920s until 1941. He was one of the first performers to be introduced on Nashville radio station WSM's Grand Ole Opry, the first African-American performer to appear on the show, and the first performer to record his music in Nashville. Bailey played several instruments in his career but is best known for playing the harmonica, often being referred to as a "harmonica wizard".

<span class="mw-page-title-main">Robert F. Williams</span> American civil rights activist (1925–1996)

Robert Franklin Williams was an American civil rights leader and author best known for serving as president of the Monroe, North Carolina chapter of the NAACP in the 1950s and into 1961. He succeeded in integrating the local public library and swimming pool in Monroe. At a time of high racial tension and official abuses, Williams promoted armed Black self-defense in the United States. In addition, he helped gain support for gubernatorial pardons in 1959 for two young African-American boys who had received lengthy reformatory sentences in what was known as the Kissing Case of 1958.

Shelter from the Storm: A Concert for the Gulf Coast was a one-hour, commercial-free benefit concert television special that aired simulcast worldwide on September 9, 2005, at 8 p.m. ET/CT live from New York City and Los Angeles and tape delayed in the Mountain Time Zone and Pacific Time Zones. The special raised money for the relief efforts from the aftermath of Hurricane Katrina. It was broadcast in over 100 different countries. All proceeds went to the American Red Cross and The Salvation Army.

James William "Catfish" Cole was an American soldier and evangelist who was leader of the Ku Klux Klan of North Carolina and South Carolina, serving as a Grand Dragon.

Timothy B. Tyson is an American writer and historian who specializes in the issues of culture, religion, and race associated with the Civil Rights Movement. He is a senior research scholar at the Center for Documentary Studies at Duke University and an adjunct professor of American Studies at the University of North Carolina.

<span class="mw-page-title-main">American fugitives in Cuba</span>

Various American fugitives in Cuba have found political asylum in Cuba after participating in militant activities in the Black power movement or the Independence movement in Puerto Rico. Other fugitives in Cuba include defected CIA agents and others. The Cuban government formed formal ties with the Black Panther Party in the 1960s, and many fugitive Black Panthers would find political asylum in Cuba, but after their activism was seen being repressed in Cuba many became disillusioned. House Concurrent Resolution 254, passed in 1998, put the number at 90. One estimate, c. 2000, put the number at approximately 100.

<span class="mw-page-title-main">Kissing Case</span> 1958 North Carolina criminal case

The Kissing Case was the arrest, conviction and lengthy sentencing of two prepubescent African-American boys in 1958 in Monroe, North Carolina. A white girl kissed each of them on the cheek and later told her mother, who accused the boys of rape. The boys were then charged by authorities with molestation. Civil rights activists became involved in representing the boys. The boys were arrested in October 1958, separated from their parents for a week, beaten and threatened by investigators, then sentenced by a Juvenile Court judge.

<span class="mw-page-title-main">Cultural impact of Elvis Presley</span>

Since the beginning of his career, American singer Elvis Presley has had an extensive cultural impact. According to the monthly magazine, Rolling Stone, "It was Elvis who made rock 'n' roll the international language of pop." The Rolling Stone Encyclopedia of Rock & Roll describes Presley as "an American music giant of the 20th century who single-handedly changed the course of music and culture in the mid-1950s". His recordings, dance moves, attitude, and clothing came to be seen as embodiments of rock and roll. His music was heavily influenced by African-American blues, Christian gospel, and Southern country. In a list of the greatest English language singers, as compiled by Q magazine, Presley was ranked first, and second in the list of greatest singers of the 20th century by BBC Radio. Some people claim that Presley created a whole new style of music: "It wasn't black, wasn't white, wasn't pop or wasn't country—it was different." As most singers in his time created music geared for adults, he gave teens music to grow up with.

<span class="mw-page-title-main">Music of New Orleans</span> Overview of music traditions in New Orleans

The music of New Orleans assumes various styles of music which have often borrowed from earlier traditions. New Orleans, Louisiana, is especially known for its strong association with jazz music, universally considered to be the birthplace of the genre. The earliest form was dixieland, which has sometimes been called traditional jazz, 'New Orleans', and 'New Orleans jazz'. However, the tradition of jazz in New Orleans has taken on various forms that have either branched out from original dixieland or taken entirely different paths altogether. New Orleans has also been a prominent center of funk, home to some of the earliest funk bands such as The Meters.

Black power is a political slogan and a name which is given to various associated ideologies which aim to achieve self-determination for black people. It is primarily, but not exclusively, used by black activists and other proponents of what the slogan entails in the United States. The black power movement was prominent in the late 1960s and early 1970s, emphasizing racial pride and the creation of black political and cultural institutions to nurture, promote and advance what was seen by proponents of the movement as being the collective interests and values of black Americans.

Mae Mallory was an activist of the Civil Rights Movement and a Black Power movement leader active in the 1950s and 1960s. She is best known as an advocate of school desegregation and of black armed self-defense.

<span class="mw-page-title-main">Julian Mayfield</span> American dramatist and activist (1928–1984)

Julian Hudson Mayfield was an American actor, director, writer, lecturer and civil rights activist.

<span class="mw-page-title-main">Conrad Lynn</span> American activist and lawyer

Conrad Joseph Lynn was an African-American civil rights lawyer and activist known for providing legal representation for activists, including many unpopular defendants. Among the causes he supported as a lawyer were civil rights, Puerto Rican nationalism, and opposition to the draft during both World War II and the Vietnam War. The controversial defendants he represented included civil rights activist Robert F. Williams and Black Panther leader H. Rap Brown.

<span class="mw-page-title-main">Truman J. Nelson</span> American historian

Truman J. Nelson was an American writer of historical novels and essays, a civil rights activist, and a curator. His literary works mainly dealt with subjects such as revolution and the "revolutionary morality" as well as anti-racism and the civil rights struggle in the United States.

<i>Negroes with Guns</i> 1962 book by Robert F. Williams

Negroes with Guns is a 1962 book by civil rights activist Robert F. Williams. Timothy B. Tyson said, Negroes with Guns was "the single most important intellectual influence on Huey P. Newton, the founder of the Black Panther Party". The book is used in college courses and is discussed in debates.

Negroes with Guns: Rob Williams and Black Power is a 2004 feature film by directors Sandra Dickson and Churchill Roberts. It was a National PBS Broadcast, on Independent Lens, in February 2006. The film won the 2006 Erik Barnouw Award for Outstanding Historical Documentary, of the Organization of American Historians, the Audience Award of the Detroit Docs Film Festival, in 2005, and the Critic's Award for Outstanding Feature Documentary of the New York UrbanWorld Film Festival, in 2005.

<span class="mw-page-title-main">A. C. Bilbrew</span> American poet

A. C. Harris Bilbrew was an American poet, musician, composer, playwright, clubwoman, and radio personality known as Madame A. C. Bilbrew. She lived in South Los Angeles. In 1923, she became the first black soloist to sing on a Los Angeles radio program. She also hosted the city's first African-American radio music program, The Gold Hour, in the early 1940s. The A. C. Bilbrew branch of the LA County Library in Willowbrook was named in her honor.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 "Timothy B. Tyson. Radio Free Dixie: Robert F. Williams and the Roots of Black Power. Chapel Hill: University of North Carolina Press. 1999. Pp. 402. $29.95". The American Historical Review. October 2000. doi:10.1086/ahr/105.4.1345. ISSN   1937-5239.
  2. "Robert Williams - American civil rights leader". Encyclopedia Britannica. Retrieved June 29, 2020.
  3. 1 2 "California Newsreel - NEGROES WITH GUNS: ROB WILLIAMS AND BLACK POWER". newsreel.org. Retrieved May 3, 2020.
  4. 1 2 3 "Independent Lens . NEGROES WITH GUNS: Rob Williams and Black Power . Radio Free Dixie | PBS". www.pbs.org. Retrieved May 3, 2020.
  5. Johnson, Hans. "Robert Williams' Odyssey in Cuba". Radio World. Retrieved January 29, 2018.
  6. "Negroes with Guns: Rob Williams and Black Power. Radio Free Dixie". www.pbs.org. Retrieved January 29, 2018.
  7. "Radio Free Dixie (1964)". YouTube.
  8. Tyson, Timothy B. (1999). Radio Free Dixie : Robert F. Williams and the roots of Black power. Chapel Hill: University of North Carolina Press. pp. 287–288. ISBN   0807825026. OCLC   40610638.