This article's plot summary may be too long or excessively detailed.(June 2021) |
Rajaraja Cholan | |
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Directed by | A. P. Nagarajan |
Screenplay by | A. P. Nagarajan Aru. Ramanathan |
Based on | Rajaraja Cholan by Aru. Ramanathan |
Produced by | G. Umapathy |
Starring | Sivaji Ganesan Vijayakumari |
Cinematography | W. R. Subba Rao [1] |
Edited by | T. Vijayarangam [1] |
Music by | Kunnakudi Vaidyanathan |
Production company | Anand Movies [1] |
Release date |
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Country | India |
Language | Tamil |
Rajaraja Cholan is a 1973 Indian Tamil-language historical biographical film directed by A. P. Nagarajan and written by Aru Ramanathan. Based on Ramanathan's play of the same name about the life of the Chola king Rajaraja I, the film stars Sivaji Ganesan in the title role and was the first Tamil CinemaScope film. It was released on 31 March 1973, and ran for over 100 days in theatres.
This article may contain an excessive amount of intricate detail that may interest only a particular audience.(March 2022) |
During the construction of the Brihadeswara Temple in Thanjavur, Emperor Rajaraja Cholan visits and is greeted by everyone except one sculptor who is deeply engrossed in his work. The emperor and empress then meet Karuvur Devar and are introduced to Tamizharasi, a poet and playwright. Rajaraja reveals that his son Rajendra, along with the Chola army, is helping the Eastern Chalukya king of Vengai Sakthivarman and his brother Vimalathithan reclaim their kingdom from Satyasiriyan.
As the army enters Satyasiriyan's palace, they find Bala Devar tied up, who claims he tried to stop the king from fighting but was ignored. Rajaraja, disguised as a soldier, identifies himself and appoints Bala Devar as his minister despite suspicions from others. He then announces to his noblemen that Bala Devar should be treated with the same respect as himself. Meanwhile, Bala Devar meets Poongodi from his village and shares his desire to overthrow Rajaraja. They plan together, and Bala Devar asks her to stay in the Chola capital. Rajaraja's daughter Kundavai is told by Rajendra that Vimalathithan has brought her a special gift.
Later, Rajaraja, along with his sister and Nambiyandar Nambi, goes to retrieve ancient scriptures from a temple in Chidambaram, which are believed to be the works of saints Sambandar, Appar, and Sundarar. Despite initial skepticism, they find the scriptures in a hidden chamber with the help of golden statues of the saint-poets. Rajaraja emphasizes the eternal nature of the saint's works and their significance. Bala Devar allows Satyasiriyan into his house in the Chola capital through a secret passage where he is questioned about the Chola emperor and his son's potential marriage to Kundavai. Rajaraja scolds Vimalathithan for failing to pay his respects, defended by Vimalathithan. After a heated argument, Vimalathithan warns the emperor not to manipulate his daughter's love. Kundavai vows not to marry anyone who disrespects her father. Vimalathithan encounters Rajendran and warns him of Bala Devar's schemes. The emperor excludes Vengi and Vimalathithan from Kundavai's temple event, leading to tension and confrontation. Vimalathithan attends the event as a commoner and criticizes Kundavai's dance, angering Rajaraja. Vimalathithan warns the emperor against Bala Devar's influence and Rajaraja plans to attack Vengi. Rajendra refuses, leading to conflict within the royal family. The Chola army attacks Vengi, with Rajendran accepting the fight despite Vimalathithan's reluctance. Rajaraja intervenes as a sage, suggesting a duel between Rajendran and Vimalathithan, resulting in Rajendran's victory. Vimalathithan is imprisoned for speaking out against Bala Devar, inciting public unrest. Eventually, Kundavai convinces Rajaraja to release Vimalathithan, but only if Vengi makes unacceptable concessions. The story unfolds with betrayal, power struggles, and personal sacrifices within the Chola empire.
Satyasiriyan sends his guard Ottran to meet Bala Devar on Pournami day. However, Ottran is captured by Rajaraja, who assumes Ottran's identity. Bala Devar informs Rajaraja of a plan to poison him during a feast, with Poongodi aiding them. The plan is foiled when Rajaraja only drinks milk and fruits. Poongodi mixes poison in the milk, but Rajaraja reveals he knew of their plan and informs Bala Devar. Bala Devar pretends to be angry at Poongodi, who is later released along with other prisoners the next day. Rajaraja is praised by all the kings, and Vimalathithan is released. He asks for the emperor's daughter in marriage, leading to suspicion from Bala Devar. Rajaraja reveals Poongodi is a spy working for him, aware of Bala Devar's schemes. Tamizharasi finishes her notes and the two couples marry, with Rajaraja's cleverness and foresight ensuring the safety of the empire and his family.
Rajaraja Cholan, based on the life of the Chola king Rajaraja I was a play written by Aru. Ramanthan, and staged by the TKS Brothers in 1955. In 1973, it was adapted into a film by the same name, [2] directed by A. P. Nagarajan and produced by G. Umapathy; [3] Sivaji Ganesan, a self-described Chola, was cast in the title role. [3] Umapathy wanted to film in Brihadisvara Temple, but as he was denied permission, an identical set was constructed in Vasu Studios. [4] [5] Rajaraja Cholan was the first CinemaScope film to be released in Tamil. [6] [7]
The soundtrack album was composed by Kunnakudi Vaidyanathan. The lyrics were written by Tirunavukkarasar, Kannadasan, K. D. Santhanam, Poovai Senguttuvan and 'Ulunthurpettai' Shanmugham. [8] [9]
No. | Title | Lyrics | Singer(s) | Length |
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1. | "Thendraloodu" | Kannadasan | T. R. Mahalingam with Sivaji Ganesan | |
2. | "Thanjai Periya" | Kannadasan | T. R. Mahalingam, Sirkazhi Govindarajan, S. Varalakshmi | |
3. | "Mayakkum Mannan" | K. D. Santhanam | L. R. Eswari | |
4. | "Nadanai Kandeanadi" | Thirunavukarasar | P. Susheela, B. Radha | |
5. | "Mathennai Padaithaan" | Thirunavukarasar | T. M. Soundararajan, S. P. Balasubrahmanyam, M. R. Vijaya, L. R. Eswari | |
6. | "Yedu Thanthaanadi" | Kannadasan | Sirkazhi Govindarajan, S. Varalakshmi | |
7. | "Kaththu Thirakadal" | Poovai Senguttuvan | R. Muthuraman | |
8. | "Unkaiyil En Pillai" | Ulundurpettai Shanmugam | Sirkazhi Govindarajan |
Rajaraja Cholan was released on 31 March 1973. [10] The film's prints were taken to theatres atop an elephant. In Tiruchirappalli, fans hired a helicopter and showered flower petals on the print. [11] According to Ganesan, the film did not succeed commercially because "it was not filmed well enough to bring out the ambience or the magnificence of the emperor's personality", and was filmed on the lines of a "family drama". [12] Nonetheless, the film ran for over 100 days in theatres. [13]
The Hindu said, "A great deal of thought and effort has gone into Anand Movies' Raja Raja Chozhan in CinemaScope produced by G. Umapathy and directed by A. P. Nagarajan. The grandeur, majesty and the culture and prosperity of the golden era of Raja Raja Chozhan have been captured faithfully including the building of the Thanjavur temple". The Indian Express said, "The film is lavishly mounted. Muthuraman and Lakshmi impress and Kumari Padmini has given a good account of herself". The Mail said, "As befitting the distinction, it is lavishly mounted, carefully produced and studded with stars. Producer G. Umapathy merits a pat on the back for steering so huge a project safely home". [14] Kanthan of Kalki called it a respite for audiences tired of watching repeated, identical films. [15]
Rajaraja I, also known as Rajaraja the Great, was a Chola emperor who reigned from 985 CE to 1014 CE. He is known for his conquests of South India and parts of Sri Lanka, and increasing Chola influence across the Indian Ocean.
Kulottunga Chola I also spelt Kulothunga, born Rajendra Chalukya, was a Chola Emperor who reigned from 1070 to 1122 succeeding his cousin Athirajendra Chola. He also served as the Eastern Chalukya monarch from 1061 to 1118, succeeding his father Rajaraja Narendra. He is related to the Chola dynasty through his mother's side and the Eastern Chalukyas through his father's side. His mother, Ammangaidevi, was a Chola princess and the daughter of emperor Rajendra Chola I. His father was king Rajaraja Narendra of the Eastern Chalukya dynasty who was the nephew of Rajendra and maternal grandson of Rajaraja Chola I. According to historian Sailendra Nath Sen, his accession marked the beginning of a new era and ushered in a period of internal peace and benevolent administration. He was succeeded by his son Vikrama Chola
Rajendra I, often referred to as Rajendra the Great, Gangaikonda Cholan, and Kadaram Kondan, was a Chola Emperor who reigned from 1014 and 1044 CE. He was born in Thanjavur to Rajaraja I and his queen Vanavan Mahadevi and assumed royal power as co-regent with his father in 1012 until his father died in 1014, when Rajendra ascended to the Chola throne. During his reign, the Chola Empire reached its zenith in the Indian subcontinent; it extended its reach via trade and conquest across the Indian Ocean, making Rajendra one of only a few Indian monarchs who conquered territory beyond South Asia.
Rajadhiraja Chola I was a Chola emperor, as the successor of his father, Rajendra I. He was the only Chola emperor who was killed while leading his army in war, and although he had a short reign, he helped his father conquer several territories as well as to maintain the Chola authority over most of Sri Lanka, Eastern Chalukya and Kalinga, among others. He also established imperial relations with overseas allies despite a series of revolts in the territory.
The Chola dynasty was a Tamil dynasty originating from southern India. At its height, it ruled over the Chola Empire, an expansive maritime empire. The earliest datable references to the Chola are from inscriptions dated to the 3rd century BCE during the reign of Ashoka of the Maurya empire. The Chola empire was at its peak and achieved imperialism under the Medieval Cholas in the mid-9th century CE. As one of the Three Crowned Kings of Tamilakam, along with the Chera and Pandya, the dynasty continued to govern over varying territories until the 13th century CE.
Athirajendra reigned for a very short period of few months as the Chola king succeeding his father Virarajendra. His reign was marked by civil unrest, possibly religious in nature. Athirajendra was last clan of Chola dynasty. He was killed in the religious chaos. Athirajindra and Virarajendra interfered in the Vengi succession disputes after the Vengi king Rajaraja Narendra, who was closely related to the Chola clan through his mother Kundavai, a daughter of Rajaraja Chola, died in 1061 CE. The Vengi throne went to Saktivarman II in a palace coup. The Cholas wanted the Chola influence re-established in Vengi. Saktivarman II was killed, but Vijayaditya, Saktivarman's father assumed the throne and repulsed the Chola attempts at unseating him. Vijayaditya however accepted to serving as a Chola vassal.
The Chola Empire, which is often referred to as the Imperial Cholas, was a medieval thalassocratic empire based in southern India that was ruled by the Chola dynasty, and comprised overseas dominions, protectorates and spheres of influence in southeast Asia.
Akilandam (1922–1988), better known by his pen name Akilan, was an Indian writer and novelist who wrote in Tamil. He was attracted by Gandhian philosophy during his school days and he discontinued his college education at Pudukkottai to join the freedom struggle. Later, after Indian independence, he joined the Railway Mail Service, after which he joined the All India Radio and became a full-fledged writer. His stories began to appear mostly in small magazines.
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Kundavai Pirattiyar, commonly known mononymously as Kundavai, was a Chola Indian princess who lived in the tenth century in South India. She was the daughter of Parantaka II and Vanavan Mahadevi. She was born in Tirukoilur and was the elder sister of Chola emperor Rajaraja I. She had title as Ilaiyapirātti Kundavai Nachiyar.
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Mannan Magal is a Tamil language historical novel written by Sandilyan. The story is based on ancient Tamil poetry. It is a love story set around 1019 CE, focusing on the Rajendra Chola I#Expedition to the Ganges and politics in the Vengi Kingdom.
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