Ray Gun Suitcase | ||||
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Studio album by | ||||
Released | August 19, 1995 | |||
Genre | Experimental rock | |||
Label | Tim/Kerr | |||
Producer | David Thomas | |||
Pere Ubu chronology | ||||
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David Thomas chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Consumer Guide | [2] |
Rolling Stone | [3] |
Ray Gun Suitcase is the tenth album by the American rock group Pere Ubu.
After a string of slickly produced, pop-oriented albums for major labels, Ray Gun Suitcase saw Pere Ubu back on an indie label and returning to the darker, more complex sonic landscape associated with their earlier work. Michele Temple (from drummer Scott Krauss' project Home & Garden) replaced Tony Maimone on bass guitar. Several songs were recorded by the line-up featuring David Thomas, Jim Jones, Temple and Krauss plus violist Garo Yellin of The Ordinaires. After Yellin couldn't commit to Pere Ubu full time, he was replaced by synth/theremin player Robert Wheeler (also previously in Home & Garden). Krauss then quit, citing his unhappiness with the band's direction; as the band was still hoping for him to come back, the album was recorded to a click track. Scott Benedict from The Vivians then recorded the drum parts over a final studio weekend "in an astonishing demonstation of musicianship", before quitting music altogether. For the subsequent tour in support of the album Steve Mehlman, Benedict's replacement in The Vivians, was asked to join Pere Ubu.
In 2005, to celebrate Pere Ubu's thirtieth anniversary, a "Director's Cut" was released with new mastering, alternative mixes, and two bonus tracks. David Thomas explains: "The point of doing a Director's Cut is to benefit from that older and wiser thing. I reviewed all alternate mixes from the session, sometimes discovering that an earlier mix turned out to be superior to the chosen mix. As well, 10 years later, we have access to improved mastering technology. Consequently, there is a greater clarity and cohesion to the Director's Cut. We are not going to make both versions available. The Director's Cut is the way it's supposed to be. Period." [4]
* - Director's Cut only
with:
Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975. The band had a variety of long-term and recurring band members, with singer David Thomas being the only member staying throughout the band's lifetime. They released their debut album The Modern Dance in 1978 and followed with several more LPs before disbanding in 1982. Thomas reformed the group in 1987, continuing to record and tour.
The Modern Dance is the debut album by American rock band Pere Ubu. It was released in January 1978 by record label Blank.
Dub Housing is the second album by American rock band Pere Ubu. Released in 1978 by Chrysalis Records, the album is now regarded as one of their best, described by Trouser Press as "simply one of the most important post-punk recordings."
New Picnic Time is the third album by American rock band Pere Ubu. It was released in September 1979 by Chrysalis Records. Reportedly the album sessions were stressful and contentious, and after touring, the group disbanded. They would reform a matter of months later, with Mayo Thompson replacing founding guitarist Tom Herman. The lyrics for the song "The Voice of the Sand" are based upon the poetry of Vachel Lindsay.
The Art of Walking is the fourth full-length album by Pere Ubu. Mayo Thompson of The Red Krayola joined as guitarist for this album and slanted the proceedings further towards deconstruction and abstraction, and away from the primal rock that former guitarist Tom Herman had facilitated. The group would record one more album with Thompson, Song of the Bailing Man, before disbanding.
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. It was the final Pere Ubu album until 1988's The Tenement Year.
390° of Simulated Stereo is a live album featuring recordings from Pere Ubu's first few years of existence. In general, the recordings featured are lo-fi in nature. The album was out of print for decades, but was reissued for Record Store Day 2021.
Terminal Tower: An Archival Collection is a compilation album by American rock band Pere Ubu. Released in 1985, the album compiles several of the band's early singles and B-sides, including the Hearthan singles recorded with founder Peter Laughner that were initially compiled on the Datapanik in Year Zero EP, and continuing through later sides recorded with Mayo Thompson.
Datapanik in the Year Zero is a 1996 box set by Pere Ubu, which catalogues their initial phase of existence up to their 1982 break-up. The title was first used by the band for a 1978 EP which compiled their first singles; the name was "recycled" for this release. The name references the Cold War film Panic in Year Zero! (1962).
The Tenement Year is the sixth studio album by American rock band Pere Ubu, and their first album after reuniting following their 1982 break-up. 'Classic lineup' members Tony Maimone and Allen Ravenstine, along with fellow Cleveland scenester Jim Jones and Henry Cow percussionist Chris Cutler found themselves playing with David Thomas for his 1987 album Blame the Messenger, and, discovering they sounded much like Pere Ubu, began incorporating a few Ubu numbers while touring for that album. Eventually, an official reunion was pursued, original drummer Scott Krauss was contacted, and thus the new lineup was completed and the old mantle assumed. The Tenement Year found the group veering in a loose, freewheeling, and decidedly more pop-oriented direction than in the past, though the pop leanings would become even more pronounced on subsequent albums. The album is a farewell to their hometown of Cleveland.
Cloudland is the seventh studio album by American rock band Pere Ubu. Released in May 1989, the album was produced by Stephen Hague. The single "Waiting for Mary", the video for which achieved some MTV exposure, netted Pere Ubu their only Billboard chart success to date, reaching number 6 on the Modern Rock Tracks chart. Cloudland is a village in north-western Georgia between Summerville and Chattanooga on a spur of Lookout Mountain. In the early 20th century, it was a summer getaway for Floridians.
One Man Drives While the Other Man Screams is Pere Ubu's second live album, covering the years 1978-1981. After remaining out-of-print for many years, the album was reissued in 2004.
Why I Hate Women is the 13th studio album by Pere Ubu, released in 2006. Keith Moliné stepped in for departed longtime guitarist Tom Herman, making this the first Pere Ubu studio album not to feature any of the group's founders either as members or as guests. Explaining the title, Thomas claimed that Why I Hate Women is a tribute to an imaginary book that Jim Thompson could have written.
Worlds in Collision is the eighth album by American rock group Pere Ubu. The album continues in the shift away from their more experimental early work to emphasize the relatively conventional pop found on their previous studio album, Cloudland. For this album, Eric Drew Feldman takes over from departing original member Allen Ravenstine on synthesizer, though Ravenstine makes some guest appearances.
Story of My Life is Pere Ubu's ninth studio album. Eric Drew Feldman left the band prior to recording, reducing Ubu to a quartet. Prior to touring on this album longtime bassist Tony Maimone left as well. This is the final release to feature both Maimome and founding drummer Scott Krauss. According to a conversation between David Thomas and Frank Black included on the b-side of the "Kathleen" single, the album's working title was Johnny Rivers Live At The Whiskey A Go Go.
Pennsylvania is an album by the American band Pere Ubu, released in 1998. The album marked Tom Herman's return to Pere Ubu's studio work after a twenty-year absence. It is a loose concept album about geography, travel, and road trips.
Apocalypse Now is Pere Ubu's third live album, and their first to document a single performance. The show in question, recorded on December 7, 1991, at Schubas Tavern in Chicago, was performed semi-acoustically, with synth-man Eric Drew Feldman instead handling an upright piano, and Jim Jones playing an amplified acoustic guitar.
The Shape of Things is Pere Ubu's fourth live album. It documents a performance within the band's first few months of existence, from the brief period in which Peter Laughner was a member. Initially produced only as a tour merchandise item, it has since been released to retail.
St. Arkansas is the 12th studio album by Pere Ubu, released in 2002.
20 Years in a Montana Missile Solo is the sixteenth studio album by American band Pere Ubu. It was released on September 29, 2017, through Cherry Red Records. The album was dedicated to Paul Hamann, the engineer owner of Suma Recording Studio, who died on September 14, 2017.