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Terminal Tower | ||||
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Compilation album by | ||||
Released | 1985 | |||
Genre | Art punk, post-punk [1] | |||
Label | Rough Trade | |||
Producer | Paul Hamann, Pere Ubu | |||
Pere Ubu chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [2] |
Chicago Sun-Times | [3] |
Encyclopedia of Popular Music | [4] |
MusicHound Rock | 5/5 [5] |
Q | [6] |
The Rolling Stone Album Guide | [7] |
Spin Alternative Record Guide | 9/10 [8] |
The Village Voice | A− [9] |
Terminal Tower: An Archival Collection is a compilation album by American rock band Pere Ubu. Released in 1985, the album compiles several of the band's early singles and B-sides, including the Hearthan singles recorded with founder Peter Laughner that were initially compiled on the Datapanik in Year Zero EP, and continuing through later sides recorded with Mayo Thompson.
The original Rough Trade UK LP was fine, but the American Twin Tone LP and CD both played at slightly slow speed (about a half-tone flat) throughout, had the left and right channels reversed and suffered from generally poor sound compared to the UK LP or the US singles. Most of the compilation was properly remastered for the Datapanik in the Year Zero box set, and all subsequent individual reissues of the compilation have used that corrected master.
No. | Title | Writer(s) | Length |
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1. | "Heart of Darkness" | Tom Herman, Peter Laughner, David Thomas, Tim Wright | 4:44 |
2. | "30 Seconds Over Tokyo" | Thomas, Laughner, Gene O'Connor | 6:19 |
3. | "Final Solution" | Craig Bell, Herman, Scott Krauss, Laughner, Dave Taylor, Thomas, Wright | 3:28 |
4. | "Cloud 149" | Herman, Krauss, Laughner, Taylor, Thomas, Wright | 3:05 |
5. | "Untitled" (early/alternate version of "The Modern Dance") | Herman, Krauss, Allen Ravenstine, Thomas, Wright | 4:08 |
6. | "My Dark Ages" | Herman, Krauss, Tony Maimone, Ravenstine, Thomas | 4:57 |
7. | "Heaven" | Herman, Krauss, Maimone, Ravenstine, Thomas | 2:37 |
8. | "Humor Me" (live at London College of Printing, London, December 5, 1978) | Herman, Krauss, Maimone, Ravenstine, Thomas | 4:00 |
9. | "The Book Is on the Table" | Herman, Krauss, Maimone, Ravenstine, Thomas | 3:01 |
10. | "Not Happy" | Herman, Krauss, Maimone, Ravenstine, Thomas, Mayo Thompson | 3:26 |
11. | "Lonesome Cowboy Dave" | Herman, Krauss, Maimone, Ravenstine, Thomas, Thompson | 1:53 |
Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975. Despite a variety of long-term and recurring band members, singer David Thomas is the only constant. They released their debut album The Modern Dance in 1978 and followed with several more LPs before disbanding in 1982. Thomas reformed the group in 1987, continuing to record and tour.
The Modern Dance is the debut album by American rock band Pere Ubu. It was released in January 1978 by record label Blank.
Dub Housing is the second album by American rock band Pere Ubu. Released in 1978 by Chrysalis Records, the album is now regarded as one of their best, described by Trouser Press as "simply one of the most important post-punk recordings."
New Picnic Time is the third album by American rock band Pere Ubu. It was released in September 1979 by Chrysalis Records. Reportedly the album sessions were stressful and contentious, and after touring, the group disbanded. They would reform a matter of months later, with Mayo Thompson replacing founding guitarist Tom Herman. The lyrics for the song "The Voice of the Sand" are based upon the poetry of Vachel Lindsay.
The Art of Walking is the fourth full-length album by Pere Ubu. Mayo Thompson of The Red Krayola joined as guitarist for this album and slanted the proceedings further towards deconstruction and abstraction, and away from the primal rock that former guitarist Tom Herman had facilitated. The group would record one more album with Thompson, Song of the Bailing Man, before disbanding.
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. It was the final Pere Ubu album until 1988's The Tenement Year.
390° of Simulated Stereo is a live album featuring recordings from Pere Ubu's first few years of existence. In general, the recordings featured are lo-fi in nature. The album is currently out of print.
Datapanik in the Year Zero is a 1996 box set by Pere Ubu, which catalogues their initial phase of existence up to their 1982 break-up. The title was first used by the band for a 1978 EP which compiled their first singles; the name was "recycled" for this release. The name references the Cold War film Panic in Year Zero! (1962).
The Tenement Year is the sixth studio album by American rock band Pere Ubu, and their first album after reuniting following their 1982 break-up. 'Classic lineup' members Tony Maimone and Allen Ravenstine, along with fellow Cleveland scenester Jim Jones and Henry Cow percussionist Chris Cutler found themselves playing with David Thomas for his 1987 album Blame the Messenger, and, discovering they sounded much like Pere Ubu, began incorporating a few Ubu numbers while touring for that album. Eventually, an official reunion was pursued, original drummer Scott Krauss was contacted, and thus the new lineup was completed and the old mantle assumed. The Tenement Year found the group veering in a loose, freewheeling, and decidedly more pop-oriented direction than in the past, though the pop leanings would become even more pronounced on subsequent albums.
Cloudland is the seventh studio album by American rock band Pere Ubu. Released in May 1989, the album was produced by Stephen Hague. The single "Waiting for Mary", the video for which achieved some MTV exposure, netted Pere Ubu their only Billboard chart success to date, reaching number 6 on the Modern Rock Tracks chart.
One Man Drives While the Other Man Screams is Pere Ubu's second live album, covering the years 1978-1981. After remaining out-of-print for many years, the album was reissued in 2004.
Why I Hate Women is a studio album by Pere Ubu, released in 2006. Keith Moliné stepped in for departed longtime guitarist Tom Herman, making this the first Pere Ubu studio album not to feature any of the group's founders either as members or as guests. Explaining the title, Thomas claimed that Why I Hate Women is a tribute to an imaginary book that Jim Thompson could have written.
Worlds in Collision is Pere Ubu's eighth studio album. The album continues in the glossy pop mold found on their previous studio album, Cloudland. For this album, Eric Drew Feldman takes over from departing original member Allen Ravenstine on synthesizer duties, though Ravenstine makes some guest appearances.
Story of My Life is Pere Ubu's ninth studio album. Eric Drew Feldman left the band prior to recording, reducing Ubu to a quartet. Prior to touring on this album longtime bassist Tony Maimone left as well. This is the final release to feature both Maimome and founding drummer Scott Krauss. According to a conversation between David Thomas and Frank Black included on the b-side of the "Kathleen" single, the album's working title was Johnny Rivers Live At The Whiskey A Go Go.
Ray Gun Suitcase is Pere Ubu's tenth studio album, which finds the band returning both to indie labels, and, after a string of slickly produced, pop-oriented albums, the darker, more complex sonic landscape associated with their earlier work.
The Shape of Things is Pere Ubu's fourth live album. It documents a performance within the band's first few months of existence, from the brief period in which Peter Laughner was a member. Initially produced only as a tour merchandise item, it has since been released to retail.
St. Arkansas is an album by Pere Ubu, released in 2002.
Guts is a retrospective compilation album by John Cale, released by Island Records in February 1977. It includes the songs "Leaving It Up To You", which was deleted from Helen of Troy, and the previously unreleased "Mary Lou". It was compiled by Howard Thompson.
Corky's Debt to His Father is the only solo LP by Red Krayola leader Mayo Thompson. Recorded in 1970, it was released on the small independent label Texas Revolution but barely distributed at the time; some copies were made available in the 1970s via mail order.
Lady from Shanghai is the fourteenth studio album by American band Pere Ubu. It was produced by Pere Ubu's front-man David Thomas and it was released on January 7, 2013, on Fire Records label.