| St. Arkansas | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 2002 | |||
| Studio | Suma Recording Studio, Painesville, Ohio | |||
| Genre | Post-punk, experimental rock | |||
| Label | Glitterhouse [1] SpinART [2] | |||
| Producer | David Thomas | |||
| Pere Ubu chronology | ||||
| ||||
| David Thomas chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| Robert Christgau |  [4] |
| The Encyclopedia of Popular Music | [1] |
| The Guardian | [5] |
| Pitchfork | 8.5/10 [6] |
St. Arkansas is the 12th studio album by Pere Ubu, released in 2002. [7] [8]
The A.V. Club wrote that the album "is one of Pere Ubu's best works, displaying the kind of intelligence and imagination that gives the avant-garde a good name." [9] AllMusic wrote that the band's "lyrical and musical creativity is undiminished by time." [3] Pitchfork called the album "more subdued and less rock-oriented, relying more on beat-style spoken-word storytelling and found sound." [6] The East Bay Express called it "consistently fine" and "full of spidery electric guitar, wry, deadpan singing, and loping, haunted, and haunting rhythms." [10] CMJ New Music Monthly wrote that the band "remains a challenging but rewarding listen, uncannily able to move forward while preserving its unmistakable vibe." [11]
with:
Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975. The band had a variety of long-term and recurring band members, with singer David Thomas being the only member staying throughout the band's lifetime. They released their debut album The Modern Dance in 1978 and followed with several more LPs before disbanding in 1982. Thomas reformed the group in 1987, continuing to record and tour.
Dog in the Sand, Frank Black's third album with backing group the Catholics, was released in 2001 by Cooking Vinyl in Europe and What Are Records? in the US, and was produced by Nick Vincent. The album was generally met with favorable reviews. Though retaining the live-to-two-track method of recording of the previous two albums, this album found the band branching away from purely electric rock to incorporate acoustic guitar, pedal steel, and Rhodes Piano and Wurlitzer organ into the sonic template.
Dub Housing is the second album by American rock band Pere Ubu. Released in 1978 by Chrysalis Records, the album is now regarded as one of their best, described by Trouser Press as "simply one of the most important post-punk recordings."
In the Valley of Dying Stars is the third album by Superdrag, released by Arena Rock Recording Co. in 2000. The Japanese version includes two bonus tracks, "Comfortably Bummed" and "Diane".
Wide Swing Tremolo is the third studio album by alternative country band Son Volt. It was released in 1998 on Warner Bros. Records.
New Picnic Time is the third album by American rock band Pere Ubu. It was released in September 1979 by Chrysalis Records. Reportedly the album sessions were stressful and contentious, and after touring, the group disbanded. They would reform a matter of months later, with Mayo Thompson replacing founding guitarist Tom Herman. The lyrics for the song "The Voice of the Sand" are based upon the poetry of Vachel Lindsay.
The Art of Walking is the fourth full-length album by Pere Ubu. Mayo Thompson of The Red Krayola joined as guitarist for this album and slanted the proceedings further towards deconstruction and abstraction, and away from the primal rock that former guitarist Tom Herman had facilitated. The group would record one more album with Thompson, Song of the Bailing Man, before disbanding.
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. It was the final Pere Ubu album until 1988's The Tenement Year.
Terminal Tower: An Archival Collection is a compilation album by American rock band Pere Ubu. Released in 1985, the album compiles several of the band's early singles and B-sides, including the Hearthan singles recorded with founder Peter Laughner that were initially compiled on the Datapanik in Year Zero EP, and continuing through later sides recorded with Mayo Thompson.
Why I Hate Women is the 13th studio album by Pere Ubu, released in 2006. Keith Moliné stepped in for departed longtime guitarist Tom Herman, making this the first Pere Ubu studio album not to feature any of the group's founders either as members or as guests. Explaining the title, Thomas claimed that Why I Hate Women is a tribute to an imaginary book that Jim Thompson could have written.
Pennsylvania is an album by the American band Pere Ubu, released in 1998. The album marked Tom Herman's return to Pere Ubu's studio work after a twenty-year absence. It is a loose concept album about geography, travel, and road trips.
Erewhon is David Thomas and Two Pale Boys' debut album, as well as Thomas' first record outside the Pere Ubu banner since that group's reformation in 1987. The Two Pale Boys are a duo consisting of Keith Moliné on guitar and Andy Diagram on trumpet and other instruments.
Swingin' Utters is an album by the Californian punk rock band Swingin' Utters, released in 2000. It was produced by Ryan Greene, and has a folkier sound than the band's previous albums.
Full Blown Possession is the fifth and last full-length album by Memphis indie rock band The Grifters, released in 1997.
Inzombia is the second and final album by American punk rock band Slant 6. It was released in 1995 by Dischord.
Blueblood is the sixth full-length studio album by indie rock band Silkworm, released in 1998. Unlike other Silkworm releases, it was not recorded by their long-time engineer Steve Albini, though he is credited with mixing the record. It is the band's first album released on Touch and Go Records.
Introduction is an album by the experimental rock band Red Krayola, released in 2006 via Drag City.
Lady from Shanghai is the fourteenth studio album by American band Pere Ubu. It was produced by Pere Ubu's front-man David Thomas and it was released on January 7, 2013, on Fire Records label.
Long Live Père Ubu! is an album by the American band Pere Ubu, released in 2009. It is a soundtrack to a musical adaptation of the play from which the band took its name. The band performed its adaptation at (Le) Poisson Rouge. David Thomas referred to Long Live Père Ubu! as the first "true" punk album to be released in 30 years.
Jetpack Blues is a 2002 album by Minneapolis alternative rock band Polara, their fourth full-length record, and first after breaking with Interscope Records and going independent. It was released on bandleader Ed Ackerson's Susstones Records label, and produced by Ackerson at his recording studio, Flowers, which he founded by reinvesting the money from the band's Interscope deal as well as an otherwise unsuccessful deal with Chris Blackwell's Palm Pictures.
