 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Reena Saini Kallat | |
|---|---|
| Born | 1973 |
| Resting place | 48.8584 N,2.2945 E |
| Nationality | Indian |
| Alma mater | Sir Jamsetjee Jeejebhoy School of Art |
| Known for | Visual arts, installation art, Contemporary Art |
| Spouse | Jitish Kallat |
| Website | www |
Reena Saini Kallat (born 1973) is an Indian visual artist. She currently lives and works in Mumbai. [1]
Reena Saini Kallat was born in 1973 in Delhi, India. She graduated from Sir Jamsetjee Jeejebhoy School of Art in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video engages diverse materials, imbued with conceptual underpinnings. Her works reference history, collective memory and identity. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Reena has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. Lines of Control is a recurring element in her works led by the impact that partition had on her family who were displaced from Lahore. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers, while another series where she uses salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence. To expose the arbitrariness of territorial-skirmishes, Reena frequently draws attention to ecosystems and indigenous vegetation.
She has widely exhibited across the world in venues such as Museum of Modern Art (MOMA), New York; Migros Museum of Contemporary Art, Zurich; Tate Modern, London; Art Gallery of New South Wales, Sydney; Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in São Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.
In 2002 Kallat was an artist-in-residence in the Laurentian mountains of Quebec at the Boreal Art and Nature Centre in Canada. [1] In 2011 she was awarded an IASPIS residency to work and study in Gothenburg, Sweden. [1]
Kallat has been the recipient of a number of awards, including:
| This section of a biography of a living person does not include any references or sources .(June 2018) |
| This section of a biography of a living person does not include any references or sources .(June 2018) |
Reena's work is held in the following public and private collections:
● Art Gallery of New South Wales, Sydney
● Arario Corporation Collection, South Korea
● Bhau Daji Lad Museum, Mumbai
● Chau Chak Wing Museum, the University of Sydney
● Devi Art Foundation, New Delhi
● Ermenegildo Zegna Group, Italy
● Initial Access (Frank Cohen Collection), UK
● Kiran Nadar Museum of Art, New Delhi
● National Taiwan Museum of Fine Arts, Taichung
● National Gallery of Modern Art, New Delhi
● Nita Mukesh Ambani Cultural Centre (NMACC), Mumbai
● Sir H.N. Reliance Foundation Hospital and Research Centre, Mumbai
● Tiroche DeLeon Collection, Israel
Jitish Kallat is an Indian contemporary artist. He lives and works in Mumbai, India. Kallat's work includes painting, photography, collages, sculpture, installations and multimedia works. He was the Artistic Director of the second edition of the Kochi-Muziris Biennale, held in Kochi in 2014. Kallat is currently represented by Nature Morte, New Delhi, Chemould Prescott Road, Mumbai, ARNDT, Berlin and Galerie Daniel Templon in France and Belgium. He also sits on the Board of Trustees of the India Foundation for the Arts. He is married to the artist Reena Saini Kallat.
Atul Dodiya is an Indian artist.
Ranjit Hoskote is an Indian poet, art critic, cultural theorist and independent curator. He has been honoured by the Sahitya Akademi, India's National Academy of Letters, with the Sahitya Akademi Golden Jubilee Award and the Sahitya Akademi Prize for Translation. In 2022, Hoskote received the 7th JLF-Mahakavi Kanhaiyalal Sethia Award for Poetry.
Nancy Adajania is an Indian cultural theorist, art critic and independent curator.
Arpita Singh is an Indian artist. Known to be a figurative artist and a modernist, her canvases have both a story line and a carnival of images arranged in a curiously subversive manner. Her artistic approach can be described as an expedition without destination. Her work reflects her background. She brings her inner vision of emotions to the art inspired by her own background and what she sees around the society that mainly affects women. Her works also include traditional Indian art forms and aesthetics, like miniaturist painting and different forms of folk art, employing them in her work regularly.
Rashid Rana is a Pakistani artist. He participated in numerous exhibitions, both in Pakistan and abroad while working on themes like urbanization, faith, and tradition on canvas, billboards, digital media and more.
T. V. Santhosh is an Indian artist based in Mumbai. He obtained his graduate degree in painting from Santiniketan and master's degree in Sculpture from M.S. University, Baroda. Santhosh has acquired a major presence in the Indian and International art scene over the last decade with several successful shows with international galleries and museums. His earlier works tackle global issues of war and terrorism and its representation and manipulation by politics and the media. Santhosh's sculptural installation "Houndingdown" was exhibited in Frank Cohen collection ‘Passage to India’. Some of his prominent museum shows are ‘Aftershock’ at Sainsbury Centre, Contemporary Art Norwich, England in 2007 and ’Continuity and Transformation’ show promoted by Provincia di Milano, Italy. He lives and works in Mumbai.
Geeta Kapur is a noted Indian art critic, art historian and curator based in New Delhi. She was one of the pioneers of critical art writing in India, and who, as Indian Express noted, has "dominated the field of Indian contemporary art theory for three decades now". Her writings include artists' monographs, exhibition catalogues, books, and sets of widely anthologized essays on art, film, and cultural theory.
Sudarshan Shetty is a contemporary Indian artist who has worked in painting, sculpture, installation, video, sound and performance. He has exhibited widely in India and more recently he has become increasingly visible on the international stage as an important voice in contemporary art. His work has been exhibited at the Fukuoka Asian Art Museum, Fukuoka, Japan, and the Tate Modern, London, England. The artist has been a resident at the Mattress Factory, Pittsburgh, United States, and was a Ford Foundation Fellow at the New School for General Studies, New York.
Hema Upadhyay was an Indian visual artist, based in Mumbai. She was known for photography and sculptural installations. She was active from 1998 until her death in 2015.
Riyas Komu is an Indian multimedia artist and curator based in Mumbai. He has invested his time in art education and developing art infrastructure in India. Komu's works are inspired by social conflicts and political movements and topics like migration and displacement. His hyper-realistic oil portraits of people resemble socialist-realist propaganda art, with one of his portraits titled Why Everybody should Look Like Mao.
Madhusudhanan is an Indian film maker and artist, also known as K. M. Madhusudhanan. His debut feature film, Bioscope has received many awards. He is working with different media in art, including sculpture, printmaking installation art and film.
Gayatri Sinha is an art critic and curator based in New Delhi, India. Her primary areas of research are around the structures of gender and iconography, media, economics and social history. She founded Critical Collective, a forum for thinking about conceptual frames within art history and practice in contemporary India.
Kekoo Gandhy was an Indian art gallerist, art collector and art connoisseur, who pioneered the promotion of Indian modern art from the 1940s. He established Chemould Frames, a frame manufacturing business in 1941, soon he started displaying works of young modern artists K. H. Ara, S. H. Raza, K. K. Hebbar and M. F. Husain in his showroom windows. This led to gradual rise of modern art movement and post-colonial art in India. Eventually Gallery Chemould, India's first commercial art gallery, was opened in 1963 on the first floor of the Jehangir Art Gallery.
Chemould Prescott Road, founded, is the first contemporary art gallery in Mumbai, India.
Valay Shende is a sculptor and artist. In 1999 he received his diploma in Art Teaching from Govt. Chitrakala Mahavidyalaya, Nagpur, and then he went on to train at the Sir Jamsetjee Jeejebhoy School of Art, Mumbai, from which he graduated with a Bachelor of Fine Arts in sculpturing in 2004. Shende later completed an artist residency at the Open 'Air' Program, Point Éphémère, Paris in 2006.His latest exhibition, Migrating Histories of Molecular Identities, shows artwork that represent situations through "the deconstruction of matter in the form of molecular discs of metal and portraits". His work has been exhibited in Mumbai at the Dr. Bhau Daji Lad Museum, and various other cities. Shende's work has been featured in The Daily Telegraph.
Nalini Malani is an Indian artist, among the country's first generation of video artists.
Rohini Devasher is an Indian contemporary artist.
Mithu Sen is an Indian conceptual artist. Born in West Bengal in 1971.
Asim Waqif is an Indian artist based in New Delhi, whose work is influenced by interdisciplinary fields of art, architecture, ecology and design. He makes site-specific or interactive installations and sculptures, which are often made out of discarded or reclaimed waste materials, like bamboo, rope, tar or trashed metal.
{{cite web}}: CS1 maint: archived copy as title (link)| International | |
|---|---|
| National | |
| Artists | |
| Other | |
