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Akira Kurosawa was a Japanese filmmaker and painter who directed 30 films in a career spanning over five decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production.
Seven Samurai is a 1954 Japanese epic samurai action film co-written, edited, and directed by Akira Kurosawa. Taking place in 1586 in the Sengoku period of Japanese history, it follows the story of a village of desperate farmers who seek to hire samurai to combat bandits who will return after the harvest to steal their crops.
Toshiro Mifune was a Japanese actor and producer. A winner of numerous awards and accolades over a lengthy career, Mifune is best known for starring in Akira Kurosawa's critically-acclaimed jidaigeki films such as Rashomon (1950), Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958) and Yojimbo (1961). He also portrayed Miyamoto Musashi in Hiroshi Inagaki's Samurai Trilogy (1954–1956), Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three different films. He is widely considered one of the greatest actors of all time.
Sanjuro is a 1962 Japanese jidaigeki film directed by Akira Kurosawa and starring Toshiro Mifune. It is a sequel to Kurosawa's 1961 Yojimbo.
Rashomon is a 1950 Jidaigeki drama film directed and written by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa. Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura as various people who describe how a samurai was murdered in a forest, the plot and characters are based upon Ryunosuke Akutagawa's short story "In a Grove", with the title and framing story being based on "Rashōmon", another short story by Akutagawa. Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the assault of the wife and the dishonest retelling of the events in which everyone shows their ideal self by lying.
Red Harvest (1929) is a novel by American writer Dashiell Hammett. The story is narrated by the Continental Op, a frequent character in Hammett's fiction, much of which is drawn from his own experiences as an operative of the Pinkerton Detective Agency. The plot follows the Op's investigation of several murders amid a labor dispute in a corrupt Montana mining town. Some of the novel was inspired by the Anaconda Road massacre, a 1920 labor dispute in the mining town of Butte, Montana.
The Hidden Fortress is a 1958 Japanese jidaigeki adventure film directed by Akira Kurosawa, with special effects by Eiji Tsuburaya. It tells the story of two peasants who agree to escort a man and a woman across enemy lines in return for gold without knowing that he is a general and the woman is a princess. The film stars Toshiro Mifune as General Makabe Rokurōta and Misa Uehara as Princess Yuki while the peasants, Tahei and Matashichi, are portrayed by Minoru Chiaki and Kamatari Fujiwara respectively.
Yojimbo is a 1961 Japanese samurai film directed by Akira Kurosawa, who also co-wrote the screenplay and was one of the producers. The film stars Toshiro Mifune, Tatsuya Nakadai, Yoko Tsukasa, Isuzu Yamada, Daisuke Katō, Takashi Shimura, Kamatari Fujiwara, and Atsushi Watanabe. In the film, a rōnin arrives in a small town where competing crime lords fight for supremacy. The two bosses each try to hire the newcomer as a bodyguard.
A Fistful of Dollars is a 1964 spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. The film, an international co-production between Italy, West Germany and Spain, was filmed on a low budget, and Eastwood was paid $15,000 for his role.
Kamatari Fujiwara was a Japanese stage and film actor who appeared in over 200 films between 1933 and 1984. In addition to regular appearances in the films of Akira Kurosawa, he worked for directors such as Mikio Naruse, Yasujirō Ozu, Heinosuke Gosho and others.
Shinobu Hashimoto was a Japanese screenwriter, film director and producer. A frequent collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon and Seven Samurai.
Daisuke Katō was a Japanese actor. He appeared in over 200 films, including Akira Kurosawa's Seven Samurai, Rashomon, Yojimbo, and Ikiru. He also worked repeatedly for noted directors such as Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi.
Yoshio Tsuchiya was a Japanese actor who appeared in such films as Toshio Matsumoto's surreal Bara No Soretsu and Akira Kurosawa's Seven Samurai and Red Beard, and Kihachi Okamoto's Kill!. He had a long-standing interest in UFOs and wrote several books on the subject. He preferred starring in science fiction films, usually as aliens, or people possessed by them, in such films as Battle in Outer Space, Monster Zero, and Destroy All Monsters.
The Warrior and the Sorceress is a 1984 Argentine-American fantasy action film directed by John C. Broderick and starring David Carradine, María Socas and Luke Askew. It was written by Broderick and William Stout (story).
Chanbara (チャンバラ), also commonly spelled "chambara", meaning "sword fighting" films, denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. Chanbara is a sub-category of jidaigeki, which equates to period drama. Jidaigeki may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay.
Stuart Eugene Galbraith IV is an American film historian, film critic, essayist, and audio commentator.
The films of Japanese director Akira Kurosawa have had a far-reaching impact on cinema and how it is produced, both within Japan and internationally. As a result of his influence, Kurosawa's work, as well as his personal character, have been subject to a number of negative criticisms. These criticisms are points of heated debate among those who study Kurosawa's work, and scores of pieces have been written both advocating for these criticisms and defending against them.
The legacy of filmmaking technique left by Akira Kurosawa (1910–1998) for subsequent generations of filmmakers has been diverse and of international influence beyond his native Japan. The legacy of influence has ranged from working methods, influence on style, and selection and adaptation of themes in cinema. Kurosawa's working method was oriented toward extensive involvement with numerous aspects of film production. He was also an effective screenwriter who would work in close contact with his writers very early in the production cycle to ensure high quality in the scripts which would be used for his films.
References
- 1 2 Galbraith, Stuart IV (2002). The Emperor and the Wolf: The lives and films of Akira Kurosawa and Toshiro Mifune . New York & London: Faber and Faber, Inc. ISBN 0-571-19982-8.