"Remember Me" | ||||
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Single by Diana Ross | ||||
from the album Surrender | ||||
B-side | "How About You" | |||
Released | December 8, 1970 | |||
Recorded | 1970 | |||
Studio | Hitsville U.S.A. (Studio A) Detroit, Michigan | |||
Genre | Soul | |||
Length | 3:39 | |||
Label | Motown | |||
Songwriter(s) | Ashford & Simpson [1] | |||
Producer(s) | Nickolas Ashford & Valerie Simpson | |||
Diana Ross singles chronology | ||||
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"Remember Me" is a 1970 single recorded and released by singer Diana Ross on the Motown label and was included on her 1971 album Surrender. The song was released as the album's first single on December 8, 1970 by the label. It was written and produced by Ashford & Simpson. In the US, the song was Ross' third top forty pop hit within a year, peaking at number 16 on the Hot 100 chart and number 10 on the soul chart. [2] It was also Diana Ross' third entry on the Easy Listening chart, where it went to number 20. [3] It gave Diana her third gold single in a year and her third top 10 charting single in Cash Box , peaking at number eight. [4] Overseas, "Remember Me" reached the top ten in the UK, where it reached number seven. It was the lead single from Ross' 1971 album, Surrender.
The song was written and produced by the Motown collaborators Ashford & Simpson. The song is written from the view of a spurned woman who requests that her ex-boyfriend remembers her for all the positive things she had brought to his life.
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Boys Town Gang recorded a medley of "Remember Me" together with "Ain't No Mountain High Enough" in 1981. The single was a No. 5 U.S. Dance hit and a top 20 hit in Belgium and the Netherlands. Kim Wilde covered "Remember Me" on her Snapshots album in 2011.
In 2020, Bon Harris of Nitzer Ebb did a cover of the song for his Songs From the Lemon Tree sessions, which was released on Youtube. [10]
"I'm Gonna Make You Love Me" is a soul song most popularly released as a joint single performed by Diana Ross & the Supremes and the Temptations for the Motown label. This version peaked for two weeks at No. 2 on the Hot 100 in the United States, selling 900,000 copies in its first two weeks, and at No. 3 on the UK Singles Chart in January 1969.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Stubborn Kind of Fellow" is a 1962 song recorded by Marvin Gaye for the Tamla label. Co-written by Gaye and produced by William "Mickey" Stevenson, "Stubborn Kind of Fellow" became Gaye's first hit single, reaching the top 10 of the R&B chart and the top 50 of the Billboard Hot 100 in late 1962.
"Reach Out and Touch (Somebody's Hand)" is the debut solo single of singer Diana Ross, released in April 1970 as the first single from her solo self-titled debut 1970 album by Motown Records.
Diana Ross is the debut solo studio album by American singer Diana Ross, released on June 19, 1970 by Motown Records. The ultimate test to see if the former Supremes frontwoman could make it as a solo act, the album was overseen by the songwriting-producing team of Nickolas Ashford & Valerie Simpson, who had Ross re-record several of the songs the duo had recorded on other Motown acts. Johnny Bristol, producer of her final single with The Supremes, contributed on The Velvelettes cover "These Things Will Keep Me Loving You."
Surrender is the third studio album by American singer Diana Ross, released on July 6, 1971 by Motown Records. The album saw her reuniting with writer-producer team Ashford & Simpson who had overseen her self-titled debut album in 1970. As with Diana Ross, some of the tracks that Ross recorded with the duo had previously been recorded by other Motown artists, including Gladys Knight & the Pips, Martha Reeves & The Vandellas, Rita Wright, and the Four Tops.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
"What Becomes of the Brokenhearted" is a hit single recorded by Jimmy Ruffin and released on Motown Records' Soul label in the summer of 1966. It is a ballad, with lead singer Jimmy Ruffin recalling the pain that befalls the broken-hearted who had love that's now departed.
"I'm Still Waiting" is a popular song, written and produced by Deke Richards and recorded by Diana Ross; it first appeared on Ross's 1970 album Everything Is Everything. The song reached No. 1 on the UK Singles Chart in August 1971. It also reached number one in Ireland.
The Boss is the tenth studio album by American singer Diana Ross, released on May 23, 1979, by Motown Records.
"You're Nobody till Somebody Loves You" is a popular song written by Russ Morgan, Larry Stock, and James Cavanaugh and published in 1944. The song was first recorded by Morgan and was a hit for him in 1946, reaching the No. 14 spot in the charts. The best known version was Dean Martin's, which was released in 1960 and reissued in 1964.
All The Great Hits is a compilation album by American singer Diana Ross, released in October 1981 by Motown Records. It was the second Motown compilation set to capitalize on the success of 1980's diana produced by Chic. Her duet "Endless Love" with Lionel Richie was from the film of the same name, Endless Love and, just like 1980's "It's My Turn", had already been released as a single and on a soundtrack album.
"The Boss" is a 1979 song written and produced by Ashford & Simpson and recorded by American singer Diana Ross, who released it as a single on the Motown label. It was the first release from the album of the same title (1979). The song was released on May 22, 1979, a day before the album release.
"What You Gave Me" is a hit duet written and produced by Ashford & Simpson and issued as a single originally by the vocal duo of Marvin Gaye and Tammi Terrell in 1969 on the Tamla label.
"All I Need" is a 1967 hit single recorded by The Temptations for the Gordy (Motown) label. It is the group's first single to be produced by Norman Whitfield's protégé Frank Wilson. Written by Wilson, Eddie Holland and R. Dean Taylor, the single was a Top 10 hit on the Billboard Hot 100, peaking at number 8; it was also a number-two hit on the Billboard R&B singles chart.
"Surrender" is a song composed and produced by Ashford & Simpson and sung from singer Diana Ross' album of the same name in 1971 on the Motown label. It was released as the album's third single on July 6, 1971.
I Only Have Eyes for You is an album by American pop singer Johnny Mathis that was released on May 10, 1976, by Columbia Records and included two new songs, "Yellow Roses on Her Gown" and "Ooh What We Do", which was written specifically for him, as well as a contemporary arrangement of the 1934 title track that foreshadowed his recordings of standards that incorporated a disco beat a few years later.
Upside Down: The Collection is a compilation album by Diana Ross, released by Spectrum Music/Universal in the United Kingdom in 2012. This album is a budget collection containing songs that were released from 1970 through 1981 on Motown Records. In the UK, 17 of the 20 songs contained in this compilation reached the Top 40. In the U.S., 12 of these songs made it onto the Billboard Top 40 singles charts, and 6 of those 12 reached number 1.