The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
Diana Ross is an American singer and actress. She was the lead singer of the vocal group The Supremes, who became Motown's most successful act during the 1960s and one of the world's best-selling girl groups of all time. They remain the best-charting female group in history, with a total of 12 number-one pop singles on the U.S. Billboard Hot 100, including "Where Did Our Love Go," "Baby Love," "Come See About Me," "Stop! In the Name of Love," "You Keep Me Hangin' On," and "Love Child."
Velma Jean Terrell is an American R&B and jazz singer. She replaced Diana Ross as the lead singer of The Supremes in 1970.
Syreeta Wright, who recorded professionally under the mononym Syreeta, was an American singer-songwriter, best known for her music during the early 1970s through the early 1980s. Wright's career heights were songs in collaboration with her ex-husband Stevie Wonder and musical artist Billy Preston.
"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
Farewell is a 1970 live album by Diana Ross & the Supremes. The album was recorded over the course of the group's final engagement together at the New Frontier Hotel and Casino in Las Vegas, Nevada, including the final night on January 14, 1970. The show marked Diana Ross' penultimate performance with fellow Supremes members Mary Wilson and Cindy Birdsong. At the conclusion of the show, new Supremes lead singer Jean Terrell was brought onstage and introduced to the audience.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
You're All I Need is the second studio album by soul musicians Marvin Gaye and Tammi Terrell, released in August 1968 on Motown-subsidiary label Tamla Records. Highlighted by three hit singles written by Nickolas Ashford and Valerie Simpson, You're All I Need was recorded throughout 1966 and 1967 and features two Top 10 Billboard Hot 100 hits, "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". It peaked at #60 on the U.S. Billboard 200 Album Chart. You're All I Need was the two singers' final collaboration effort, as Terrell would become ill following recording, before succumbing to a brain tumor in 1970.
"Reach Out and Touch (Somebody's Hand)" is the debut solo single of singer Diana Ross, released in April 1970 as the first single from her solo self-titled debut 1970 album by Motown Records.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Love Child is the fifteenth studio album released by Diana Ross & the Supremes for the Motown label in 1968. The LP was the group's first studio LP not to include any songs written or produced by any member of the Holland–Dozier–Holland production team, who had previously overseen most of the Supremes' releases.
In the Groove is the eighth studio album by soul musician Marvin Gaye, released on August 26, 1968 on the Motown-subsidiary label Tamla Records. It was the first solo studio album Gaye released in two years, in which during that interim, the singer had emerged as a successful duet partner with female R&B singers such as Kim Weston and Tammi Terrell. In the Groove was reissued and retitled as I Heard It Through the Grapevine after the unexpected success of Gaye's recording of the same name, which had been released as a single from the original album.
Right On is the nineteenth studio album by The Supremes, released in 1970 for the Motown label. It was the group's first album not to feature former lead singer Diana Ross. Her replacement, Jean Terrell, began recording Right On with Mary Wilson and Cindy Birdsong in mid-1969, while Wilson and Birdsong were still touring with Ross.
Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together."
John William Bristol was an American musician, most famous as a songwriter and record producer for the Motown label in the late 1960s and early 1970s. He was a native of Morganton, North Carolina, about which he wrote an eponymous song. His composition "Love Me for a Reason" saw global success when covered by The Osmonds including a number 1 in the UK charts in 1974. His most famous solo recording was "Hang On in There Baby" recorded in 1974, which reached the Top Ten in the United States and number 3 in the United Kingdom. Both singles were in the UK top 5 simultaneously.
The Boss is the tenth studio album by American singer Diana Ross, released on May 23, 1979, by Motown Records.
An Evening with Diana Ross is a 1977 live double album released by American singer Diana Ross on the Motown label. It was recorded live at the Ahmanson Theatre in Los Angeles in December 1976 during the international tour of Ross' one-woman show, for which she was awarded a special Tony Award after the show's run at Broadway's Palace Theater, followed by an Emmy-nominated TV special of the same name. It marked the first time in history a solo female headlined a 90-minute TV special. The album reached #29 in the USA . The album showcased her live performances for the second time as a solo performer, following 1974's Live At Caesars Palace. It was the last live album Ross released until 1989's Greatest Hits Live.
Workin' Overtime is the eighteenth studio album by American singer Diana Ross, released on June 6, 1989, by Motown Records. Her first Motown album with new material since To Love Again (1981) after a short stint with RCA Records, Ross reunited with frequent collaborator Nile Rodgers, chief producer of her most successful album to date Diana (1980), to make this album which was an attempt to gear her to a much younger audience bringing in new jack swing productions and house music.
The Magnificent 7 is a collaborative album combining Motown's premier vocal groups, The Supremes and The Four Tops. Issued by Motown in 1970, it followed two collaborative albums The Supremes did with The Temptations in the late 1960s. The album featured their hit cover of Ike & Tina Turner's "River Deep – Mountain High", which reached number 14 on the US Billboard Hot 100 singles chart. In the UK, the album peaked at number 6. In December 1971, Billboard reported UK album sales of 30,000 copies.
"Without the One You Love (Life's Not Worth While)" is a song written by Holland–Dozier–Holland and released as a single in 1964 by the Motown singing group The Four Tops as the second single from their self-titled debut album, Four Tops. The group would later cover the song with The Supremes.
