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"Touch Me in the Morning" | ||||
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Single by Diana Ross | ||||
from the album Touch Me in the Morning | ||||
B-side | "I Won't Last a Day Without You" | |||
Released | May 3, 1973 | |||
Recorded | 1973 | |||
Genre | Pop, adult contemporary | |||
Length | 3:26 (single version) | |||
Label | Motown | |||
Songwriter(s) | Ron Miller, Michael Masser | |||
Producer(s) | Michael Masser, Tom Baird | |||
Diana Ross singles chronology | ||||
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Audio | ||||
"Touch Me In The Morning" on YouTube |
"Touch Me in the Morning" is a song recorded by Diana Ross on the Motown label. It was written by Ron Miller and Michael Masser, and produced by the latter and Tom Baird. It was released on May 3, 1973 as the first single from her album of the same name. In 1973, it became Ross's second solo No. 1 single on the Billboard Hot 100.
It was conceived by then-unproven songwriter and producer Michael Masser. He had been recruited by Motown CEO Berry Gordy and A&R chief Suzanne de Passe. Masser teamed up with the proven ballad lyricist Ron Miller to write it.
According to Masser, in a video documentary about Ross, she "always tried to push hard to get the vocals right for this particular song", calling it a "draining experience" that resulted in several near-emotional breakdowns when she wasn't up to her abilities. It was recorded in the early morning hours, as was her custom after she began raising her children. In a Barbara Walters Mother's Day interview special, her second-oldest daughter, Tracee Ellis Ross, said Diana would put them to bed and record all night, in order to wake her children and send them to school the next morning.
Motown released the song as a single and it hit No. 1 on the Billboard Hot 100 singles chart, [1] becoming her longest-charting record until 1980, remaining on the chart for 21 weeks. It also spent a week at No. 1 on the adult contemporary chart, her first No. 1 on that chart. [2] Sherlie Matthews, Clydie King and Venetta Fields sang background vocals. Bob Babbitt played bass.
It marked a turning point in the career of Diana Ross, reinvigorating her singing career, coming immediately after her Academy Award nomination for Best Actress in her acting debut, Lady Sings the Blues .
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"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
"Reflections" is a 1967 song recorded by American soul music group The Supremes for the Motown label. The single release was the first Supremes record credited to "Diana Ross and the Supremes", and the song was one of the last Motown hits to be written and produced by Holland–Dozier–Holland before they left the label.
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a fade-in, marking one of the first times the technique had been used on a studio recording.
"Love Child" is a 1968 song released by the Motown label for Diana Ross & the Supremes. The second single and title track from their album Love Child, it became the Supremes' 11th number-one single in the United States, where it sold 500,000 copies in its first week and 2 million copies by year's end.
"I Hear a Symphony" is a 1965 song recorded by the Supremes for the Motown label.
"Theme from Mahogany" is a song written by Michael Masser and Gerry Goffin and produced by Masser. It was initially recorded by American singer Thelma Houston in 1973, and then by Diana Ross as the theme to the 1975 Motown/Paramount film Mahogany that also starred Ross. The song was released on September 24, 1975 by Motown Records as the lead single for both the film's soundtrack and Ross' seventh studio album, Diana Ross. Masser and Goffin received a nomination for Best Original Song at the 48th Academy Awards. Also, the song was nominated for AFI's 100 Years...100 Songs list constructed by the American Film Institute in 2004.
"I'm Livin' in Shame" is a 1969 song released for Diana Ross & the Supremes on the Motown label. The sequel to the Supremes' number-one hit, "Love Child," the song peaked in the top ten on the US Billboard Hot 100 pop chart at #10 and the top 20 in the UK at #14 in April and May 1969.
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.
The Supremes Produced and Arranged by Jimmy Webb is the twenty-sixth studio album released by The Supremes on the Motown label in 1972. It stands as a unique entry in The Supremes' discography as it was the only album produced by a non-Motown artist, the accomplished songwriter and producer Jimmy Webb. This album also marked the final appearance of Jean Terrell as the lead singer of The Supremes during the early 1970s.
"Love Is Like an Itching in My Heart" is a 1966 song recorded by the Supremes for the Motown label.
"I Won't Last a Day Without You" is a song by The Carpenters with lyrics written by Paul Williams and music composed by Roger Nichols. It was released in the U.K. in September 1972, paired with "Goodbye to Love" as a double-A side. The single reached No. 9 and spent 14 weeks on the chart. It was later released in the U.S. and became a hit single for them in 1974, reaching No. 11 on the Billboard Hot 100 chart and number one on the easy listening chart. It was the Carpenters' ninth No. 1 on the easy listening chart.
"Gettin' Ready for Love" is a 1977 hit song by Diana Ross. It was the first single from her Baby It's Me LP. The song was released on October 16, 1977 by Motown Records. It was written by Tom Snow and Franne Golde, and produced by Richard Perry. The song reached #27 on the U.S. Billboard Hot 100 and #29 in Canada. It also charted in the UK, reaching #23.
"Forever Came Today" is a 1968 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"Nothing but Heartaches" is a 1965 song recorded by The Supremes for the Motown label.
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.
"The Composer" is a 1969 song released for Diana Ross & the Supremes by the Motown label.
"I'll Try Something New" is a song written by Smokey Robinson and originally released in 1962 by The Miracles on Motown Records' Tamla subsidiary label. Their version was a Billboard Top 40 hit, peaking at #39, and just missed the Top 10 of its R&B chart, peaking at #11. The song was released later as a joint single by Diana Ross & the Supremes and The Temptations, also becoming a charting version on the Billboard 100 pop singles chart, peaking for two weeks in April 1969 at number 25.
"No Matter What Sign You Are" is a song released for Diana Ross & the Supremes by the Motown label.
"Still the Same" is a 1978 song written and recorded by the American singer Bob Seger. It hit #4 on the U.S. Billboard Hot 100 chart and was an international hit.
The Blackberries was an American female vocal trio formed in the 1970s. They were a backing vocal group for various musicians, as well as songwriters. They performed with various acts, including Pacific Gas & Electric, Humble Pie, Ringo Starr, and Pink Floyd. The Blackberries recorded for Motown's West Coast subsidiary Mowest and A&M Records.