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Francis Jean Marcel Poulenc was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite Trois mouvements perpétuels (1919), the ballet Les biches (1923), the Concert champêtre (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera Dialogues des Carmélites (1957), and the Gloria (1959) for soprano, choir, and orchestra.
Michel Paul Philippot was a French composer, acoustician, musicologist, aesthetician, broadcaster, and educator.
Jean-Claude Malgoire was a French oboist and later conductor.
Francis Poulenc completed his Sonate pour violoncelle et piano, FP 143, in 1948. He first sketched it in 1940. It was dedicated to the French cellist Pierre Fournier, who had helped with the technical aspects of the cello part, as the composer was unfamiliar with the instrument. The work was published by Heugel in Paris.
The Studio d'Essai, later Club d'Essai, was founded in 1942 by Pierre Schaeffer, played a role in the activities of the French resistance during World War II, and later became a center of musical activity.
Nicolas Vérin is a French composer and professor of music. His many influences, from jazz to electronics, from American to French music, give him an unusual style, apart from the main trends of French contemporary music, combining energy and subtleness.
Karine Deshayes is a French mezzo-soprano.
Gabriel Dussurget was a French impresario and opera director. He was the co-founder of the Aix-en-Provence Festival, an annual summer opera festival in Aix-en-Provence, and served as its Artistic Director from 1948 to 1973. He also served as the Artistic Director of the Paris Opera from 1959 to 1972. He became known as the "Magician of Aix" for his work at the opera festival
The Sonate pour clarinette et basson, FP 32a, is a piece of chamber music composed by Francis Poulenc in 1922.
The Sonate pour violon et piano, FP 119, by Francis Poulenc was composed in 1942–1943 in memory of the Spanish poet Federico García Lorca. The score, dedicated to Poulenc's niece Brigitte Manceaux, was published by Max Eschig. The work was premiered by the violinist Ginette Neveu with the composer at the piano on 21 June 1943 in Paris, Salle Gaveau.
Figure humaine, FP 120, by Francis Poulenc is a cantata for double mixed choir of 12 voices composed in 1943 on texts by Paul Éluard including "'Liberté". Written during the Nazi occupation of France, it was premiered in London in English by the BBC in 1945. It was first performed in French in 1946 in Brussels, then in Paris on 22 May 1947. The work was published by Éditions Salabert. Cherished as the summit of the composer's work and a masterpiece by musical critics, the cantata is a hymn to Liberté, victorious over tyranny.
Sécheresses (Drought), FP 90, is a cantata by Francis Poulenc for mixed choir (SATB) composed in 1937 on poems by Edward James who commissioned it. It was regarded as a failure when it was premiered in 1938, but a great success when it was performed again in 1953.
The Sonate pour cor, trompette et trombone, FP 33a, by Francis Poulenc is a piece of chamber music composed in 1922 and dedicated to Raymonde Linossier (1897–1930). Poulenc revised it in 1945. Its total performance time is about eight minutes.
Dominique Jameux was a French musicologist, radio producer and writer.
Vincent Warnier is a contemporary French classical organist.
Alexis Galpérine is a French classical violinist.
Claude Samuel was a French music critic and radio personality.
Gérard Condé is a French composer and music critic.
Karol Beffa, born on October 27, 1973 in Paris, is a French and Swiss composer and pianist.
Suzanne Peignot, néeSuzanne Rivière (1895–1993), was a French soprano, privileged interpreter of The Six. Her friends nicknamed her la Reine des mouettes, an allusion to one of the melodies she successfully sang. As for him, Erik Satie had nicknamed her ma très petite da-dame.
