Gustav Mahler was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Bruno Walter was a German-born conductor, pianist and composer. Born in Berlin, he escaped Nazi Germany in 1933, was naturalised as a French citizen in 1938, and settled in the United States in 1939. He worked closely with Gustav Mahler, whose music he helped to establish in the repertory, held major positions with the Leipzig Gewandhaus Orchestra, New York Philharmonic, Concertgebouw Orchestra, Salzburg Festival, Vienna State Opera, Bavarian State Opera, Staatsoper Unter den Linden and Deutsche Oper Berlin, among others, made recordings of historical and artistic significance, and is widely considered to be one of the great conductors of the 20th century.
The Vienna Philharmonic is an orchestra that was founded in 1842 and is considered to be one of the finest in the world.
Otto Nossan Klemperer was a 20th-century conductor and composer, originally based in Germany, and then the US, Hungary and finally Britain. His early career was in opera houses, but he was later better known as a concert-hall conductor.
The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer did not sanction that name – actually, he disapproved of it. The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910.
The Symphony No. 4 in G major by Gustav Mahler was composed from 1899 to 1900, though it incorporates a song originally written in 1892. That song, "Das himmlische Leben", presents a child's vision of heaven and is sung by a soprano in the symphony's Finale. Both smaller in orchestration and shorter in length than Mahler's earlier symphonies, the Fourth Symphony was initially planned to be in six movements, alternating between three instrumental and three vocal movements. The symphony's final form—begun in July 1899 at Bad Aussee and completed in August 1900 at Maiernigg—retains only one vocal movement and is in four movements: Bedächtig, nicht eilen ; In gemächlicher Bewegung, ohne Hast ; Ruhevoll,poco adagio ; and Sehr behaglich.
The Vienna State Opera is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera. The new site was chosen and the construction paid by Emperor Franz Joseph in 1861.
Feuersnot, Op. 50, is a Singgedicht or opera in one act by Richard Strauss. The German libretto was written by Ernst von Wolzogen, based on J. Ketel's report "Das erloschene Feuer zu Audenaerde". It was Strauss' second opera.
Anna Bellschan von Mildenburg was an eminent Wagnerian soprano of Austrian nationality. Known as Anna Bahr-Mildenburg after her 1909 marriage, she had been a protégé of the composer/conductor Gustav Mahler during his musical directorship at the Hamburg State Opera. In 1898, Mahler took her to the Vienna State Opera, where she established herself as one of the great stars during his celebrated tenure there as music director.
Hermine Kittel was an Austrian contralto from Vienna. She studied singing with Amalie Materna in Vienna. She made her operatic debut in 1897 in Ljubljana. Kittel first sang under Gustav Mahler at the Vienna Hofoper and later premiered in a revision of Ariadne auf Naxos. She sang at the Bayreuth Festival in 1902 and 1908, where she sang Erda in Der Ring des Nibelungen. She also sang at the Salzburg Festival, where she often played Marcellina in The Marriage of Figaro.
Euryanthe is a German grand heroic-romantic opera by Carl Maria von Weber, first performed at the Theater am Kärntnertor in Vienna on 25 October 1823. Though acknowledged as one of Weber's most important operas, the work is rarely staged because of the weak libretto by Helmina von Chézy. Euryanthe is based on the 13th-century French romance L'Histoire du très-noble et chevalereux prince Gérard, comte de Nevers et la très-virtueuse et très chaste princesse Euriant de Savoye, sa mye.
Oskar Fried was a German conductor and composer. He was known as a great admirer of Gustav Mahler, whose works he performed many times throughout his life. Fried was also the first conductor to record a Mahler symphony. He held the distinction of being the first foreign conductor to perform in Russia after the Bolshevik Revolution (1922). He eventually left his homeland in 1933 to work in the Soviet Union after the political rise of Adolf Hitler's Nazi Party, and became a Soviet citizen in 1940.
Le Juif polonais is a 1900 opera in three acts by Camille Erlanger composed to a libretto by Henri Caïn.
Antony Beaumont is an English and German musicologist, writer, conductor and violinist. As a conductor, he has specialized in German music from the first half of the 20th century, including works by Zemlinsky, Weill, and Gurlitt. As a musicologist, he has published books on Busoni, Zemlinsky, and Mahler.
Henry-Louis de La Grange was a French musicologist and biographer of Gustav Mahler.
Alexander Zemlinsky or Alexander von Zemlinsky was an Austrian composer, conductor, and teacher.
Alfred Roller was an Austrian painter, graphic designer, and set designer. His wife was Mileva Roller and they were members of the Viennese Secession movement.
Sara Charles-Cahier or Madame Charles Cahier was an American-born Swedish mezzo-soprano or contralto singer in opera and lieder, singing primarily in Europe. The American-born Cahier later acquired Swedish citizenship. She was associated with Gustav Mahler, and was one of the soloists in the posthumous premiere of his Das Lied von der Erde in 1911. She sang at the Metropolitan Opera in New York, and was a teacher at the Curtis Institute of Music in Philadelphia. Her students included Marian Anderson.
Die Rose vom Liebesgarten is a 1900 opera by Hans Pfitzner to a libretto by James Grun, one of Pfitzner's fellow students at the Frankfurt Conservatory, which had been prompted by an 1890 painting by Hans Thoma Der Wächter vor dem Liebesgarten.
Anton Brioschi was an Austrian painter, scenic designer and graphic artist. His non-theatrical works were mostly landscapes and marine art.
