This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Robert Breault (born 1963) is an American operatic tenor. Born in Michigan, he holds a B.M. degree (magna cum laude) from St. Norbert College (1985) from which he received a distinguished alumni award in 1997. [1] In addition, he holds a M.M. (1987), and a D.M.A. (1991) from the University of Michigan where he studied voice with soprano Lorna Haywood. His early training also included two years of study at the San Francisco Merola Opera Program, and an internship with Michigan Opera Theatre. He lives in Salt Lake City, Utah, where he teaches voice and serves as director of opera at the University of Utah School of Music. [2]
He is known for his work with opera companies that include New York City Opera, San Francisco Opera, Michigan Opera Theatre, Opera Theatre of St. Louis, Florentine Opera, Arizona Opera, Portland Opera, Fort Worth Opera, Edmonton Opera, Opera Hamilton, Opéra de Nice, Atlanta Opera, Arizona Opera, Chautauqua Opera, Madison Opera, New Orleans Opera, Opera Orchestra of New York, Opera Pacific, Utah Symphony and Opera, and Washington Concert Opera. His extensive concert career includes performances with orchestras that include, the Atlanta Symphony Orchestra, Cleveland Orchestra, Colorado Symphony Orchestra, Edmonton Symphony Orchestra, Florida Philharmonic Orchestra, Florida Orchestra, Il Complesso Barocco, Jerusalem Symphony Orchestra, Milwaukee Symphony, Montreal Symphony, Mormon Tabernacle Choir, National Symphony Orchestra (Washington, D.C.), National Symphony Orchestra (Taiwan), L’Orchestre Métropolitain du Grand Montréal, Orchestre Philharmonique de Monte-Carlo, Orquesta Sinfonica Sinaloa de las Artes, Mazatlán, Mexico, the Orquesta Sinfónica de Puerto Rico, Pacific Symphony, Philadelphia Orchestra, Philharmonia Baroque Orchestra, San Diego Symphony, San Francisco Symphony, Santa Fe Symphony, St. Louis Symphony, St. Lawrence Choir, Toronto Mendelssohn Choir, Tucson Symphony Orchestra, Utah Symphony and Opera, The Vancouver Bach Choir, The Vancouver Chamber Choir, and the Virginia Symphony Orchestra.
As a performer Breault is known for his strong acting skills and diverse repertoire, which ranges from Handel to current. He was honored by New York City Opera in 2007 with a 'Kolozsvar Award' for his performance in Handel's ‘’Semele’’. [3] He has recorded several world premieres, including James DeMars’ opera ‘’Guadalupe’’ and his oratorio An American Requiem with the Mormon Tabernacle Choir, and Laurent Petitgirard's Joseph Merrick dit Elephant Man. Active as a singing teacher since 1992, Breault has trained and worked with several successful singers including Celena Shafer, Paula Delligatti, Jennifer Larson, Gary Moss, Chad Hilligus, and Hugo Vera. [4] He works regularly as a voice teacher and director with the La Musica Lirica training program in Novafeltria, Italy. [5] He is also active as a recitalist and had presented two debut recitals with the San Francisco Opera Schwabacher Debut Recital series. [6] Robert's dual role as singer and educator has been noted by the likes of Brian Kellow who, upon hearing Breault in Handel's Semele at New York City Opera, wrote a summary of his career in 2007 for Opera News. [7]
TheTabernacle Choir at Temple Square, formerly known as the Mormon Tabernacle Choir, is an American choir affiliated with the Church of Jesus Christ of Latter-day Saints. It has performed in the Salt Lake Tabernacle for over 100 years. Its weekly devotional program, Music & the Spoken Word, is one of the longest-running radio programs in the world, having aired every week since July 15, 1929.
John Mark Ainsley is an English lyric tenor. Known for his supple voice, Ainsley is particularly admired for his interpretations of baroque music and the works of Wolfgang Amadeus Mozart. In the course of his career, he has gravitated towards 20th-century music, singing in operas by Henze, Janáček, and Britten.
Marie Te Hapuku is an operatic soprano from Gisborne, New Zealand, and is a direct descendant of the Māori chief, Te Hapuku., of the Ngāti Kahungunu tribe.
Stuart Burrows is a Welsh operatic tenor.
Laura Claycomb is an American lyric coloratura soprano singer.
Craig D. Jessop is an American academic, musician and singer best known for his tenure as the music director of the Mormon Tabernacle Choir (Choir) from 1999 to 2008.
Tobias Martin Piers Trevor Cole is an Australian countertenor and leading artist with Opera Australia.
Crawford Marion Gates was an American musician, composer, and conductor known for his contributions to the body of music for the Church of Jesus Christ of Latter-day Saints.
Chad Shelton is an American operatic tenor. Particularly associated with the Houston Grand Opera (HGO), Shelton has excelled in performances of contemporary American operas and in the works of Wolfgang Amadeus Mozart and Giuseppe Verdi. He has appeared in numerous world premieres with the HGO including Laurie in Mark Adamo's Little Women (1998), Nico in Adamo's Lysistrata (2005), and Ulises in Daniel Catán's Salsipuedes: a Tale of Love, War and Anchovies (2004) among others. He also sang the role of Brigadier General Edward Porter Alexander in the world premiere of Philip Glass's Appomattox at the San Francisco Opera (2007).
Thomas Davis Cunningham was an American tenor who had prominent career in operas, musicals, concerts, and on television from 1949 through 1973.
Betty Allen was an American operatic mezzo-soprano who had an active international singing career during the 1950s through the 1970s. In the latter part of her career her voice acquired a contralto-like darkening, which can be heard on her recording of Sergei Prokofiev’s Alexander Nevsky with conductor Eugene Ormandy and the Philadelphia Orchestra. She was known for her collaborations with American composers, such as Leonard Bernstein, Aaron Copland, David Diamond, Ned Rorem, and Virgil Thomson among others.
Ragnar Bohlin is a Swedish conductor born in 1965.
Jana Sýkorová is a Czech operatic contralto. She has been a leading soloist with the Prague State Opera since 1999. Since 2002, she has been a permanent guest at the National Theatre in Prague and was made a permanent guest at the National Theatre in Brno in 2006.
The Deer Valley Music Festival is the summer home of the Utah Symphony and Utah Opera. It occurs each summer in July and August in Park City, Utah at the Deer Valley Resort, St. Mary's Church, Temple Har Shalom, and salon performances in local homes. The festival features the Utah Symphony and its guests performing chamber music, symphonic music, opera, and popular music.
Roderick Gregory Coleman Williams OBE is a British baritone and composer.
George Irving Shirley is an American operatic tenor, and was the first African-American tenor to perform a leading role at the Metropolitan Opera in New York City.
Laurent Petitgirard is a French classical composer and conductor.
The O.C. Tanner Gift of Music is a series of free concerts presented in Salt Lake City by the Utah Symphony and the Tabernacle Choir at Temple Square, with soloists, conductors and other choirs as guests. The concerts have been hosted by the Church of Jesus Christ of Latter-day Saints on Temple Square since 1983. The thirtieth anniversary gala concerts were held September 6 and 7, 2013.
Heidi Stober is an American operatic soprano who has performed leading roles in major opera houses internationally, including the Dutch National Opera, the Garsington Opera, the Lyric Opera of Chicago, the Metropolitan Opera, the Municipal Theatre of Santiago, the Semperoper, and the Vienna State Opera. She has been particularly active with the Houston Grand Opera where she has performed in more than a dozen operas since 2004, including the world premieres of Daniel Catán's Salsipuedes: a Tale of Love, War and Anchovies (2004), Mark Adamo's Lysistrata (2005), and Ricky Ian Gordon's The House without a Christmas Tree (2017). She has also performed in more than ten operas with the San Francisco Opera since 2010. Since 2008 she has been a resident artist at the Deutsche Oper Berlin where she has primarily performed roles from the lyric soprano repertoire. Also active as a concert soprano on the international stage, she has performed with the Berlin Radio Symphony Orchestra, the Hong Kong Philharmonic Orchestra, the Houston Symphony, the Los Angeles Philharmonic, the New York Philharmonic, the Milwaukee Symphony Orchestra, the Philadelphia Orchestra, the Oslo Philharmonic, and the Radio Filharmonisch Orkest among other orchestras. She is particularly admired for her interpretations of the works of George Frideric Handel and Wolfgang Amadeus Mozart.
Aryeh Nussbaum Cohen is an American countertenor known for bringing his "ravishing…otherworldly" instrument to a broad range of repertoire spanning the Baroque to the contemporary. Acclaimed as both a "complete artist" and "young star" in The New York Times, and as "extravagantly gifted... poised to redefine what's possible for singers of this distinctive voice type" in the San Francisco Chronicle, Nussbaum Cohen's passion for creating performances of great vocal beauty and dramatic intensity have earned him a reputation as "a redefining force in the countertenor field" (Limelight).