Romy Gosz | |
---|---|
Birth name | Roman Louis Gosz |
Born | Grimms, Wisconsin, U.S. | August 2, 1910
Died | August 29, 1966 56) Manitowoc, Wisconsin, U.S. | (aged
Genres | Bohemian-style polka |
Instrument(s) | Piano, Trumpet |
Roman 'Romy' Louis Gosz (August 2, 1910 Grimms, Wisconsin - August 29, 1966, Manitowoc, Wisconsin) was a popular and commercially successful polka musician in the upper Midwest. Gosz's music featured the Bohemian brass style and appealed to the many ethnic groups (Dutch, Bohemian, Belgian, German and Polish) found throughout the region.
Romy Gosz was born on August 2, 1910, in Grimms, Wisconsin, to Paul and Anna Gosz, the fourth of their seven children.
At age 7, Gosz would take his first and only piano lesson. When he told his piano teacher he would not be able to make his next lesson because he had a dance job, he was told "not to come back at all if you can play a job with one lesson". [1]
When he was 11, Gosz joined his father Paul and his older brother's, George and Mike, in forming the Paul Gosz Orchestra. Their first job was playing at a silver wedding anniversary in Newton, Wisconsin. The very next night, they played a golden anniversary at the J.D. Prokash hall in Rockwood, Wisconsin, and the night after that, the group played a sixtieth wedding anniversary dance. [2]
A few years later, Gosz's father Paul decided to work more at his day job at the local lime kiln, Allwood Lime Company, and he handed the management of the family orchestra over to George. By 1928, leadership of the group had passed to Romy, who was barely eighteen at the time. Still a minor, Gosz was unable to conduct business and manage the band legally, so he retained his father's name for the group. Early on, Gosz determined that his group should focus on the making of records and live performances. He thought that playing over the radio on a regular basis would be detrimental to the band's traveling and the resulting opportunity to interact with their audiences. [3]
On July 5, 1929, Gosz married Antoinette Leggio at St. Anne Catholic Church in Francis Creek, Wisconsin, the same parish where he had attended school as a boy. The couple took up residence in a small home that Gosz and his father built in Rockwood. Over the next seven years, the couple would have five children (four sons and one daughter). In 1948, Gosz purchased a home with an adjacent Tavern and Dance Hall at "Polifka's Corners" (the intersection of Manitowoc County Road T and Polifka Road) near Kellnersville.
Gosz and his orchestra cut their first record in 1930 at the Broadway studio in Grafton, Wisconsin. They recorded an old Bohemian tune called "Pilsen Polka" on YouTube. Gosz commented that they did it "just to see what the band sounded like." [2] The recording of "Pilsen Polka" became a bestseller throughout the decade and was key to building Gosz's popularity.
Later that same year, the band donated its services for the diamond jubilee celebration of St. Mary's Catholic church in Tisch Mills, Wisconsin. When the pastor, Father Rudolph James Hodik, went to Rome the following year for an audience with Pope Pius XI, he presented the pontiff with some of Gosz's recordings. Father Hodik returned home with a papal blessing for Gosz and the band. The papal blessing and a picture of Pope Pius were some of Gosz's proudest possessions and were displayed prominently in the Gosz home. [4]
In 1931 Gosz found himself without a trumpet player. Gosz commented, "I knew where I could get a good pianist, but couldn't find a trumpet player, so I changed from piano to trumpet. I taught myself. In six months we made a recording with me double tonguing on the trumpet." [2]
The Wisconsin American Legion was searching for a musical theme for its 1934 convention, when somebody heard Gosz's "The Prune Song". It was immediately adopted as the convention theme. Originally an old Bohemian waltz called "Sveskova Alej", Gosz increased the song's tempo and added some double tonguing to the trumpet part. This is typical of many of his recordings. [2] Today, the song is known as "We Left Our Wives Back Home" [5]
His recordings "Musical Clock" and "Picnic In The Woods" appeared in early country music charts printed by Billboard Magazine.
By 1940, Gosz's band was very popular with the general Wisconsin audiences. It was around this time that a Sheboygan, Wisconsin, radio station polled listeners for their favorite bandleader. In the one-week poll Gosz placed first, with a margin of seven hundred votes [6] over the second-place finisher, western bandleader, Gene Autry. [7]
The national press soon took note of Gosz's popularity, with articles appearing in Billboard, Coronet , [6] Life , Pic, and Time . [8]
On June 9, 1948, Gosz took part in a battle of the bands at the Milwaukee Arena. Competing against Louis Bashell, Lawrence Duchow, Harold Loeffelmacher and the Six Fat Dutchmen, Whoopee John Wilfahrt, and Frankie Yankovic. At the event's conclusion, the title of "America's Polka King" was awarded to Yankovic.
At their peak, Gosz and his bands were on the road six nights a week, returning home for a noon radio show on Sunday and then playing a park concert, picnic, or festival in the afternoon. The band would perform from 8:00 pm to 1:00 am, at a pace of up to fourteen songs per hour. At the end of the night, Gosz often played up to five encores. When asked about his schedule, Gosz said, "We're a tough bunch around here. We have to be. We recently played 52 consecutive nights and not one of my men missed a day on his regular job." [2] Gosz spent the majority of his travels in Wisconsin, playing a circuit of towns that included: Batavia, Bonduel, Denmark, Embarrass, Freedom, Jericho, Kimberly, Krok, Luxemburg, Poland, Pulaski, Royalton, Scandinavia, Slovan, Sobieski, Sugar Bush, Symco, Waterloo, and Zachow. [9] Less frequently, Gosz played in Michigan, Minnesota, Nebraska and the Dakotas. Gosz handled all of his own bookings, and not being the most attentive businessman, he often double-booked his gigs. Whenever this happened, Gosz would hire a pickup band and play one engagement, and he would send his orchestra to work the other.
In the latter half of August 1966, Gosz was admitted to Manitowoc Memorial Hospital to undergo gallbladder surgery. During the operation, surgeons determined that they could not complete the surgery because the gall bladder was too badly infected. This resulted in further complications, including the onset of pneumonia. All of this transpired during the week of the Manitowoc County Fair. Gosz's following was so great, it is reported that when his death was announced on August 29 to the fairgoers, the grounds were absolutely silent. [4] The day of his funeral, over twenty-three hundred people filed by his coffin, paying their respects. Sometime after, a fan commented that, "When he lived, the dance floor was filled with happy people. When he died - standing room only. The church was full." [10] Romy Gosz was buried in the church cemetery of the St. Anne Catholic Church in Francis Creek, Wisconsin.
Inducted into the International Polka Hall of Fame by the International Polka Association in 1979. [5]
Inducted into the Wisconsin Polka Hall of Fame in 1998 with a Life Achievement Award. [11]
Romy recorded over 180 tunes during his lifetime for a variety of labels, including Broadway, Brunswick, Columbia, Coral, Decca, King, Mercury, Mono, Okeh, Polkaland, Universal and Vocalion.
Throughout Romy's career, there were quite a few variations in the name of the band.
A
B
C
D
E
F
G
H
I
J, K
Q, R
S
T
U, V
W, X, Y, Z
The members of the Gosz bands changed over time as well, with each of the following musicians accompanying Gosz on either a recording session or a live performance.
Polka is a dance style and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas.
James W. Sturr Jr. is an American polka musician, trumpeter, clarinetist, saxophonist and leader of Jimmy Sturr & His Orchestra. Media outlets have often dubbed him the "King of Polka," with his recordings having won 18 out of the 24 Grammy Awards given for Best Polka Album. Sturr's orchestra is on the Top Ten List of the All-Time Grammy Awards, and has acquired more Grammy nominations than anyone in the history of musical polka awards.
James Francis Dorsey was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards "I'm Glad There Is You " and "It's The Dreamer In Me". His other major recordings were "Tailspin", "John Silver", "So Many Times", "Amapola", "Brazil ", "Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and "So Rare". He played clarinet on the seminal jazz standards "Singin' the Blues" in 1927 and the original 1930 recording of "Georgia on My Mind", which were inducted into the Grammy Hall of Fame.
Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. Classical composers and conductors from Wisconsin include Hans Balatka, Hugo Kaun, Eugene Luening, and Theodore Steinmetz. Among Wisconsin's contributions to rock music were Les Paul, an electric guitar pioneer known as the "Wizard of Waukesha". The Steve Miller Band, with Milwaukee's Steve Miller, had three #1 hits on the Billboard Hot 100 from 1973 to 1982. The Chordettes from Sheboygan, Bon Iver from Eau Claire, and Garbage from Madison all had albums on the Billboard 200.
Albert Edwin Condon was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang. He also owned a self-named night club in New York City.
The Dorsey Brothers were an American studio dance band, led by Tommy and Jimmy Dorsey. They started recording in 1928 for OKeh Records.
Jaromír Weinberger was a Bohemian born Jewish subject of the Austrian Empire, who became a naturalized American composer.
James Brian Pekol is an American musician originally from Wausau, Wisconsin.
The Suite for Jazz Orchestra No. 1 by Dmitri Shostakovich was composed in 1934.
Fess Williams and his Royal Flush Orchestra was the main band of clarinetist Fess Williams from 1926–1930
Polka is a music and dance style that originated in Bohemia in the 1830s and came to American society with immigrants from Europe. A fast style in 2
4 time, and often associated with the pre–World War II era, polka remains a dynamic "niche" music in America.
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online The Jazz Discography, "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters (Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it, the owners of Black Swan, the opera singer for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance.
Charles Émile Waldteufel was a French pianist, conductor and composer known for his numerous popular salon pieces.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
"Elmer's Tune" is a 1941 big band and jazz standard written by Elmer Albrecht, Dick Jurgens and Sammy Gallop. Glenn Miller and his Orchestra and Dick Jurgens and his Orchestra both charted with recordings of the composition.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
Lawrence Duchow was an American bandleader recorded on the RCA Victor label from 1932 to 1954.
Larry Chesky, born Lawrence J. Ciszewski, was an American accordion player, Polka band leader, inductee in the International Polka Hall of Fame, and manager of the Rex Records label.
Charles Le Thière was a British composer, arranger and flautist. He was the son of a goldsmith and jeweller Thomas William Tomkins and his wife Eliza Tomkins, who had a store and company in Clerkenwell.
"My Greatest Mistake" is a popular song written in 1940 by Jack Fulton and Jack "Bones" O'Brien.