Running at the ring

Last updated

Running at the ring, riding at the ring or tilting at the ring is an equestrian tournament activity originally practiced at European royal courts and likely derived from other lance games like quintain. It gained new popularity at Natural Chimneys near Mount Solon, Virginia, possibly as early as the 1820s, [1] and since 1962, has been the state sport of Maryland. [2] A similar contest, the corrida de sortija , is held in Argentina where it is considered a gaucho sport derived from the Spanish tradition of medieval tournaments.

Contents

Description

Running or tilting at the ring, an illustration derived from L'Instruction du Roy en l'exercise de monter a cheval by Antoine de Pluvinel Tilting at the Ring. (From an old print.).jpg
Running or tilting at the ring, an illustration derived from L'Instruction du Roy en l'exercise de monter a cheval by Antoine de Pluvinel

Participants rode at full speed to thrust the point of the lance through a ring or to hook a ring and carry it off. A performer was allowed three attempts. [3] The French author and riding master Antoine de Pluvinel published descriptions and the rules. [4] The lance was shorter than those used for jousting, and had no protective vamplate. [5]

Costumed court festival

This version of a lance game or quintain could be played in teams, and the riders sometimes dressed in exotic fancy costume as a spectacle at weddings or other court festivals. Costumes for a 1570 tournament in Prague were designed by Giuseppe Arcimboldo. [6] At Munich in February 1568, at a match held at the wedding of Renata of Lorraine and William V, Duke of Bavaria, the spectators were entertained by the costumed aristocratic riders and professional Italian comedians. [7] There are many records of running at the ring at the Scottish and Tudor courts. At court, the prize was often a diamond ring presented by a lady. [8]

Present day sport

A tournament of tilting at the ring continues to be held in Denmark at Sønderborg annually in July and the Ringridermuseet is dedicated to the sport. It is also a tradition to have variations of this game at summer get-togethers in small Danish villages. Here they will often use anything but a horse, such as bike, lawnmower, tractor or even other people. [9] Modern ring tilting tournaments have also been held in Croatian Istria since at least the 1970s. [10]

Running at the ring, usually referred to as a ring tournament, ring jousting, or simply as jousting, has been practiced in parts of the American South since at least the 1840s. Ring tournaments are still held in Virginia, West Virginia, North Carolina, and South Carolina, but most frequently in Maryland, [11] which made this form of jousting its state sport in 1962. [12]

Tudor tournaments

Costume fabrics for Henry VIII of England to run at the ring at Greenwich Palace in January and February 1516 included velvets, damasks, satins, and sarcenets. [13] He performed at Richmond Palace for the Venetian ambassador in May 1517. [14]

In February 1547, English soldiers at Boulogne held a tournament to celebrate the coronation of Edward VI. Instead of tilting, they held courses of running at the ring. One team of six were dressed "like Turks". [15] John Dudley, 1st Duke of Northumberland wagered and lost a valuable velvet cap to Jakes Granado, running at the ring at Westminster Palace on 6 June 1550. [16] Jacques Granado and his brother Bernardine were Squires of the Stable to Edward VI. [17]

Edward VI took part in April and May 1551, riding against Edward Seymour, the King's team wore black and white, the challengers wore yellow. Edward VI rode again at Greenwich in 1552. Roger Ascham wrote that to "run fair at the tilt or ring" was one of the necessary skills "for a courtier to use". [18]

When the French ambassador, Gilles de Noailles, came to see Elizabeth I at Horsley in Surrey in August 1559, they watched Robert Dudley, Master of the Horse, [19] and other courtiers running at the ring from a window: Noailles wrote:

d'alla asseoir prés d'une fenestre, au devant de laquelle son Grand Escuyer, et dix ou onze autres Gentilshommes se tenoient prestz pour luy donner du plaisir à voir courre la Bague

We sat near a window, below which, nearby, her Great Squire [Dudley], and ten or twelve other courtiers ran at the ring for her pleasure. [20]

In 1655 Edward Somerset, 2nd Marquess of Worcester, included an artificial "ring horse" for running at the ring in his Century of Inventions. [21]

Scottish records

Mary, Queen of Scots

In December 1561, René II de Lorraine, Marquis d'Elbeuf, with John Stewart, Commendator of Coldingham, Robert Stewart, 1st Earl of Orkney, [22] and others, performed in a tournament on the sands of Leith, probably to celebrate the birthday of Mary, Queen of Scots. [23] [24] There was running at the ring, with two teams of six men including the French diplomat Paul de Foix, one team dressed as women, the other as exotic foreigners in strange masquing garments. [25] The event, attended by the diplomats Thomas Randolph, and the Count of Moretta, [26] was perhaps the first ring tournament as equestrian masque in Scotland. [27] Randolph wrote of his conversation with Paul de Foix about the event:

we sett in talke of the pastymes that was Sunday before, where he, Lord Robert, Lord John and others rane at the ringe, 6 against 6, dysguised and appareled th'one half lyke women, and th'other lyke strayngers, in straynge maskinge garmentes. The Marquis that day did verie well, but the women whose part the Lord Roberte dyd sustayne wane the rynge. The Queen herself behylde it and as many others as lyste. [28]

Thomas Randolph saw Mary, Queen of Scots, watching running at the ring at the sands of Leith again in March 1565. [29] [30] The contestants included Lord Darnley and Lord Robert. [31] An entertainment written by George Buchanan for the wedding of Mary, Queen of Scots, and Henry, Lord Darnley, the Pompae Equestres, involved the arrival of teams of exotic knights, and may have provided themes for a tournament. [32] Mary offered a diamond ring as a prize to runners in March 1566. [33]

James VI

In October 1579, James VI of Scotland took up residence at Holyroodhouse. Sand was brought to lay out a course for running at the ring, under the direction of William MacDowall who had supervised works in the palace garden for three decades. [34] The rings were suspended from a "potence". [35] The lances used may have been hollow and lighter than those used for combat.

The 1594 tournament at Stirling Castle was held in The Valley to the south of the castle, since 1857 a part of the Old Town Cemetery Stirling Castle From The Old Town Cemetery (5897174687).jpg
The 1594 tournament at Stirling Castle was held in The Valley to the south of the castle, since 1857 a part of the Old Town Cemetery

Elizabeth Stewart married James Stewart, 2nd Earl of Moray in January 1581. The wedding was celebrated in Fife with a tournament of "running at the ring" and James VI took part. Two day after the party came to Leith, where a water pageant culminated with an assault on a pasteboard Papal Castel Sant'Angelo, built on boats on the water of Leith. [36] White satin and taffeta outfits, "play claithis", were bought for James VI, his master stabler, and a page. [37] In February 1581 a payment was made for painted spears supplied to James VI and sand delivered to Holyrood to build a course or track called a "carear" or career. [38]

Jousting at the court of James VI was celebrated by the poet Alexander Montgomerie in A Cartell of Thrie Ventrous Knights, which seems to be a pageant prologue for an actual tournament: [39]

To prove thy knights. We dout not bot they dare,
In play or ernest, be bold to brek a tre. (tree = lance)
And so I trou, dare ony of yon thrie:
Bot they are not come heir for sik a thing;
Bot rather, for thair Ladyes sake, to se
Quha fairest runis, and oftest taks the ring.
Go to than, schirs, and let us streik a sting.
Cast crosse or pyle, wha sall begin the play;
And let the luifsume Ladyis and the King
Decerne, as judges, wha dois best, this day. [40]

The Earl of Leicester sent James VI a pied horse, and Roger Aston wrote to him that James rode "right bravely" for a golden ring on 10 June 1580, when six riders challenged all comers during a royal progress at Dundee. [41]

At the baptism of Prince Henry in August 1594 at Stirling Castle, there were three teams of riders. One team was dressed as the Christian Knights of Malta, one in Turkish fashion, and three men dressed as Amazons. A fourth team, to be dressed as Africans called "Moors" did not show up. The event was held in the valley by the castle, and watched by the queen, Anne of Denmark, with her ladies-in-waiting, and the ambassadors. The audience was swelled by a large crowd of young men from Edinburgh armed with muskets. [42]

The "Christian Knights" were James VI; the Earl of Mar; and Thomas Erskine of Gogar. The "Turks" were the Duke of Lennox; Lord Home; and Sir Robert Kerr of Cessford. The "Amazons" were the Lord Lindores as Penthesilea; the Laird of Buccleuch; and the Abbot of Holyroodhouse. These all bore devices or imprese pertaining to the themes of the festival. [43] Anne of Denmark gave diamond rings to the victors. [44]

The rules of the Stirling tournament were:

  1. That all the persons of this pastime compere masked, and in such Order as they come into the Field, so to run out all their courses.
  2. That None use any other Ring but that which is put up: and use no other Lance but that which they have brought for themselves
  3. He that twice touches the Ring, or stirs it, winneth as muche as if he carried away the ring
  4. He that lets his lance fall out of his hand is deprived of all the rest of his courses
  5. That every one run with loose reins, and with as much speed as his horse hath
  6. That none after his Race, in up-taking of his Horse, lay his Lance upon his shoulder, under the pain of losse of that which he hath done in his course
  7. He that carrieth not his Lance under his arme, loseth his course
  8. That none, until his three courses be ended, change his horse, if he be not hurt, or upon some other consideration moved to change him. [45]

Some people were not pleased at the idea of the king and his companions dressed as the Catholic "Knights of the Holy Spirit". [46] The intended interpretation was perhaps that the knights would be seen as Protestants overcoming "Turks" who represented the Catholic church. [47]

Spears were bought for James VI to run at the ring and "run at the glove" at Perth in August 1601. [48]

Carpet knights

After the Union of the Crowns, in January 1604, a "standing" was built for Anne of Denmark to watch running at the ring at Hampton Court. [49] The courtier Roger Wilbraham wrote a summary of his impressions of the entertainments at court in January 1604, including the masque of The Vision of the Twelve Goddesses and ruuning at the ring; "King James was at his court at Hampton, where the French, Spanish, and Polonian ambassadors were severallie solemplie feasted, many plaies & daunces with swordes, one mask by English & Scottish lords, another by the Queen's Maiestie & eleven more ladies of her chamber presenting giftes as goddesses. These maskes, especially the laste, costes £2000 or £3000, the aparells, rare musick, fine songes, and in jewels most riche £20,000, the least to my judgment, & [jewels for] her Majestie £100,000, after Christmas was running at the ring by the King & 8 or 9 lords for the honour of those goddesses & then they all feasted together privatelie." [50]

James VI and I competed with his brother-in-law Christian IV of Denmark at running at the ring at Theobalds in August 1606. [51] Prince Henry competed at running at the ring with foreign visitors and diplomats including Louis Frederick, Duke of Württemberg-Montbéliard in April and May 1610. [52] On Monday 15 February 1613, after the wedding of Princess Elizabeth and Frederick V of the Palatinate there was a tournament of tilting and running at the ring at Whitehall. [53] Anne of Denmark, Elizabeth, and aristocratic women watched from the Banqueting House. King James rode first. Prince Charles did particularly well. The performances of expert riders were appreciated for taking the ring with "much strangeness". [54]

There was running at the ring at the creation of the future Charles I as Prince of Wales in November 1616 at Whitehall Palace. Lady Anne Clifford wrote that there "was not half so great pomp as there was at the creation of Prince Henry" in 1610. [55]

Philip Massinger in his play The Maid of Honour wrote of "carpet knights" who "thought to charge, through dust and blood, an armed foe, Was but like graceful running at the ring". [56] William Cavendish, 1st Duke of Newcastle built a magnificent riding school and stable at Bolsover Castle. As a young man he had frequently taken part in equestrian sports and running at the ring at the royal court. [57]

Spanish Match

The Spanish word for running at the ring was sortija. [58] There were tournaments including running at ring in Madrid in 1623 when Prince Charles visited in pursuit of his Spanish Match. News from Spain was brought to the English court at Theobalds by Richard Graham, Master of Horse. After his Royal Entry to Madrid, Charles and the Marquess of Buckingham were invited to view the course from a high window with Philip III of Spain and his sister. When they went down to take part themselves, Charles saw the Infanta Maria Anna of Spain for the second time, watching his run from the same window. He "took away" the ring, and was the only successful rider that day. [59] The early biographer of James VI and I, Arthur Wilson, includes a brief version of the same story. [60]

American tradition

The American adoption of the ring tournament is not well documented. One of the few known instances of colonial-era jousting was organized by John André as part of the 1778 Mischianza held in Philadelphia to honor the British Commander-in-Chief William Howe. [61] [62] By the mid-19th century, however, jousting was well known in the South with New York Tribune editor Horace Greeley quipping in 1870 that, "the tournament is a natural institution of the South as much as base-ball is of the North or cricket of England". [63] This popularity of jousting in the South is sometimes connected to the popularity of Walter Scott's novel Ivanhoe , [64] which was widely read in the American South. [65]

The first recorded tournament in American happened in 1840, 20 years after Ivanhoe's publication, at the Fauquier White Sulphur Springs resort. The inspiration for this tournament, which advertised tilting at the rings as part of the year's new entertainment, was the 1839 Eglinton Tournament, which in turn was inspired by Ivanhoe. [66] The Fauquier tournament was held annually until 1860 and similar jousts spread across the South during that time. [67] [68]

The enthusiasm has been described as a "mania for spearing rings" which "spread rapidly across the antebellum South". Mark Twain wrote of a "Sir Walter disease". After the American Civil War, ring tournaments continued to find favour, including among freedmen. [69]

Related Research Articles

<span class="mw-page-title-main">Jousting</span> Martial game between two horsemen wielding lances with blunted tips

Jousting is a medieval and renaissance martial game or hastilude between two combatants either on horse or on foot. The joust became an iconic characteristic of the knight in Romantic medievalism.

<span class="mw-page-title-main">Edward Somerset, 4th Earl of Worcester</span> English aristocrat

Edward Somerset, 4th Earl of Worcester, KG, Earl Marshal was an English aristocrat. He was an important advisor to King James I, serving as Lord Privy Seal.

<span class="mw-page-title-main">Ludovic Stewart, 2nd Duke of Lennox</span> Scottish nobleman and politician (1574–1624)

Ludovic Stewart, 2nd Duke of Lennox and 1st Duke of Richmond, lord of the Manor of Cobham, Kent, was a Scottish nobleman who through their paternal lines was a second cousin of King James VI of Scotland and I of England. He was involved in the Plantation of Ulster in Ireland and the colonization of Maine in New England. Richmond's Island and Cape Richmond as well as Richmond, Maine, are named after him. His magnificent monument with effigies survives in Westminster Abbey.

Robert Stewart, 1st Earl of Orkney and Lord of Zetland (Shetland) was a recognised illegitimate son of James V, King of Scotland, and his mistress Eupheme Elphinstone. Robert Stewart was half-brother to Mary, Queen of Scots and uncle to James VI and I of Scotland and England.

<span class="mw-page-title-main">Eglinton Tournament</span>

The Eglinton Tournament of 1839 was a reenactment of a medieval joust and revel held in North Ayrshire, Scotland between 28 and 30 August. It was funded and organized by Archibald, Earl of Eglinton, and took place at Eglinton Castle in Ayrshire. The Queen of Beauty was Georgiana, Duchess of Somerset. Many distinguished visitors took part, including Prince Louis Napoleon, the future Emperor of the French.

A Round Table was a festive event during the Middle Ages that involved jousting, feasting, and dancing in imitation of King Arthur's legendary court. Named for Arthur's famed Round Table, the festivals generally involved jousts with blunted weapons, and often celebrated weddings or victories. In some cases participants dressed in the costume of such well-known knights as Lancelot, Tristan, and Palamedes.

<span class="mw-page-title-main">Thomas Erskine, 1st Earl of Kellie</span> Scottish peer

Thomas Erskine, 1st Earl of Kellie was a Scottish peer.

<span class="mw-page-title-main">Thomas Somerset, 1st Viscount Somerset</span>

Thomas Somerset, 1st Viscount Somerset (1579–1651) was an English politician who sat in the House of Commons between 1601 and 1611. He was raised to the Peerage of Ireland in 1626.

Sir Sigismund ZinzanaliasSir Sigismund Alexander was an equerry to Queen Elizabeth I and a champion in the tiltyard who participated in tournaments during the latter years of Queen Elizabeth's reign and throughout the reign of King James. He was the stepfather of Sir Matthew Brend, owner of the Globe Theatre, and during the years 1624-7 was himself the effective owner of the Globe.

Sir Roger Aston of Cranford, Middlesex, was an English courtier and favourite of James VI of Scotland.

<span class="mw-page-title-main">Masque at the baptism of Prince Henry</span> 1594 celebration at Stirling Castle, Scotland

The masque at the baptism of Prince Henry was a celebration at the christening of Prince Henry at Stirling Castle, written by the Scottish poet William Fowler and Patrick Leslie, 1st Lord Lindores.

Sir Edward Zouch of Woking was a courtier to English kings James and Charles I, a masque actor, and Knight Marshal of the King's Household.

<span class="mw-page-title-main">Ellen More</span>

Ellen or Elen More was an African servant at the Scottish royal court. She probably arrived in Scotland in the company of a Portuguese man with imported animals. There are records of clothing and gifts given to her, although her roles and status are unclear. Some recent scholarship suggests she was enslaved, and her arrival in Scotland can be linked indirectly with the slave trade. She is associated with a racist poem by William Dunbar, and may have performed in Edinburgh as the "Black Lady" at royal tournaments in 1507 and 1508.

<span class="mw-page-title-main">Entry and coronation of Anne of Denmark</span> Scottish ceremony in 1590

On 17 May 1590, Anne of Denmark was crowned Queen of Scotland. There was also a ceremony of joyous entry into Edinburgh on 19 May, an opportunity for spectacle and theatre and allegorical tableaux promoting civic and national identities, similar in many respects to those performed in many other European towns. Celebrations for the arrival of Anne of Denmark in Scotland had been planned and prepared for September 1589, when it was expected she would sail from Denmark with the admirals Peder Munk and Henrik Gyldenstierne. She was delayed by accidents and poor weather and James VI of Scotland joined her in Norway in November. They returned to Scotland in May 1590.

James Stewart, 1st Lord Doune (1529-1590) was a Scottish landowner.

Charles Cauchon de Maupas et du Thour or de Tour (1566-1629), was a French ambassador to the Scottish and English court of James VI and I.

John Elphinstone of Selmes and Baberton (1553-1614) was a Scottish landowner and courtier.

Robert Abercromby or Abircrumby was a Scottish leatherworker serving the Scottish monarchy in the 16th century.

<i>The Masque of Indian and China Knights</i> 1604 court performance in Richmond, England

The Masque of Indian and China Knights was performed at Hampton Court in Richmond, England on 1 January 1604. The masque was not published, and no text survives. It was described in a letter written by Dudley Carleton. The historian Leeds Barroll prefers the title, Masque of the Orient Knights.

<span class="mw-page-title-main">Wedding of Princess Elizabeth and Frederick V of the Palatinate</span> February 1613 wedding in London, England

The wedding of Elizabeth Stuart (1596–1662), daughter of James VI and I, and Frederick V of the Palatinate (1596–1632) was celebrated in London in February 1613. There were fireworks, masques, tournaments, and a mock-sea battle or naumachia. Preparations involved the construction of a "Marriage room", a hall adjacent to the 1607 Banqueting House at Whitehall Palace. The events were described in various contemporary pamphlets and letters.

References

  1. Andrew Jenner, 'The Fading Glory of America’s (Allegedly) Oldest Sporting Event', Modern Farmer, 9 October 2014
  2. Robert Shosteck, Weekend Getaways Around Washington (Pelican, 2004), p. 440: James Chambers, Holidays Around the World: Sith Edition (Infobase, 2018), no. 1537: Helmut Nickel, 'Hunting, Gaming, and Sports', The Secular Spirit: Life and Art at the End of the Middle Ages (New York: Dutton, 1975), pp. 207-208:
  3. Alan Young, Tudor and Jacobean Tournaments (London, 1987), 28–29.
  4. Strutt, Joseph (1876). The Sports and Pastimes of the People of England. London: Chatto and Windus. pp. 195–197.
  5. Robert Clephan, Medieval Tournament (London, 1919), 7.
  6. Thomas DaCosta Kaufmann, Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting (University of Chicago, 2009), p. 66.
  7. M. A. Katritzky, The Art of Commedia: A Study in the Commedia Dell'Arte 1560–1620 (Rodopi, 2006), pp. 46–48, 101.
  8. Clare McManus, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court 1590–1618 (Manchester, 2002), p. 85: David Bergeron, 'Are we turned Turks? English Pageants and the Stuart Court', Comparative Drama, 44: 3 (Fall 2010), pp. 259-260: The Plays of Philip Massinger, 1 (New York, 1831), p. 109 fn.
  9. Tilting at the Ring: Visit Sønderjylland
  10. "President Milanović attends "Tilting at the Ring" Tournament and warns: a complex autumn lies ahead". President of the Republic of Croatia. 2021-08-21. Retrieved 2023-07-22.
  11. Orians, G. Harrison (September 1941). "The Origin of the Ring Tournament in the United States" (PDF). Maryland Historical Magazine. 36 (3): 263–277. Retrieved 2023-07-21.
  12. "Maryland Is First to Adopt Official Sport". The Salisbury Times. Vol. 39, no. 100. Salisbury, Maryland. 1962-03-30. p. 4. Retrieved 2023-07-21 via Newspapers.com.
  13. J. S. Brewer, 'The King's Book of Payments, 1516', Letters and Papers, Foreign and Domestic, Henry VIII, 1515-1516, volume 2 (London, 1864), p. 1469.
  14. Rawdon Brown, Calendar of State Papers Venice, vol. 2 (London, 1867), p. 395 no. 911.
  15. William B. Turnbull, Calendar of State Papers, Foreign Edward VI (London, 1861), pp. 308-310 no. 47.
  16. Henry Thomas Riley, 'Inventory of John, Viscount Lisle', HMC 2nd Report (London, 1870), p. 102.
  17. Craven Ord, 'Edward Waldegrave's Account of the Burial of Edward VI', Archaeologia, vol. 12 (London, 1796), p. 382.
  18. Sydney Anglo, Spectacle Pageantry, and Early Tudor Policy (Oxford: Clarendon Press, 1969), p. 299: John Gough Williams, Literary Remains of King Edward the Sixth, 1 (London, 1857), pp. lxi, xlix, ccxx, ccxviii: Journal of King Edward's Reign (Clarendon Historical Society, 1884), p. 34.
  19. Susan Doran, Elizabeth I and Her Circle (Oxford, 2015), p. 119.
  20. Estelle Paranque, Elizabeth I of England through Valois Eyes (Palgrave Macmillan, 2019), pp. 42–43.
  21. Harleian Miscellany, vol. 4 (London, 1745), p. 499 no. 91.
  22. Peter Anderson, Robert Stewart, Earl of Orkney Lord of Shetland (Edinburgh, 1982), p. 43.
  23. John Guy, My Heart is My Own: Mary, Queen of Scots (London, 2004), p. 154.
  24. John Parker Lawson, History of Scotland by Robert Keith, 2 (Edinburgh, 1845), pp. 123, 125
  25. Michael Bath, Emblems in Scotland: Motifs and Meanings (Brill, 2018), pp. 94, 96: Joseph Bain, Calendar State Papers Scotland, vol. 1 (Edinburgh, 1898), pp. 576, 579: Clare McManus, Women on the Renaissance stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590-1619 (Manchester, 2002), p. 83.
  26. John Parker Lawson, History of Scotland by Robert Keith, 2 (Edinburgh, 1845), pp. 125–6
  27. John Guy, Mary Queen of Scots: My Heart is My Own (Fourth Estate, 2009), p. 154.
  28. Joseph Bain, Calendar State Papers Scotland, vol. 1 (Edinburgh, 1898), pp. 576, 579: British Library Cotton Caligula, B. X. fol. 201r.
  29. Morgan Ring, So High A Blood: The Life of Margaret Douglas, Countess of Lennox (Bloomsbury, 2017), p. 193.
  30. Puttick & Simpson, Catalogue of a Very Important Collection of Royal Letters (London, 1859) pp. 12–13 no. 38.
  31. Katharine P. Frescoln, 'A Letter from Thomas Randolph to the Earl of Leicester', Huntington Library Quarterly, 37:1 (November 1973), pp. 83-88 at 87 from National Library of Scotland MS 3657. doi : 10.2307/3816901
  32. Joseph Robertson, Inventaires de la Royne Descosse (Edinburgh, 1863), pp. lxxxiv–lxxxv.
  33. M. S. Giuseppi, HMC Salisbury Hatfield, vol. 16 (London, 1933), p. 18.
  34. Accounts of the Treasurer, vol. 13 (Edinburgh, 1978), p. 292.
  35. Sarah Carpenter, Records of Early English Drama: The Royal Court of Scotland, 1581-1582, NRS TA E21/62 f.126r April 1581
  36. Calendar State Papers Scotland, 1574-1581, vol. 5 (Edinburgh, 1907), p. 611.
  37. Michael Pearce, 'Maskerye Claythis for James VI and Anna of Denmark', Medieval English Theatre 43 (Cambridge: D. S. Brewer, 2022), pp. 112-3: Steven J. Reid, The Early Life of James VI, A Long Apprenticeship (Edinburgh: John Donald, 2023), p. 174.
  38. Register of the Privy Seal of Scotland, Addenda, vol. 14 (Edinburgh, 1898), pp. 358.
  39. Sarah Carpenter, 'Researching Court Performance', Pamela King, Routledge Research Companion to Early Drama and Performance (Routledge, 2017), pp. 148-9: Michael Lynch, 'Reasssertion of Princely Power in Scotland', Martin Gosman, Alasdair A. MacDonald, Arjo Vanderjagt, Princes and Princely Culture: 1450-1650 (Brill, 2003), p. 232: Rod J. Lyall, Alexander Montgomerie: Poetry, Politics, and Cultural Change in Jacobean Scotland (Arizona, 2005), p. 75.
  40. James Cranstoun, Poems of Alexander Montgomerie (Edinburgh, 1887), p. 213.
  41. Edward Ives, The Bonny Earl of Murray: The Man, the Murder, the Ballad (Tuckwell, 1997), p. 87: Calendar State Papers SDcotland, 1574-81, vol. 5 (Edinburgh, 1907), p. 447 no. 518: British Library, Cotton Caligula C/III f.612, 10 June 1580.
  42. William Fowler, A True Reportarie (Edinburgh, 1594), text Early English Books Online.
  43. Michael Bath, Emblems in Scotland: Motifs and Meanings (Brill, Leiden, 2018), pp. 97–101.
  44. Clare McManus, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court 1590–1618 (Manchester, 2002), p. 85.
  45. Samuel Pegge, Curialia (London, 1791), pp. 37-8, from Fowler's True Reportary.
  46. Thomas Thomson, History of the Kirk of Scotland by Mr David Calderwood, vol. 5 (Edinburgh, 1844), p. 346.
  47. Andrea Thomas, Glory and Honour: The Renaissance in Scotland (Edinburgh, 2013), p. 196.
  48. Letters to King James the Sixth from the Queen, Prince Henry (Edinburgh, 1835), p. lxxix
  49. Alan Young, Tudor and Jacobean Tournaments (London, 1987), 205.
  50. Harold Spencer Scott, 'Journal of Roger Wilbraham', Camden Miscellany (London, 1902), p. 66
  51. Maurice Lee, Dudley Carleton to John Chamberlain, 1603-1624 (Rutgers UP, 1972), p. 87.
  52. William Brenchley Rye, England as Seen by Foreigners in the Days of Elizabeth & James the First (London, 1865), pp. 59, 62.
  53. Clare McManus, Women on the Renaissance stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590-1619 (Manchester, 2002), p. 142.
  54. John Nichols, Progresses of James the First, 2 (London, 1828), pp. 549–50.
  55. Jessica L. Malay, Anne Clifford's Autobiographical Writing, 1590-1676 (Manchester, 2018), p. 43.
  56. William Gifford, The Plays of Philip Massinger (London, 1845), p. 235, voiced by Gonzaga in Scene 5.
  57. Lucy Worsley & Tom Addyman, 'Riding Houses and Horses: William Cavendish's Architecture for the Art of Horsemanship', Architectural History, 45 (2002), p. 218
  58. Gabriel Guarino, Spanish Celebrations in Seventeenth-Century Naples, 'The Sixteenth Century Journal, 37:1 (Spring 2006), p. 37.
  59. Henry Paton, HMC Mar & Kellie supplement (London, 1930), p. 160.
  60. Arthur Wilson, History of Great Britain: Being the Life and Reign of King James (London, 1653), pp. 228-9.
  61. "The Tournaments of Colonial Times". National Jousting Association. Retrieved 2023-07-21.
  62. Orians 1941, p. 265.
  63. quoted in Hanson, Lauren S.; Harris, Carmen (2021). "Tilting Toward Freedom: African American Ring Tournaments in a Postbellum South". University of South Carolina Upstate Student Research Journal. 14. Retrieved 2023-07-21.
  64. Orians 1941, pp. 266–267.
  65. Eckenrode, Hamilton James (1917). "Sir Walter Scott and the South". The North American Review. 206 (743): 595–603. JSTOR   25121661.
  66. Orians 1941, pp. 268–272.
  67. Orians 1941, pp. 272–274.
  68. "The Romantic Revival". National Jousting Association. Retrieved 2023-07-21.
  69. Leeson, Whitney A. M. (2022). "A Tournament of Black Knights — Alexandria, Virginia, 1865 — Emancipationist Mobilize the Medieval". In Fugelso, Karl (ed.). Studies in Medievalism XXXI: Politics and Medievalism (Studies) III. Cambridge, England: D. S. Brewer. pp. 108–190, 114–116. ISBN   978-1-84384-625-3 via Google Books.