Sad Wings of Destiny is the second studio album by English heavy metal band Judas Priest, released on 26 March 1976 by Gull Records. It is considered the album on which Judas Priest consolidated their sound and image, and songs from it such as "Victim of Changes" and "The Ripper" have since become live standards. It was the band's only album to feature drummer Alan Moore.
Noted for its riff-driven sound and the wide range of Rob Halford's vocals, the album displays a wide variety of styles, moods and textures, inspired by an array of groups such as Queen, Led Zeppelin, Deep Purple and Black Sabbath. The centrepiece "Victim of Changes" is a nearly eight-minute track featuring heavy riffing trading off with high-pitched vocals, extended guitar leads, and a slow, moody breakdown toward the end. "Tyrant" and "The Ripper" are short, dense, high-powered rockers with many parts and changes. Riffs and solos dominate "Genocide", "Island of Domination", and "Deceiver", and the band finds more laid-back moments in the crooning piano-backed "Epitaph" and the moody "Dreamer Deceiver".
Sad Wings of Destiny had a positive reception but weak sales. The band recorded their first two albums with the independent Gull label under tight budgets; after living off a single meal per day while working side jobs to support themselves, the group grew frustrated with the financial situation and signed with CBS Records for their next album, Sin After Sin (1977). Breaking their contract resulted in the rights to Sad Wings of Destiny and its demo recordings falling into Gull's hands. In retrospect, the album has received acclaim as one of the most important albums in heavy metal history, with the album's image and style going on to influence many later metal bands, as well as later Judas Priest albums.
Background
Judas Priest formed in September 1969 in industrial West Bromwich, Birmingham by lead vocalist/founding Al Atkins and bass guitarist/co-founding Brian "Bruno" Steppenhill, who chose the band's name, wanting one similar to Black Sabbath's.[5] The bands were contemporaries and were both from Birmingham, though Judas Priest failed to find a significant audience until Black Sabbath began to fade from the spotlight.[6] The band's guitarists Glenn Tipton and K. K. Downing have said the heavy riffing and complexity of the song arrangements were inspired by the factories of Birmingham.[7]
By the time Judas Priest's first album, Rocka Rolla, was released in 1974, there had been so many lineup changes that K.K Downing and Ian Hill were the only remaining original members.[8] The first album displayed a mix of styles from a wide variety of influences,[5] but the band found the performance and production disappointing.[9] The band gigged occasionally through 1975, at times sharing the stage with bands such as Pink Fairies and UFO.[10] Drummer John Hinch left the band for reasons that are disputed and was replaced with Alan Moore[11] in October 1975,[10] who had drummed in an early incarnation of the band.[11]
The band performed the "Dreamer Deceiver"–"Deceiver" pair on BBC Two's The Old Grey Whistle Test the year before the songs appeared on Sad Wings of Destiny. They were frustrated with the BBC's volume restrictions, as high volume is a key component in producing a heavy-metal sound.[12] The band had yet to develop the studs-and-leather image that was to become their trademark; instead, they wore contemporary mid-1970s fashions, including high-heeled boots and frilled shirts, and a long-haired Halford donned a pink satin top which he later said he borrowed from his sister.[13] By 1976, Halford joked that fans should burn their copies of Rocka Rolla.[14]
Finances were tight: the record label Gull provided a recording budget of £2,000 for each of the band's first two albums.[15] During the recording of Sad Wings of Destiny, band members restricted themselves to one meal a day, and several took on part-time work: Tipton as a gardener, Downing in a factory, and Hill driving a delivery van.[10] The group went into the studio with the intention of making an album that mixed straight-ahead rock with a progressive edge.[16]
Production
Recording took place at Rockfield Studios in Wales in November and December 1975.
Recording took place over two weeks in November and December 1975 at Rockfield Studios in Wales[17] with producers Jeffrey Calvert and Gereint "Max West" Hughes, and Chris Tsangarides as co-engineer.[18] Calvert and Hughes were the main members of the pop group Typically Tropical who topped the UK charts in 1975 with "Barbados",[19] Gull's first hit.[17] The band stayed sober during the recording sessions, which lasted from 3:00pm until 3:00am.[16] Mixing took a week at Morgan Studios in London.[17]
David Howells of Gull Records commissioned Patrick Woodroffe to provide the cover art, a piece called Fallen Angel depicting a struggling, grounded angel surrounded by flames and wearing a devil's three-pronged cross,[20] which was the band's symbol.[21] Halford posed Christ-like on the reverse, and Gothic fonts adorned the front and back.[20]
The nearly eight-minute "Victim of Changes" displays a wide dynamic range in rhythm, texture, and mood, with heavy riffing, a melodic ballad section, and extended guitar leads. An almost classical-sounding twin-guitar introduction leads to the violent main riff. The lyrics tell of a woman whose hard-drinking results in losing her man to another woman. Inspired by Led Zeppelin's "Black Dog", the heavy riff alternates with a cappella passages,[22] Halford breaking into screaming falsettos during the slow break and dramatic conclusion of the song.[23]
The track began as two songs: "Whiskey Woman" and "Red Light Lady". "Whiskey Woman" was an early Priest song by Downing and Atkins that the band chose not to include on their first album,[24] though it had long been a crowd-pleasing opener at live shows and features on early demo recordings.[25] To this the band wove in the slow "Red Light Lady", a song Halford brought with him from his previous band, Hiroshima.[22]
"The Ripper" is written from the point of view of the Victorian serial killer Jack the Ripper (depicted here in a contemporary drawing entitled "The Nemesis of Neglect" by John Tenniel from 1888).
The Ripper
A busy, chugging, riff-heavy rocker, "The Ripper" features arrangements inspired by Queen–particularly in the high-pitched layered opening vocals and classical-tinged twin guitars.[26] The lyrics of the Tipton-penned track are from the point of view of Victorian serial killer Jack the Ripper.[19]
A slow ballad with crooning vocals and screaming lead soloing, the song serves as introduction to the heavy "Deceiver" which follows it. Atkins originally received partial credit for both tracks, but disclaimed involvement in them; later releases removed it.[19]
Deceiver
A heavy song with a chugging riff presaging the technical style of speed metal, "Deceiver" features energetic soloing and a heavy, Black Sabbath-like break with soaring, high-pitched vocals, climaxing in a repetitive acoustic closing.[27]
Prelude
"Prelude" is a short baroque instrumental,[28] alternating between the tonic and dominant, and is arranged for piano, synthesizer, guitars, and tom-tom drums.[7] Despite the title, "Prelude" is musically unrelated to the following track, "Tyrant".[28]
Tyrant
A heavy track full of many parts and tempo changes, Halford has said "Tyrant" expresses his "aversion towards any form of control".[29]
Genocide
A forward-looking, riff-heavy rocker,[30] bearing the influence of heavy rockers such as the Deep Purple tracks "Woman from Tokyo" and "Burn".[31] Halford expressed hope that the song's "strong and graphic" lyrics would "be provocative and somewhat controversial and to stimulate people".[32] The phrase "sin after sin" from the lyrics to "Genocide" provided the title to the band's next album.[30]
Epitaph
A quiet track with piano backing and Queen-like layered vocals, Halford said the lyrics to "Epitaph" express frustration at a lack of place for the young or old in modern cities.[32]
Island of Domination
The side-closing "Island of Domination" is a heavy rocker with a complex riff[32] in a style reminiscent of Black Sabbath.[31] Downing described the lyrics as personal to Halford, joking of their having "probably a few innuendoes".[32]
Release
Sad Wings of Destiny was released 26 March 1976,[33] and seven days earlier "The Ripper" appeared as a single backed with "Island of Domination".[3][19]
The album was initially published and distributed by Janus Records in the United States.[34]
The album had the A-side and B-side reversed, so that "Prelude" opens the second side and "Victim of Changes" the first, while the sleeve has "Prelude" opening the first side.[12]
The album had little commercial success at first[34] and had difficulty getting noticed due to critical competition from the rise of punk rock.[35] The band supported the album with a headlining tour[10] of the UK from 6 April to 20 June 1976.[23][lower-alpha 1]
The album was awarded a gold record in 1989. Sad Wings of Destiny arrived at the same time as other influential metal albums from the late 70's – the same year saw the release of Rising from Ritchie Blackmore's Rainbow and Virgin Killer from Scorpions.[34]
The band had grown dissatisfied with Gull;[36] the tight finances led Moore to leave the band a second time—this time permanently.[37]
The album caught the attention of CBS Records, and with the help of new manager David Hemmings, the band signed with CBS and received a £60000 budget for their next record, Sin After Sin (1977).[36] Downing described how the disappointed feelings the group had over Gull's management influenced the dark themes that appeared on Sad Wings of Destiny.[38]
The signing required breaking their contract with Gull, resulting in the rights to the first two albums and all related recordings—including demos—becoming property of Gull.[36]
Gull periodically repackaged and re-released the material from these albums, such as on the 1981 double album Hero, Hero.[39]
For the most part, the band was to abandon the progressive rock elements of their first two albums for a more straight-ahead heavy rock sound; the band revisited these progressive elements in 2008 on the album Nostradamus.[40]
Fans, critics, and the band have come to see Sad Wings of Destiny as the album on which Judas Priest consolidated their sound and image.[21] In Rolling Stone Kris Nicholson gave the album a positive review, comparing it favourably to Deep Purple's Machine Head of 1972.[10]Martin Popoff cites the album's "reinvention" of the heavy metal genre.[43] The technical dexterity and operatic vocals pointed toward trends in heavy metal that new wave of British heavy metal bands such as Iron Maiden were to follow, and the album's dark themes reappeared in the 1980s American thrash metal, such as in the music of Slayer and Metallica.[34] An early sign of the band's influence was that Van Halen included "Victim of Changes" in their sets before achieving fame.[44]Dave Mustaine of Megadeth relates that his brother-in-law, a religious man, punched him in the face for listening to Sad Wings of Destiny; Mustaine called this a turning point, where he chose heavy metal as a career as "revenge".[45][46]Mikael Åkerfeldt of Opeth named Sad Wings of Destiny his second favourite metal album.[47]PopMatters described the album as "not-at-all shabby" and listed "Epitaph" as one of its "25 Best Progressive Rock Songs of All Time" in 2011.[48] Halford has called the album his favourite of the band's.[12]
"Victim of Changes", "The Ripper", "Tyrant", and "Genocide"—with an extended introduction—appear on the band's first live album, Unleashed in the East (1979).[49] The first three of those songs have survived until 2019 in the band's setlists, with "Victim of Changes" being one of the band's most played songs ever, while "Genocide" got retired in the early 1980s until a revival in 2022. With "Dreamer Deceiver", "Deceiver" and "Island of Domination" present on 1975–76 set lists, 7 of the album's 9 songs have been performed in concert.
During the Sad Wings sessions, Howells encouraged the band to work on a heavy metal cover of "Diamonds & Rust" by folk singer Joan Baez, but it did not appear on the album. The band had a hit in the UK with a re-recording of the cover version the following year, after they had moved to CBS Records.[50] Gull released the version from the Sad Wings sessions in 1978 on the compilation album The Best of Judas Priest.[51]
Judas Priest's 1990 album Painkiller features a winged figure Halford has described as a futuristic version of the Fallen Angel from the Sad Wings of Destiny cover.[52] The band's 2005 album Angel of Retribution—with Halford again in the band—revives the Fallen Angel again: the cover concept has the angel rise and seek retribution, and the song "Judas Rising" has him cast off his gloom and rise in optimism.[53]
After Halford left the group in the 1990s, Tim Owens was hired to replace him after auditioning "Victim of Changes" and "The Ripper". Downing and Tipton thereafter nicknamed Owens "The Ripper".[54] Judas Priest's original singer Al Atkins recorded a version of "Victim of Changes" for his album Victim of Changes of 1998.[55] Judas Priest frequently performed the song "Mother Sun" during the Sad Wings era, but never recorded it. The ballad, with its Queen-like vocals, has survived only in bootleg recordings. In 2014 Swedish metal band Portrait released a cover version as a B-side on a 2014 CD single.[56]
The Sad Wings of Destiny disc of the seventeen-disc Complete Albums Collection from 2012 puts the Side B tracks before those from "Side A", matching the track listing from the original album's back cover.[citation needed][57] "Prelude" did not appear on some pressings.[28]
Personnel
Personnel adapted from Sad Wings of Destiny liner notes[58]
Band photographs by Lorentz Gullachsen and Alan Johnson
Notes
↑ The band also headlined a single show in July 1976 at the Roundhouse.[10]
Related Research Articles
Judas Priest are an English heavy metal band formed in Birmingham in 1969. They have sold over 50 million albums and are frequently ranked as one of the greatest metal bands of all time. Judas Priest have also been referred to as one of the pioneers of the new wave of British heavy metal (NWOBHM) movement, and are cited as a formative influence on various heavy metal subgenres, including speed metal, thrash metal, power metal, and the hard rock/glam metal scene of the 1980s. Despite an innovative and pioneering body of work in the latter half of the 1970s, the band had struggled with poor record production and a lack of major commercial success until 1980, when their sixth studio album British Steel brought them notable mainstream attention.
Glenn Raymond Tipton is an English guitarist. Often noted for his complex playing style and classically influenced solos, he is best known as one of the lead guitarists for the heavy metal band Judas Priest. He is the second longest-serving member of the band, after bassist and co-founder Ian Hill. Tipton and Hill are the only two members of the band who have appeared on every studio album.
Ian Hill is an English musician, best known as the bassist and the sole continuous member of the heavy metal band Judas Priest. Along with lead guitarist Glenn Tipton, he is the only member who has appeared on all of the band's studio albums.
Painkiller is the twelfth studio album by English heavy metal band Judas Priest, released on 14 September 1990. It was the last Judas Priest album to feature long-time lead singer Rob Halford until his return for the 2005 album Angel of Retribution and the first to feature drummer Scott Travis.
Killing Machine is the fifth studio album by English heavy metal band Judas Priest, released in November 1978 by Columbia Records. The album pushed the band towards a more commercial style while still featuring the dark lyrical themes of their previous albums. At about the same time, the band members adopted their now-famous "leather-and-studs" fashion image, inspired by Rob Halford's interest in leather culture. It is the band's last studio album to feature drummer Les Binks.
Rocka Rolla is the debut studio album by English heavy metal band Judas Priest, released on 6 September 1974 by Gull Records. It was produced by Rodger Bain, who had made a name for himself as the producer of Black Sabbath's first three albums. It is the only album to feature drummer John Hinch.
Ram It Down is the eleventh studio album by English heavy metal band Judas Priest, released on 13 May 1988 by Columbia Records. It was the band's last album to feature longtime drummer Dave Holland, and was promoted in Europe and North America with the Mercenaries of Metal Tour.
Sin After Sin is the third studio album by English heavy metal band Judas Priest, released on 8 April 1977 by Columbia Records. Produced by Deep Purple bassist Roger Glover, it was the band's major label debut, their first album for the label, and their only album to feature drummer Simon Phillips, a studio musician who replaced original drummer Alan Moore for the recording sessions.
Jugulator is the thirteenth studio album by English heavy metal band Judas Priest. It was released in Japan on 16 October 1997 and the rest of the world on 28 October 1997. It was their first studio album since Painkiller in 1990 and the first of two studio albums the band recorded without Rob Halford and with American lead vocalist Tim "Ripper" Owens. Jugulator is the only Judas Priest album that has never been released on any major digital media website, due to SPV falling under and going bankrupt around 2009.
Alan John Atkins is an English heavy metal vocalist, best known for being the original lead vocalist and founder of Judas Priest.
Hero, Hero is a compilation album of early Judas Priest recordings, released in between British Steel (1980) and Point of Entry (1981) by Gull Records. It consists of all ten tracks from the Rocka Rolla album, six tracks from the Sad Wings of Destiny album, and an alternate version of "Diamonds And Rust". The tracks from Rocka Rolla and "Diamonds And Rust" were remixed by Rodger Bain in 1981. The tracks from Sad Wings of Destiny were not remixed.
"Victim of Changes" is a song by English heavy metal band Judas Priest, featured on their 1976 studio album Sad Wings of Destiny. Adrien Begrand, writing for PopMatters, claimed the song changed the course of metal history. Vocalist Rob Halford's performance is considered one of his finest ever. The guitar work is noted as well; Bob Gendron praised the song's "landslide riffs" in the Chicago Tribune. The song has come to be regarded as one of the band's classics, and Martin Popoff listed it at No. 17 in his "Top 500 Heavy Metal Songs of All Time".
"Judas Rising" is a song by heavy metal band Judas Priest. It is the opening track on the band's 2005 album Angel of Retribution. The song is about the Judas Priest Messiah on the cover of the albums Sad Wings of Destiny, Painkiller and Angel of Retribution.. It was also included on the albums The Essential Judas Priest and A Touch of Evil: Live. According to former guitarist K.K. Downing the origins of the song existed already in the 80's but were first finished for the Angel of Retribution album.
The Best of Judas Priest is a compilation album featuring select songs from English heavy metal band Judas Priest's first two albums, Rocka Rolla (1974) and Sad Wings of Destiny (1976).
The Epitaph World Tour was a concert tour by English heavy metal band Judas Priest, at the time intended to be the band's farewell tour. The tour commenced in June 2011 and concluded in May 2012. The tour was named after the 6th track from their Sad Wings of Destiny album.
"Dissident Aggressor" is a song by the English heavy metal band Judas Priest that was first released on Sin After Sin in 1977. In 2010, thirty-three years after its release, the song won the 2010 Grammy Award for Best Metal Performance after being rereleased as a live track on A Touch of Evil: Live.
The Complete Albums Collection is a compilation box set album collection by English heavy metal band Judas Priest, released on 12 June 2012 by Legacy Recordings. The Complete Albums Collection contains 17 Judas Priest albums,.
"Dreamer Deceiver" is a power ballad by English heavy metal band Judas Priest, featured on their 1976 studio album Sad Wings of Destiny. Unlike other songs on the album, the song is a "spacey ballad." The song is known for showing off Rob Halford's full vocal range, starting from soft, quiet singing, to high pitched shrieking. It was performed by the band on the British television programme The Old Grey Whistle Test in 1975.
"Run of the Mill" is a ballad by English heavy metal band Judas Priest from their debut album Rocka Rolla. The song was the first written by guitarist K. K. Downing, soon after vocalist Rob Halford joined the band. Downing wrote it, in part, to display Halford's unique vocal range.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
