Saint Spyridon Church | |
---|---|
Ιερός Ναός Αγίου Σπυρίδωνος | |
Location | Corfu |
Country | Greece |
Denomination | Greek Orthodox |
History | |
Dedication | Saint Spyridon |
Administration | |
Archdiocese | Holy Metropolis of Kerkyra, Paxoi and the Diapontian Islands |
Saint Spyridon Church is a Greek Orthodox church located in Corfu, Greece. It was built in the 1580s. It houses the relics of Saint Spyridon and it is located in the old town of Corfu. It is a single-nave basilica and its bell tower is the highest in the Ionian Islands. [1] It is the most famous church in Corfu. [1] [2] [3] [4] [5]
According to traditional accounts, in 1489, after the fall of the Byzantine Empire, the relics of St. Spyridon and St. Theodora, [6] were brought to Corfu from Constantinople by Greek monk Georgios Kalochairetis, who was also a person of wealth, and were kept as property of his family. Later, when his daughter Asimia married one of the scions of the Voulgari family in Corfu she was given the remains of the saint as part of her dowry. [2]
Subsequently, the relics of St. Spyridon were housed in a private church owned by the Voulgaris family. The Voulgaris church was located in the San Rocco suburb of Corfu city but had to be demolished when the outer city fortifications were built by the Venetians to protect the citadel after the first great siege of Corfu by the Ottomans in 1537. In the 1580s, after the demolition of the private church, the saint's remains were moved to their present location in a new church which was built within the city fortifications in the Campiello district of the old town. [1] [2] The bell tower of the church is similar in design to its contemporary Greek Orthodox church of San Giorgio dei Greci located in Venice. [1] [4]
Inside the church there is a crypt to the right of the iconostasis where the remains of the Saint are kept in a double sarcophagus. The larger of the two contains the smaller one in its interior and is wooden with silver leaf trim. The smaller sarcophagus is surfaced in red velvet and has a removable bottom to facilitate changing the slippers of the saint. [2]
The lack of any underground chamber to house the remains of the saint was part of a deliberate design plan to make them as accessible as possible. In the crypt there are 53 incense burners hanging from the ceiling, 18 of which are golden and the rest made of silver. [2]
The front of the marble iconostasis resembles the exterior of the entrance of a baroque-style church. The ceiling of the church is divided into segments depicting scenes from St. Spyridon's life and miracles. The original painter of the church ceiling was Panagiotis Doxaras who created the works in 1727. With the passage of time the Doxaras paintings rotted away and subsequently they were replaced by copies painted by Nikolaos Aspiotis, a member of the Aspiotis family of Corfu. [2] The only remaining trace of Doxaras's work is the gilded border of the iconography. [4] [5]
Above the western door of the narthex the imperial coat of arms of the House of Romanov stands as a reminder that the church was under the nominal protection of Russia from 1807-1917. [5] Near the same area a painting depicts the saint touching the head of Constantius II curing the emperor from illness. [5]
The Venetian Senate offered a gilded silver lamp bearing the reliefs of the Saint and the lion of St. Mark in commemoration of the miracles of the Saint during the second great siege of Corfu in 1716. The lamp is hanging at the west corner of the nave near the women's quarters. The inscription on the lamp reads as follows:
OB SERVATAM CORCYRAM DIVO SPVRIDIONI TVTELARI SENATVS VENETVS ANNO MDCCXVI
Which translates as: "For the Salvation of Corfu, to the Patron Saint Spyridon, the Senate of Venice, 1716 AD". [5]
The largest lamp in the church is found near the pulpit and was offered to the saint by the Venetian High Admiral Andrea Pisani and the rest of the Venetian leaders with the inscription:
DIVO SPVRIDIONI TVTELARI VTRAQVE CLASSE PROTECTA ANDREA PISANI SVPREMO DVCE VTRIVSQVE CLASSIS NOBILES EX VOTO ANNO MDCCXVII
Which translates: "To the Patron Saint Spyridon for having protected the two fleets under the leadership of Andrea Pisani, Commander in Chief of both fleets, the nobles in votive offering, AD 1717". [5]
Corfu or Kerkyra is a Greek island in the Ionian Sea, of the Ionian Islands, and, including its small satellite islands, forms the margin of the northwestern frontier of Greece. The island is part of the Corfu regional unit, and is administered by three municipalities with the islands of Othonoi, Ereikoussa, and Mathraki. The principal city of the island is also named Corfu. Corfu is home to the Ionian University.
Saint Spyridon, Bishop of Trimythous also sometimes written Saint Spiridon is a saint honoured in both the Eastern and Western Christian traditions.
Corfu or Kerkyra is a city and a former municipality on the island of Corfu, Ionian Islands, Greece. Since the 2019 local government reform, it is part of the municipality Central Corfu and Diapontia Islands. It is the capital of the municipality and of the Corfu regional unit. The city also serves as a capital for the region of the Ionian Islands. The city is a major tourist attraction and Greek regional centre and has played an important role in Greek history since antiquity.
Angelokastro is a Byzantine castle on the island of Corfu, Greece. It is located at the top of the highest peak of the island's shoreline in the northwest coast near Palaiokastritsa and built on particularly precipitous and rocky terrain. It stands 1,000 ft (305 m) on a steep cliff above the sea and surveys the City of Corfu and the mountains of mainland Greece to the southeast and a wide area of Corfu toward the northeast and northwest.
The Heptanese School of painting succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world.
Michael Damaskenos or Michail Damaskenos was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis.
Panagiotis Doxaras (1662–1729) also known as Panayiotis Doxaras, was an author and painter. He was a prolific member of the Heptanese School. He was influenced by early members of the movement namely: Elias Moskos, Theodoros Poulakis, Stephanos Tzangarolas, Spyridon Sperantzas and Victor. The Heptanese School evolved during the Baroque period and continued into the Late Baroque or Rococo. Doxaras’s son Nikolaos Doxaras continued the artistic movement into the Neoclassical era. Both Panagiotis and his son Nikolaos Doxaras refined the school. The school was heavily influenced by the Venetian Style. The Heptanese School also influenced Italian painting. Other artists Doxaras influenced were Nikolaos Kantounis. Panagioti’s teacher was famous painter Leos Moskos. He studied with him while he was in Venice. Doxaras painted notable portraits of Johann Matthias von der Schulenburg. He introduced Maniera Italiana to the Heptanese School drastically changing the style from the Maniera Greca. He is considered the father of the Greek Rococo and the Modern Greek Enlightenment in art.
Theotokis, in Italian and older English literature Theotochi or Teotochi, is a Greek aristocratic family from Corfu.
The first period of French rule in the Ionian Islands lasted from June 1797 to March 1799. Following the fall of the Republic of Venice in May 1797, the Ionian Islands, a Venetian possession, were occupied by the French Republic. The French instituted a new, democratic regime and, following the Treaty of Campo Formio, annexed the islands to France, forming the three departments of Corcyre (Corfu), Ithaque (Ithaca) and Mer-Égée.
The siege of Corfu took place on 8 July – 21 August 1716, when the Ottoman Empire besieged the city of Corfu, on the namesake island, then held by the Republic of Venice. The siege was part of the Seventh Ottoman–Venetian War, and, coming in the aftermath of the lightning conquest of the Morea by the Ottoman forces in the previous year, was a major success for Venice, representing its last major military success and allowing it to preserve its rule over the Ionian Islands.
Voulgaris, also transliterated as Bulgaris, is a Greek surname. Per Stefanos Voulgaris, who printed in 2016 the "Family chronicles the Voulgaris family", a genealogical book written in Venetian Corfu, which cites a 15th-century testament of Stefanos Voulgaris claiming that the founding fathers of the family were Stefan Eleazar and Tervel, who were "kings of the Triballi". In these family chronicles the author claims Bulgarian royal roots and connects the roots of the "Voulgaris family of Saint Spyridon of Corfu" to the "barbarian peoples" from Volga river, who "finally settled in Moesia near the Haemus mountains". After all, in his escape to the southwest, it was the Serbian despot Stefan Lazarevic who was singled out as the founder of the Bulgari family from Corfu. Through the Peloponnese, he headed to Morea and from there settled on the Ottoman-free Ionian island.
Gardiki Castle is a 13th-century Byzantine castle on the southwestern coast of Corfu and the only surviving medieval fortress on the southern part of the island. It was built by a ruler of the Despotate of Epirus, and was one of three castles which defended the island before the Venetian era (1401–1797). The three castles formed a defensive triangle, with Gardiki guarding the island's south, Kassiopi Castle the northeast and Angelokastro the northwest
Kassiopi Castle is a castle on the northeastern coast of Corfu overseeing the fishing village of Kassiopi. It was one of three Byzantine-period castles that defended the island before the Venetian era (1386–1797). The castles formed a defensive triangle, with Gardiki guarding the island's south, Kassiopi the northeast and Angelokastro the northwest.
The Old Fortress of Corfu is a Venetian fortress in the city of Corfu. The fortress covers the promontory which initially contained the old town of Corfu that had emerged during Byzantine times.
The New Fortress of Corfu is a Venetian fortress built on the hill of St. Mark in Corfu in stages. The original architect of the fort was the military engineer Ferrante Vitelli. The current buildings which exist within the fortress were built by the British during their rule of the island (1815–63).
The Venetian arsenal at Gouvia was a shipyard built by the Republic of Venice during their rule over the island of Corfu. It was located on the west side of what used to be called "Govino Bay", the current location of the modern village of Gouvia.
Spiridione Roma (Greek: Σπυρίδων Ρώμας, also known as Spiridon or Spyridon Romas was a Greek painter from Corfu. He was a prominent member of the Heptanese School. His contemporary was Spyridon Sperantzas. He was another painter from Corfu. He also painted all over Italy and settled in Triste. Romas painted on the Ionian Islands, Sicily, and Livorno before settling in England. He was one of the few Greek painters to travel to a foreign country outside of the Greek or Italian world. The other two were El Greco and Efstathios Altinis. He was also a British painter during the last decades of his life. He was active in the region from 1770 to 1786. According to the Hellenic Institute, over twenty-five of his works survived. He was the British El Greco. His most popular work is a painting of Britannia.
Spyridon Sperantzas was a Greek painter. He flourished during the Greek Neoclassical era and the Modern Greek Enlightenment in art also known as Neo-Hellenikos Diafotismos. Because of the Fall of the Republic of Venice, Sperantzas brought the Heptanese School into the Greek Romantic period. By the 1800s the Ionian Islands were occupied by both French and English forces and for the first time since the fall of the Byzantine Empire, the local Greeks governed themselves. Sperantzas, Nikolaos Kantounis, and Nikolaos Koutouzis represent the transition in painting that defined Modern Greek art. Sperantzas was influenced by Nikolaos Kallergis, Nikolaos Doxaras, and Nikolaos Koutouzis. His son Michael Sperantzas was also a famous painter and his apprentice. Spyridon also painted frescos.
Konstantinos Kontarinis, also known as Konstantino Kontarini. He was a Greek Baroque painter. He was an eminent painter of the Heptanese School. He was heavily influenced by the works of Theodore Poulakis. His contemporaries at the time were Stephano Tzangarola and Panagiotis Doxaras. His work signals a transition for the Cretan School to the more refined Heptanese School. Kontarinis clearly follows the traditional maniera greca. The art was heavily influenced by the Venetian style. He influenced the works of countless Greek and Italian painters namely Spyridon Sperantzas and Nikolaos Kallergis. According to the Institute of Neohellenic Research, eighty-five of his works survived. His most notable work is the portable icon consisting of Scenes from Genesis. It is featured at the Byzantine Museum Athens, Greece.
Saint Spyridon, John the Baptist, Saint Peter and Saint George is an oil painting created by Greek painter Nikolaos Koutouzis. He was a prominent member of the Heptanese School of painting. He was from the island of Zakynthos. He studied with Nikolaos Doxaras and Giovanni Tiepolo. He was an active painter for over fifty years. One hundred and thirty-six paintings are attributed to the artist. He was active from 1750 to 1813.
Agios Spyridon's remains were eventually placed in the predecessor of the church that now bears his name in another quarter ... from the Esplanade, the guiding landmark being the extremely tall belfry of the church, the highest on the Ionian Islands.
The bottom of the inner one can be removed to allow for an easier changing of the slippers. (page 438)
Up to 1577 the relics of St. Spyridon were placed in the privately owned church of the Voulgaris. Following the fortification of Corfu Town, the church was demolished. The relics were transported to a newer church, which was built inside the...