The Temple of Artemis is an Archaic Greek temple in Corfu, Greece, built in around 580 BC in the ancient city of Korkyra (or Corcyra), now called Corfu. It is found on the property of the Saint Theodore monastery, which is located in the suburb of Garitsa. The temple was dedicated to Artemis. It is known as one of the first Doric temples built exclusively of stone. [2] It is also considered one of the first buildings to have incorporated all the elements of the Doric architectural style. [3] Sharing these historical records with the Temple of Apollo in Syracuse in Sicily (Italy). Very few Greek temple reliefs from the Archaic period have survived, and the large fragments of the group from the pediment are the earliest significant survivals. It was excavated from 1911 onwards.
The temple was a peripteral–styled building with a pseudodipteral configuration. Its perimeter was rectangular, with width of 23.46 m (77.0 ft) and length 49 m (161 ft) with an eastward orientation so that light could enter the interior of the temple at sunrise. [2] It was one of the largest temples of its time. [4] The Temple of Artemis is approximately 700 m. to the northwest of the Temple of Hera in the Palaiopolis of Corfu. [5]
The metope of the temple was probably decorated, since remnants of reliefs featuring Achilles and Memnon were found in the ancient ruins. [2] The temple has been described as a milestone of Ancient Greek architecture and one of 150 masterpieces of Western architecture. [3] The architecture of the Corfu temple may have influenced the design of an archaic sanctuary found at Sant'Omobono in Rome which dates to the archaic period and incorporates similar design elements. [6] The massive altar of the sanctuary is precisely rectangular and stood in front of the temple. It was 2.7 m. wide and 25 m. long. Only 8 m. of its northern section survive. The Saint Theodore monastery was built on top of the southern portion of the altar. [1]
The ruins were found during the Napoleonic Wars by soldiers of the French general François-Xavier Donzelot as they were digging, preparing for trench warfare. [7]
Kaiser Wilhelm II, while vacationing at his summer palace of Achilleion in Corfu and while Europe was preparing for war, was involved in excavations at the site of the ancient temple, led by the Greek archaeologist Federiko Versakis on behalf of the Greek Archaeological Society and the famous German archaeologist Wilhelm Dörpfeld on behalf of the German Archaeological Institute, started excavations at the Artemis Temple of Corfu. The Kaiser's activities in Corfu at the time involved both political and archaeological matters. The excavations involved political manoeuvering due to the antagonism that had developed between the two principal archaeologists at the Corfu Temple site. [8] [9]
Wilhelm II had a "lifelong obsession" with the Gorgon sculpture, which is attributed to his attendance at seminars on Greek Archaeology while at the University of Bonn. The seminars were given by archaeologist Reinhard Kekulé von Stradonitz, who later became the Kaiser's advisor. [10]
Little remains today on the site, with only the foundation of the temple and other fragments still existing there. However, the existing ruins have provided sufficient information for a complete reconstruction of the architectural details of the temple. [2]
The temple had a massive altar which was built precisely rectangular and stood in front of the temple. It was 2.7 m. wide and 25 m. long. Only 8 m. of its northern section survive. The rest of the altar disappeared under the foundations of the Saint Theodore monastery which was built on the site of the temple. The temple was located to the west (right) of the altar. [1]
The building was supported around its perimeter by colonnades consisting of two rows of eight columns each for the front and back of the building, while the sides were supported by two rows of seventeen columns each. [2]
At the centre of the temple, there was a rectangular inner chamber or cella 9.4 m (31 ft) wide and 34.4 m (113 ft) long, which was subdivided in three spaces by two colonnades consisting of ten columns each. [2] The temple of Artemis in Corfu and the Parthenon are the only Greek temples with eight columns between antae. [11]
The outer colonnade of eight by seventeen columns, also called the peristyle, had enough separation from the inner chamber that a second colonnade could be added in the interior. The Corfu Temple, however, does not have this inner colonnade, for economy reasons. This configuration of a single colonnade, in a space allowing for a second, is called pseudodipteral. The Artemis Temple in Corfu is the earliest known example of this architectural style. [4]
The front and back of the temple featured two pediments, of which only the western one survives in good condition, while the eastern pediment lies in fragments. [12] The pediments were decorated with mythical figures, sculpted in high relief. This is the first known example of a decorated pediment in Greece. [2] Both pediments appear to be decorated in an identical manner and they feature a large relief of the Gorgon Medusa, more than 9 ft. high. The pediment measures 9 ft. 4 inches high at the centre. [13] The sculptures incorporated in these pediments are considered the first substantial specimens of Greek sculpture from a Doric building. [14] The western pediment along with other architectural fragments are exhibited at the Archaeological Museum of Corfu. [2] The pediment has been described by The New York Times as the "finest example of Archaic temple sculpture extant". [15]
The pedimental sculpture depicts Medusa in a formulaic, stylised fashion; her feet are arranged in a configuration suggesting rotation, which in turn indicates motion or flight when applied to the attributes of Medusa, especially Medusa's wings. [13] The Medusa is wearing a short skirt which allows her legs freedom of movement while she is fleeing from Perseus. Her motion is further indicated by the formulaic positioning of her legs in the so–called Knielauf position which stylistically resembles a swastika. [16]
The Gorgon is shown with a girdle of intertwined serpents; the girdle is a fertility symbol traditionally associated with female reproduction and sexuality. The presence of the snakes, however, adds a demonic quality as well as an element of danger. [12] Two more snakes radiate outward from her neck. The Medusa figure closely resembles "Mistress of Animals" deities found in the Near East and also resembles Mesopotamian demoness Lamashtu who was the equivalent of the Greek deity Lamia. [17]
Her children, Pegasus and Khrysaor, are at each side of her, despite the fact that they were born after her death. [18] The face of Medusa is repulsive and shows an evil "archaic smile". [19] The panthers, flanking Medusa on each side, serve as temple guardians and they gaze outward as if to visually inspect their domain. [2] [13] [20] [3] [21] The smaller size of the guardian leopards relative to the pediment enclosure and their high relief indicates that the archaic sculptor desired to disengage the animals from their environment. [19]
The head of the Medusa figure clashes with the pediment outline and evokes a frightening effect. [19] It has also been suggested that since it is unusual for Artemis not to be depicted on the pediment of her own Temple, Medusa may represent the chthonic or demonic side of Artemis, since both entities were patrons of animals. [22] The function of the Medusa and panther figures is believed to be apotropaic, that is, their function was to ward-off evil and prevent it from entering the temple. [2] [13] [14] A gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet very popular at the period, regarded as worn by gods and royalty as well as others.
Behind the leopard on the left lies a seated figure. The figure was shown to be attacked by a spear-wielding figure, which has disappeared from the pediment.
Behind the seated figure, on its left, lies a bearded figure of a dead warrior, [2] facing outward from the pediment. [14] Behind the leopard to the right, two figures are shown. The standing figure closest to the leopard is believed to be Zeus who is depicted in partial profile wielding a thunderbolt against another figure, which faces outward from the pediment. [2] [14] The figure is presented with a beard and is kneeling. [14] To the right of these figures, another relief of a dead warrior is believed to have existed. [14]
There are reasons to suppose that the seated figure is Rhea, or Cronus, in which case the scenes depicted to the right and left of the leopards might depict a single subject, the Titanomachy, the battle between the gods and the Titans, which would better fit with a beardless (i.e. younger) Zeus, who is rarely depicted without a beard. [14] [23] [24] There are also arguments that the seated figure illustrates King Priam of Troy being slain by the Greek hero Neoptolemos and that the scene on the left is inspired from the Trojan War. [2] If this is the case, then there are two themes present in the pediment: the Sack of Troy and the Gigantomachy, the battle between the gods and Giants. [14]
Since these figures are not connected to the legend of Medusa, it is thought that the apotropaic function of temple symbols such as the Medusa and the panthers, as guardian symbols of the Temple, is starting to be replaced by the idea of using figures and themes from mythical stories as temple decoration. The decorative function, in time, prevailed over the apotropaic one. [14]
The Gaze of the Gorgon is a film-poem created by Tony Harrison, which examines the politics of conflict in the 20th century using the Gorgon as a metaphor. The narration of the film is done through the mouth of a statue of the Jewish poet Heinrich Heine, which Kaiser Wilhelm II had removed from the Achilleion after he took over ownership of the palace from Empress Elizabeth of Austria. The film describes the connection between Heine, the Corfu Gorgon, and the Kaiser, who had an obsession with the Gorgon. [10] [25] [26] In the film, Harrison's voice narrates: [9]
...what was Kaiser up to?
Excavating on Corfu,
the scholar Kaiser on the scent
of long lost temple pediment
not filling trenches, excavating
the trenches where the Gorgon's waiting
there in the trenches to supervisethe unearthing of the Gorgon's eyes.
Corfu or Kerkyra is a Greek island in the Ionian Sea, of the Ionian Islands, and, including its small satellite islands, forms the margin of the nation's northwestern frontier with Albania. The island is part of the Corfu regional unit, and is administered by three municipalities with the islands of Othonoi, Ereikoussa, and Mathraki. The principal city of the island is also named Corfu. Corfu is home to the Ionian University.
Ancient Greek architecture came from the Greeks, or Hellenes, whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.
The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above.
The Gorgons, in Greek mythology, are three monstrous sisters, Stheno, Euryale, and Medusa, said to be the daughters of Phorcys and Ceto. They lived near their sisters the Graeae, and were able to turn anyone who looked at them to stone. Euryale and Stheno were immortal, but Medusa was not and was slain by the hero Perseus.
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice, or entablature if supported by columns. In ancient architecture, a wide and low triangular pediment typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances.
In Greek mythology, Medusa, also called Gorgo or the Gorgon, was one of the three Gorgons. Medusa is generally described as a woman with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was turned to stone. Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto; of the three, only Medusa was mortal.
The year 580 BC was a year of the pre-Julian Roman calendar. In the Roman Empire, it was known as year 174 Ab urbe condita. The denomination 580 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
The Temple of Hephaestus or Hephaisteion, is a well-preserved Greek temple dedicated to Hephaestus; it remains standing largely intact today. It is a Doric peripteral temple, and is located at the north-west side of the Agora of Athens, on top of the Agoraios Kolonos hill. From the 7th century until 1834, it served as the Greek Orthodox church of Saint George Akamates. The building's condition has been maintained due to its history of varied use.
Greek temples were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread surviving building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.
The Temple of Aphaia or Afea is an Ancient Greek temple located within a sanctuary complex dedicated to the goddess Aphaia on the island of Aegina, which lies in the Saronic Gulf. Formerly known as the Temple of Jupiter Panhellenius, the Doric temple is now recognized as having been dedicated to the mother-goddess Aphaia. It was a favourite of Neoclassical and Romantic artists such as J. M. W. Turner. It stands on a c. 160 m peak on the eastern side of the island approximately 13 km east by road from the main port.
The Achilleion is a palace built on Corfu for Empress Elisabeth of Austria, also known as Sisi, after a suggestion by the Austrian consul Alexander von Warsberg. Elisabeth was deeply saddened by the tragic loss of her only son, Crown Prince Rudolf of Austria following the Mayerling incident in 1889, and a year later she had this summer palace built as a refuge.
The Archaeological Museum of Corfu in Corfu, Greece was built between 1962 and 1965. The museum land was donated by the city of Corfu. Its initial purpose was to house the archaeological finds from the Temple of Artemis in Corfu. In 1994 it was expanded with the addition of two more exhibit halls that display the more recent finds at the ancient citadel of Corfu. It is located on 1 Vraila Armeni St.
Delphi Archaeological museum is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture. Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era.
The Temple of Hera, or Heraion, is an ancient Archaic Greek temple at Olympia, Greece, that was dedicated to Hera, queen of the Greek gods. It was the oldest temple at Olympia and one of the most venerable in all Greece. It was originally a joint temple of Hera and Zeus, chief of the gods, until a separate temple was built for him. It is at the altar of this temple, which is oriented east-west, that the Olympic flame is lit and carried to all parts of the world. The torch of the Olympic flame is lit in its ruins to this day. The temple was built in approximately 590 BC, but was destroyed by an earthquake in the early 4th century AD.
The Hekatompedon or Hekatompedos, also known as Ur-Parthenon and H–Architektur, was an ancient Greek temple on the Acropolis of Athens built from limestone in the Archaic period, and placed in the position of the present Parthenon.
The Gaze of the Gorgon is a film-poem created in 1992 by English poet and playwright Tony Harrison which examines the politics of conflict in the 20th century using the Gorgon and her petrifying gaze as a metaphor for the actions of the elites during wars and other crises and the muted response and apathy these traumatic events generate among the masses seemingly petrified by modern Gorgons gazing at them from pediments constructed by the elites.
Temple C at Selinus (Sicily), is a Greek temple of Magna Graecia in the Doric style. It was one of the most ancient of the temples at Selinus, having probably been built on the acropolis a little after the middle of the sixth century BC, although its dating is controversial. The temple was the object of archaeological research in the nineteenth century and beginning of the twentieth century and later the remains of a long stretch of the northern colonnade received anastylosis in 1929. After a twelve-year-long restoration, in 2011 the colonnade was freed from scaffolding and made properly visible once more.
Kardaki Temple is an Archaic Doric temple in Corfu, Greece, built around 500 BC in the ancient city of Korkyra, in what is known today as the location Kardaki in the hill of Analipsi in Corfu. The temple features several architectural peculiarities that point to a Doric origin. The temple at Kardaki is unusual because it has no frieze, following perhaps architectural tendencies of Sicilian temples. It is considered to be the only Greek temple of Doric architecture that does not have a frieze. The spacing of the temple columns has been described as "abnormally wide". The temple also lacked both porch and adyton, and the lack of a triglyph and metope frieze may be indicative of Ionian influence. The temple at Kardaki is considered an important and to a certain degree mysterious topic on the subject of early ancient Greek architecture. Its association with the worship of Apollo or Poseidon has not been established.
The Temple of Hera or Heraion is an archaic temple in Corfu, Greece, built around 610 BC in the ancient city of Korkyra, in what is known today as Palaiopolis, and lies within the ground of the Mon Repos estate. The sanctuary of Hera at Mon Repos is considered a major temple, and one of the earliest examples of archaic Greek architecture.
Pedimental sculpture is a form of architectural sculpture designed for installation in the tympanum, the space enclosed by the architectural element called the pediment. Originally a feature of Ancient Greek architecture, pedimental sculpture started as a means to decorate a pediment in its simplest form: a low triangle, like a gable, above an horizontal base or entablature. However, as classical architecture developed from the basis of Ancient Greek and Roman architecture, the varieties of pedimental sculpture also developed. The sculpture can be either freestanding or relief sculpture, in which case it is attached to the back wall of the pediment. Harris in The Illustrated Dictionary of Historic Architecture defines pediment as "In classical architecture, the triangular gable end of the roof above the horizontal cornice, often filled with sculpture." Pediments can also be used to crown doors or windows.
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: CS1 maint: multiple names: authors list (link)Corfu 210 PANTHER Detail of the west pediment of ...
Medusa with her children between panthers; to the left, the death of Priam and the fall of Troy; to the right, Zeus killing a giant. ... Relief sculptures decorating the west pediment of the temple of Artemis at Corfu (limestone), 590-580 BC, Corfu ...