A surplice is a liturgical vestment of Western Christianity. The surplice is in the form of a tunic of white linen or cotton fabric, reaching to the knees, with wide or moderately wide sleeves.
The cassock or soutane is a Christian clerical clothing coat used by the clergy and male religious of the Oriental Orthodox Churches, Eastern Orthodox Church and the Catholic Church, in addition to some clergy in certain Protestant denominations such as Anglicans and Lutherans. "Ankle-length garment" is the literal meaning of the corresponding Latin term, vestis talaris. It is related to the habits traditionally worn by nuns, monks, and friars.
Vestments are liturgical garments and articles associated primarily with the Christian religion, especially by Eastern Churches, Catholics, Lutherans, and Anglicans. Many other groups also make use of liturgical garments; among the Reformed (Calvinist) Churches this was a point of controversy in the Protestant Reformation and sometimes since, in particular during the ritualist controversies in the Church of England in the 19th century.
The dalmatic is a long, wide-sleeved tunic, which serves as a liturgical vestment in the Catholic, Lutheran, Anglican, United Methodist, and some other churches. When used, it is the proper vestment of a deacon at Mass, Holy Communion or other services such as baptism or marriage held in the context of a Eucharistic service. Although infrequent, it may also be worn by bishops above the alb and below the chasuble, and is then referred to as pontifical dalmatic.
The cincture is a rope-like or ribbon-like article sometimes worn with certain Christian liturgical vestments, encircling the body around or above the waist. As usual with vestments, both the term and the object are taken from ordinary everyday dress of the distant past. There are two types of cinctures: one is a rope-like narrow girdle or rope-like belt around the waist. The other type is a broad ribbon of cloth that runs around the waist and usually has a section that hangs down from the waist; this type is often called a "band cincture" - it would be a "waist-sash" in secular contexts. One or both types are often used in various Christian denominations. Both types are used in the various Western rites of the Catholic Church and provinces of the Anglican Communion. Consecrated members of the various Eastern rites, whether in the Catholic Church, or in the various Orthodox communions, sometimes wear a belt referred to as a zone.
The alb is one of the liturgical vestments of Western Christianity. It is an ample white garment coming down to the ankles and is usually girdled with a cincture. It resembles the long, white linen tunic used by ancient Romans.
The Geneva gown, also called a pulpit gown, pulpit robe, or preaching robe, is an ecclesiastical garment customarily worn by ordained ministers and accredited lay preachers in the Christian churches that arose out of the historic Protestant Reformation. It is particularly associated with Protestant churches of the Reformed, Methodist, Unitarian and Free Christian traditions.
The zone is a form of girdle or belt common in the ancient Eastern Mediterranean. The term occurs in Homer, for instance, as girdle and can also refer to the waist itself. Classical Greek had a verb put a girdle around the loins, or "gird one's self."
A rochet is a white vestment generally worn by a Roman Catholic or Anglican bishop in choir dress. It is unknown in the Eastern churches. The rochet in its Roman form is similar to a surplice, except that the sleeves are narrower. In its Anglican form it is a descendant of the traditional albs worn by deacons and priests. In the Roman Catholic tradition, the rochet comes below the knee and its sleeves and hem are sometimes made of lace; in the Anglican tradition, the rochet comes down almost to the hem of the cassock and its sleeves are gathered at the wrist.
Papal regalia and insignia are the official items of attire and decoration proper to the Pope in his capacity as the visible head of the Catholic Church and sovereign of the Vatican City State.
Clerical clothing is non-liturgical clothing worn exclusively by clergy. It is distinct from vestments in that it is not reserved specifically for use in the liturgy. Practices vary: clerical clothing is sometimes worn under vestments, and sometimes as the everyday clothing or street wear of a priest, minister, or other clergy member. In some cases, it can be similar or identical to the habit of a monk or nun.
Choir dress is the traditional vesture of the clerics, seminarians and religious of Christian churches worn for public prayer and the administration of the sacraments except when celebrating or concelebrating the Eucharist. It differs from the vestments worn by the celebrants of the Eucharist, being normally made of fabrics such as wool, cotton or silk, as opposed to the fine brocades used in vestments. It may also be worn by lay assistants such as acolytes and choirs. It was abandoned by most of the Protestant churches that developed from the sixteenth-century Reformation.
A religious habit is a distinctive set of religious clothing worn by members of a religious order. Traditionally some plain garb recognizable as a religious habit has also been worn by those leading the religious eremitic and anchoritic life, although in their case without conformity to a particular uniform style.
Twelfth century European fashion was simple in cut and differed only in details from the clothing of the preceding centuries, starting to become tighter and more similar for men and women as the century went on, which would continue in the 13th century. Men wore knee-length tunics for most activities, and men of the upper classes wore long tunics, with hose and mantle or cloaks. Women wore long tunics or gowns. A close fit to the body, full skirts, and long flaring sleeves were characteristic of upper-class fashion for both men and women.
Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the second century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.
Early medieval European dress, from about 400 AD to 1100 AD, changed very gradually. The main feature of the period was the meeting of late Roman costume with that of the invading peoples who moved into Europe over this period. For a period of several centuries, people in many countries dressed differently depending on whether they identified with the old Romanised population, or the new populations such as Franks, Anglo-Saxons, Visigoths. The most easily recognisable difference between the two groups was in male costume, where the invading peoples generally wore short tunics, with belts, and visible trousers, hose or leggings. The Romanised populations, and the Church, remained faithful to the longer tunics of Roman formal costume, coming below the knee, and often to the ankles. By the end of the period, these distinctions had finally disappeared, and Roman dress forms remained mainly as special styles of clothing for the clergy – the vestments that have changed relatively little up to the present day.
The priestly undergarments were "linen breeches" (KJV) worn by the priests and the High Priest in ancient Israel. They reached from the waist to the knees and so were not visible, being entirely hidden by the priestly tunic.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
A girdle is a garment that encircles the midsection.
The liturgical vestments of the Christian churches grew out of normal civil clothing, but the dress of church leaders began to be differentiated as early as the 4th century. By the end of the 13th century the forms used in the Roman Catholic and Eastern Orthodox churches had become established, while the Reformation led to changes in Protestant churches from the 16th century onward.
