"Sans logique" | ||||
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Single by Mylène Farmer | ||||
from the album Ainsi soit je... | ||||
B-side | "Dernier Sourire" | |||
Released | 20 February 1989 | |||
Recorded | 1989, France | |||
Genre | Synthpop, baroque pop | |||
Length | 4:00 | |||
Label | Polydor | |||
Songwriter(s) | Lyrics: Mylène Farmer Music: Laurent Boutonnat | |||
Producer(s) | Laurent Boutonnat | |||
Mylène Farmer singles chronology | ||||
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"Sans logique" (English: "Without Logic") is a 1988 song recorded by French singer-songwriter Mylène Farmer. It was released on 20 February 1989 as the fourth and last single from her second studio album Ainsi soit je... . The song deals with schizophrenia, death, love and religion and was accompanied by a cinematic video which shows a human corrida. The single became a top ten hit in France.
After the successful songs "Sans contrefaçon" and "Pourvu qu'elles soient douces" and the huge sales of the parent album Ainsi soit je... , Farmer decided to release "Sans logique" as the fourth and last single from the album as she was preparing her first concert tour through France, Belgium and Switzerland. [1] The B-side of the single, "Dernier Sourire", is a previously unavailable song about the death of a relative (though a live version of the cover "Je voudrais tant que tu comprennes", originally sung by Marie Laforêt, was first scheduled as the B-side). [2]
"Sans logique" was actually recorded twice due to technical problems in the studio. The sentence "this is a blank formatted diskette" (sampled from an Ensoniq Mirage), which can be heard in the introduction of the song and later on, refers to this problem and was kept in the finished product. [1] "Sans logique" was widely played on French radio during the year of its release [2] was one of the top ten songs that yielded the most copyright royalties to the Société des auteurs, compositeurs et éditeurs de musique in 1989. [3]
Shortly after the single's release, the European Workers Party used a still from the video, where Farmer has white eyes and the horns on her head, with the subtitle "These people promote ugliness and drugs! Say "No" to the media subculture; vote RFL!" Farmer sued the secretary of the party, Jacques Cheminade, accusing him of having used her image without her consent and have made inappropriate and abusive remarks towards her. The Tribunal de grande instance de Paris found in Farmer's favour. [1] [4]
The song deals with a kind of schizophrenia [5] or dissociative identity disorder, which lives in the character that Farmer portrays, and also makes reference to religious concepts (angels and Satan) [6] to explore the two opposite sides of one person. [7] The calculating Marquise de Mertreuil (a character in the French epistolary novel Les Liaisons dangereuses ), as both angelic as diabolical according to her own interests, seems to be evoked in the lyrics. [8] The psychologist Hugues Royer said the lyrics, as well as the music video, show that "the identity, the sense of unity to achieve, remains problematic". [9]
The video (5:37) was directed by Laurent Boutonnat [10] who has also written the screenplay with Gilles Laurent. [11] It was a Requiem Publishing production, filmed over the course of three days at a studio in Arpajon in the Île-de-France région, France, where the video for "Que mon cœur lâche" was also shot three years later. It cost around 200,000 euros to make, largely due to Boutonnat importing two tons of earth and a large waxed cloth that was used to represent the sky. The video concept was inspired by Francisco Goya's painting El Aquelarre which portrays a human corrida, and features various people including a torero (played by Lilah Dadi [3] who also appeared in the video for Farmer's next single, "À quoi je sers..."'). Due to its graphic, violent content, the video for "Sans logigue" was edited by some television channels for broadcast. The unedited version was released on Farmer's various video clips compilations.
The video begins with Farmer and her lover sat in the middle of a desolate, barren landscape on a grim cloudy day. As a snake slithers nearby, the pair cut their palms and rub their hands together to mix their blood. A little girl picks up a statue of Christ found in the mud and sticks it on a cross. Then several Gypsies, dressed in black clothes and veils, come to sit on a bench to watch a human bullfight. Farmer plays the "bull", as her hands are tied behind her back and iron horns are put on her head, and is thus forced to fight a torero who is her lover. The men take off their jackets and behave like toreros, and as Farmer runs through their coats like a raging bull, her lover puts a sword in her back. The man, believing the "bull" to be defeated, turns to his audience and celebrates his victory, and the gypsies cheer him and throw coins. Then, with her eyes rolled upwards and seemingly possessed by a demonic spirit, Farmer charges one last time and impales her lover with the iron horns on her head, fatally injuring him. While she becomes herself again, she attends to her dying lover, as it begins raining and the crowd of Gypsies disperse after their entertainment. The video ends with Farmer crying a tear of blood. [12]
According to Instant-Mag, "Sans Logique" is without a doubt "one of the most beautiful videos of the singer: percussive images, multiple references, many interpretation, rich symbolism". It condenses "the strong themes of the filmmaker Luis Buñuel", particularly the social struggle. Like Goya's painting, the video "tackles the fundamental perversion of men; reality is described as obsessive and mixes dreams and nightmares". It is "built as an ode to the Spanish forbidden culture, in which mix the themes of childhood and social corruption". "The old characters that form the audience [in the video] represent affluent people, the guarantors of moral order, the partners of moral conformism". [13] According to French magazine Top 50, the video manages to "marry dead, mournful, tragedy with music for discothèques", "by dint of symbols, sophisticated decors and subtle union of beauty and unhealthy." [14] Biographer Bernard Violet said this video is "by far the most inventive" ever made by Boutonnat. [15]
In this video, the singer shows that "she does not dating relationships without violence". Because of her pain, Farmer, who was innocent and naive at the beginning of the video, became then corrupted and began to kill. [16] She "kills her lover to not be killed. The horns are a symbol of the bull (power, fertility and virile strength) granted to a woman, but also that of the Devil who takes possession of Farmer. Helpless, she is witness to the lover's agony, overwhelmed and very human". [17] There are also several references to sexuality (the snake in the Garden of Eden, symbolism of the bullfight in the Spanish culture). The themes of love and death are also present in the video. [18] For biographer Violet, all the people belong to the same community, the bullfighter was unfaithful by impregnating a pregnant woman seen in the video, and Farmer "wears horns" literally as she has been deceived by her lover, and ultimately takes revenge by killing him. [15]
Belgian writer and Farmer's friend Amélie Nothomb, spoke of this video in an excerpt from her 1997 book Attentat, with her character Ethel. [3]
France Soir considered that "Sans logique" had "its weight of synthetic sulfur" and that the words had "a preciousness from another era". [19]
In France, the single charted for fifteen weeks on the French Top 50, from 18 March to 1 July 1989. It debuted at number 30 and reached its peaked position, number ten, five weeks later, spending a total of eleven weeks in the top twenty. [20] Its sales were somewhat disappointing in comparison with the great success of two of the other three previous singles, "Sans contrefaçon" and "Pourvu qu'elles soient douces". On the European Hot 100 Singles, it debuted at number 68 on 1 April 1989, reached a peak of number 39 five weeks later, [21] and fell off the chart after 14 weeks. Much played on radio, it charted for 12 weeks on the European Airplay Top 50, with a peak at number 20 for non consecutive two weeks. [22]
Farmer performed "Sans logique" five times in four television shows in 1989, all on TF1: Avis de recherche (24 February and 12 May), La Une est à vous (11 March), Jacky show (18 March), Sacrée Soirée (22 March). [23] [24] Farmer, nominated for the Victoires de la musique, has won the title "Best female performer of the year", but refused to sing "Sans logique", which was very criticized by the media. [25] For this song, the singer used for the first time a dynamic choreography that she named "the technical of mirror", because she has created it only by looking at herself in a mirror. [26]
"Sans logique" was performed during the 1989 tour. Farmer then wore black veils, a white collar and small white socks and performed a collective choreography inspired by the 18th century, composed of large gestures and these movements become smaller as if Farmer was bound by twine. When the music began, Farmer curtseyed several times, and the phrase "This is a blank formatted diskette" was repeated throughout the song. About the middle of the song, the singer hit the ground with her microphone and got up again immediately. Awaited by fans since 30 years, "Sans Logique" was performed in her Live 2019 just after the opening song "Interstellaires", without choreography but in a version rearranged by the musical director of the show, Olivier Schultheis.
The vinyl's B-side contains a new song, "Dernier Sourire", which is very sad. [27] This moving song tackles the theme of the disappearance of a loved one. With simple words, Farmer evokes the passage of the state of living to that of death through a description an ill-person in the process of dying in a hospital room, and the injustice felt in this kind of situation. This song was probably composed for Max Gautier, Farmer's father, who died on 11 July 1986, and in the lyrics she tells him some things she had not had time to say when he was alive. [28] About its structure, the song has "a classic accompaniment, a simple melody and no refrain". [29] After being chosen instead of "Que mon cœur lâche" to feature on the 1992 album Urgence – 27 artistes pour la recherche contre le SIDA, [30] the song was especially re-recorded in a new version, becoming the anthem of people who come at the end of life and appeared to be as "a kind of cruel poem about the end of life and the injustice of death which blows too quickly our candles". [3] The song was generally well received, as stated by the author Erwan Chuberre who provides in one of his books positive critics from fans. [31]
Farmer performed the song first on 1 November 1989 on French television show Sacrée Soirée on TF1. [32] It was originally scheduled to be performed during the 1989 tour, but it was eventually replaced by "Puisque...". [33] The song was sung during the Mylenium Tour; when performing on stage, Farmer wore a white transparent dress with a plunging neckline in the back, a sailing on the shoulders, shoes with high heels, and a white large necklace. There is no choreography, and when she sang for the second time the first verse at the end of the song, she began to cry; she was only accompanied by the piano. [34] In 2000, this live version was the second track of the CD single for "Dessine-moi un mouton". "Dernier Sourire" was covered by Michał Kwiatkowski on a weekly program of Star Academy France, in 2003, but his version was not released as a single. [35]
These are the formats and track listings of single releases of "Sans logique": [36]
No. | Title | Length |
---|---|---|
1. | "Sans logique" (logical single mix) | 4:00 |
2. | "Dernier sourire" | 5:05 |
No. | Title | Length |
---|---|---|
1. | "Sans logique" (illogical club remix) | 7:11 |
2. | "Dernier sourire" | 5:05 |
3. | "Sans logique" (logical single mix) | 4:00 |
No. | Title | Length |
---|---|---|
1. | "Sans logique" (logical single mix) | 4:00 |
2. | "Sans logique" (classical version) | 4:00 |
No. | Title | Length |
---|---|---|
1. | "Sans logique" (logical single mix) | 4:00 |
2. | "Sans logique" (classical version) | 4:00 |
No. | Title | Length |
---|---|---|
1. | "Sans logique" (logical single mix) | 4:00 |
2. | "Dernier sourire" | 5:04 |
No. | Title | Length |
---|---|---|
1. | "Sans logique" (Ainsi soit je... version) | 4:30 |
2. | "Sans logique" (Les Mots version) | 4:02 |
3. | "Sans logique" (1989 live version) | 5:06 |
4. | "Sans logique" (illogical club remix) | 7:11 |
Date [36] | Label | Region | Format | Catalog |
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20 February 1989 | Polydor | France, Canada | 7" single | 871 646-7 |
7" maxi | 871 647-1 | |||
France | CD maxi | 871 647-2 | ||
7" single – Promo | 6863 377 |
Version [37] | Length | Album | Remixed by | Year | Comment |
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"Sans logique" [8] | |||||
Album version | 4:30 | Ainsi soit je... | — | 1988 | See the previous sections |
Logical single mix | 4:00 | — | Laurent Boutonnat | 1989 | A refrain is deleted at the end of the song. |
Classical version | 4:00 | — | Laurent Boutonnat | 1989 | This version brings to the fore the Farmer's voice on flights of violins. After two minutes, drums sounds can be heard. |
Illogical club remix | 7:11 | Dance Remixes | Laurent Boutonnat | 1989 | This is a dance remix. The phrase "This is a blank formatted disket" is mixed with a voice of a man. |
Music video | 5:37 | Les Clips Vol. III , Music Videos I | — | 1989 | |
Live version (recorded in 1989) | 5:06 | En Concert | — | 1989 | The phrase "This is a blank formatted disket" is repeated during all the song. |
Album version | 4:02 | Les Mots | Laurent Boutonnat | 2001 | This is a remastered version. |
Album version | 4:02 | Les Mots | Laurent Boutonnat | 2001 | This is a remastered version. |
Live Version | 3:51 | Live 2019 | Olivier Schultheis | 2019 | |
"Dernier sourire" [38] | |||||
Album version | 4:00 | Urgence – 27 artistes pour la recherche contre le SIDA | — | 1992 | The acoustic version is accompanied by a piano and a guitar. The musical passage at the end is deleted. |
Live version (recorded in 2000) | 4:52 | Mylenium Tour | — | 2000 | This performance is moving. |
These are the credits and the personnel as they appear on the back of the single: [36] [39]
Weekly charts
| Sales
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"Pourvu qu'elles soient douces" French pronunciation:[puʁvykɛlswadus] is a 1988 synthpop song by the French artist Mylène Farmer. Third single from her second studio album Ainsi soit je..., it was released on 12 September 1988. The long music video version was considered provocative, and contains various scenes of sexual content. It achieved great success in France, becoming Farmer's first number-one hit.
"XXL" is a 1995 song recorded by French singer-songwriter Mylène Farmer. The song was the lead single from her fourth studio album Anamorphosée and was released on 19 September 1995. It marked an important change in the singer's career, with more pronounced variété sonorities, more accessible lyrics, and a music video directed by a new producer. Although it entered directly at number one on the French singles chart, it dropped quickly and achieved mixed success.
"Redonne-moi" is a 2005 song recorded by the French artist Mylène Farmer. This pop ballad was the third single from her sixth studio album, Avant que l'ombre..., and was released on 2 January 2006. Like all other tracks of the parent album, it was written by Farmer and the music was composed by Laurent Boutonnat. The song has poetic lyrics and a melancholy music, and is about death, memory, and hope. About three months before the release, Farmer exceptionally accepted to perform the song in a television show, which she did not for other singles from Avant que l'ombre.... The accompanying music video, filmed by François Hanss and broadcast from 11 January 2006, shows Farmer singing in a sculpture workshop. In spite of being a top ten hit in France, "Redonne-moi" became the less-selling single from the album, with rather disappointing sales figures.
"C'est une belle journée" is a 2001 song recorded by French singer-songwriter Mylène Farmer. It was the second single from her best of Les Mots and was released on 16 April 2002. The song contains melancholy lyrics set to dance music and was illustrated by a cartoon video produced by Farmer's boyfriend. It achieved great success in France where it remained ranked for several months on the top 50.
"Les Mots" is a 2001 song recorded as a duet by the French singer-songwriter Mylène Farmer and the English soul singer Seal. It was the first single from her best of album, Les Mots, and was released on 13 November 2001. It was Farmer's third duet, after those with Jean-Louis Murat in 1991 and Khaled in 1997, and her first international duet. "Les Mots" is a bilingual song, containing verses in French and in English. In terms of sales, "Les Mots" is Farmer's fourth biggest success in France, behind "Désenchantée", "Pourvu qu'elles soient douces" and "Sans contrefaçon".
"Dessine-moi un mouton" is a 1999 song recorded by French singer-songwriter Mylène Farmer, first in a studio version, then in a live version during her 1999 concert Mylenium Tour. The song was the only single from her third live album Mylenium Tour and was released on 5 December 2000. The title draws from a direct quotation to a well-known scene in French children's book Le Petit Prince by Antoine de Saint-Exupéry. Although it was generally appreciated by critics and was a top ten hit in France, it had moderate success in terms of sales.
"Optimistique-moi" is a 1999 song recorded by the French artist Mylène Farmer. The fourth single from her fifth studio album, Innamoramento, it was released on 22 February 2000. Dealing with parental relationships, the song enjoyed many remixes and formats and achieved success in France where it reached number seven.
"Je te rends ton amour" is a 1999 song recorded by the French artist Mylène Farmer. The second single from her fifth studio album Innamoramento, it was released on 8 June 1999. The song became another top 10 hit in France for Farmer, and its controversial music video gained considerable attention at the time, being censored by several television channels.
"Maman a tort" is a 1984 song recorded by French artist Mylène Farmer. It was the debut single from Farmer's first studio album Cendres de Lune, and marked the beginning of her collaboration with her long-time composer, Laurent Boutonnat. With lyrics by Jérôme Dahan, who also helped compose the song with Boutonnat, the song was first released in March 1984. Initially, Boutonnat and Dahan held auditions to find a performer for the song, which ultimately led to Farmer being chosen. An English-language version, titled "My Mum Is Wrong" and produced by F. R. David, was released in September 1984.
"À quoi je sers..." is a 1989 song recorded by French singer-songwriter Mylène Farmer. The song was a standalone single when it was released in July 1989, as it was previously unavailable on Farmer's albums, apart from a live version on En Concert. Marking the end of Farmer's first period of work, it achieved moderate commercial and popular success back then but is now considered a "Farmer classic".
"Comme j'ai mal" is a 1996 song recorded by French singer-songwriter Mylène Farmer. Fourth single from her fourth album Anamorphosée, it was released on 1 July 1996. It was a relative failure: indeed, it failed to reach the top ten in France and was the least-selling single from the album.
"California" is a 1995 song recorded by the French artist Mylène Farmer. It was the third single from her fourth studio album, Anamorphosée, and was released on 26 March 1996. The song marked her only collaboration with American movie screenwriter and director Abel Ferrara, who directed the very expensive music video in which Farmer appears both as a bourgeois woman and a prostitute. A tribute to California, the song is generally deemed one of Farmer's signature songs and has been performed during most of the singer's subsequent tours. It has met with relative success in France and Belgium, and became one of her hits in Russia.
"Je t'aime mélancolie" is a 1991 song recorded by the French artist Mylène Farmer. The song was released as the third single from her third studio album L'autre..., in December 1991. Characterized by its gloomy lyrics and its music video shot on a boxing ring, it achieved success, becoming a top ten hit in France and Belgium.
"Beyond My Control" is a 1991 song recorded by French singer-songwriter Mylène Farmer. It was the fourth single from her third studio album L'autre... and was released in May 1992. The song probably remains well known for its controversial music video, censored upon release due to its sexual and violent content. It achieved minor success in terms of sales, even though it reached the top ten in France and Belgium.
"Allan" is a 1988 song recorded by French singer-songwriter Mylène Farmer from her second album, Ainsi soit je... It was the first single from her first live album, En Concert, released in December 1989. The lyrics clearly refer to a fairy tale by Edgar Allan Poe, mentioning one of his characters. Although the single met with success in discothèques, its sales remained relatively low in comparison with Farmer's other singles.
"Ainsi soit je..." is a 1988 song recorded by the French artist Mylène Farmer. The song was released as a single twice: as the second single from her second studio album Ainsi soit je... on 4 April 1988, and as the second single in a live version from her second live album Live à Bercy on 20 August 1997. Both versions achieved a relative success on the charts, failing twice to reach the top ten in France.
"Tristana" is a 1987 song recorded by the French artist Mylène Farmer. Fourth single from her first studio album Cendres de Lune, the song was released in February 1987. As for the previous single "Libertine", the music video was produced as a film, with many extras and a huge budget. The second single in Farmer's career with lyrics entirely written by the singer herself, it enjoyed an intense promotion on television and met a great success in France, reaching the top ten.
"Plus grandir" is a 1985 song recorded by French singer-songwriter Mylène Farmer and is the first song written by the singer. It was released twice: first, on 25 September 1985 in a studio version as second single from Farmer's debut album Cendres de Lune, then on 12 May 1990 in a live mix version as second single from the live album En Concert. In spite of positive critics and a music video produced as a short film in cinemascope, the song achieved moderate success in France in terms of sales and chart performances.
"Que mon cœur lâche" is a 1992 song recorded by the French singer-songwriter Mylène Farmer. The single was released on 23 November 1992 to promote Farmer's compilation album Dance Remixes. Farmer also recorded an English-language version of the track, entitled "My Soul Is Slashed" which was released in May 1993. Originally recorded as a charity single, the song deals with AIDS and caused some controversy as lyrics seem to encourage the rejection of condoms. Produced as a short film, the music video was directed by the French film director Luc Besson, and features Farmer as an angel sent to Earth by God. The song reached the top ten in France and Belgium.
"Sans contrefaçon" is a 1987 song recorded by French artist Mylène Farmer. It was released on 16 October 1987 as the first single from her second studio album, Ainsi soit je.... It was a big hit in 1987 and is one of her three best-selling singles. It became a very popular song in France over the years and has been covered by many artists. A remixed version by the DJ J.C.A. was released on 5 August 2003 as the first single from the compilation album called RemixeS.