Saturday's Children | |
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Directed by | Gregory La Cava |
Written by | Forrest Halsey (dialogue and scenario) Paul Perez (titles) |
Based on | Saturday's Children by Maxwell Anderson |
Starring | Corinne Griffith Grant Withers Albert Conti Alma Tell Lucien Littlefield |
Cinematography | John F. Seitz |
Edited by | Hugh Bennett |
Music by | Alois Reiser |
Production companies | Walter Morosco Productions First National Pictures |
Distributed by | Warner Bros. |
Release dates |
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Running time | 90 minutes |
Country | United States |
Language | English |
Saturday's Children is a 1929 American part-talkie romantic-comedy film directed by Gregory La Cava, and starring Corinne Griffith, Grant Withers, Albert Conti, Alma Tell, Lucien Littlefield. It is based on the 1927 play Saturday's Children by Maxwell Anderson. The film was released by Warner Bros. on March 10, 1929, in silent version and April 14, 1929, in sound version. [1] [2] [3]
The Divine Lady is a 1929 American pre-Code Vitaphone sound film with a synchronized musical score, sound effects, and some synchronized singing, but no spoken dialogue. It stars Corinne Griffith and tells the story of the love affair between Horatio Nelson and Emma Hamilton. It featured the theme song "Lady Divine", with lyrics by Richard Kountz and music by Nathaniel Shilkret, which became a popular hit in 1929 and was recorded by numerous artists, such as Shilkret, Frank Munn, Ben Selvin, Smith Ballew, Adrian Schubert, Sam Lanin, and Bob Haring.
Babbitt is a 1924 American silent drama film directed by Harry Beaumont and starring Willard Louis, Mary Alden, and Carmel Myers. It is based on the 1922 novel of the same title by Sinclair Lewis, later also adapted into a 1934 sound film.
The Battle of the Sexes is a 1928 American comedy film directed by D. W. Griffith, starring Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil, and released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.
Lady of the Pavements is a 1929 American silent romantic drama film directed by D. W. Griffith and starring Lupe Vélez, William Boyd, and Jetta Goudal. The screenplay was written by Sam Taylor, with contributions from an uncredited Gerrit Lloyd. Griffith reshot the film to include a few musical sequences, making it a part-talkie.
Hearts in Exile is a 1929 American pre-Code romance film produced and distributed by Warner Bros. and directed by Michael Curtiz. It was also released in a silent version with music and effects. It starred Dolores Costello in a story based on the 1904 novel by John Oxenham. An earlier 1915 film starring Clara Kimball Young was also produced, and is extant, but the 1929 version is considered to be a lost film.
Déclassée, listed as Déclassé on some posters, is a 1925 American silent drama film of manners produced and released by First National Pictures in association with Corinne Griffith as executive producer. Griffith also stars in the production which was directed by Robert G. Vignola and based on the 1919 play by Zoë Akins that starred Ethel Barrymore.
Alma Tell was an American stage and motion picture actress whose career in cinema began in 1915 and lasted into the sound films of the early 1930s.
Drag is a 1929 American Pre-Code drama film produced by Richard A. Rowland and directed by Frank Lloyd based on the 1925 novel Drag: A Comedy by William Dudley Pelley. It stars Richard Barthelmess and Lucien Littlefield.
Uncle Tom's Cabin is a 1927 American silent drama film directed by Harry A. Pollard and released by Universal Pictures. The film is based on the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe and was the last silent version filmed.
The Great Divide is a 1929 American pre-Code Western film directed by Reginald Barker and starring Dorothy Mackaill. Released in both silent and sound versions, it was produced and distributed by First National Pictures. The film is a remake of The Great Divide, made at MGM in 1925 and also directed by Barker. There was another remake in 1931 as the full sound film Woman Hungry. All three films are based on the 1906 Broadway play The Great Divide by William Vaughn Moody.
The Climbers is a 1919 American silent comedy-drama film produced and distributed by the Vitagraph Company of America. It is based on Clyde Fitch's 1901 Broadway play. This film was directed by Tom Terriss and stars Corinne Griffith.
Back Pay is a 1930 American Pre-Code drama film with songs, produced and distributed by First National Pictures, a subsidiary of Warner Bros., and starring Corinne Griffith and Grant Withers. It is based on a short story by Fannie Hurst. It is a remake of a 1922 silent film Back Pay that starred Seena Owen.
Outcast is a 1928 American sound drama film produced and distributed by First National Pictures. This sound film was released with a synchronized Vitaphone soundtrack of music and sound effects. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
Lilies of the Field is a 1924 American silent drama film directed by John Francis Dillon, produced by and starring actress Corinne Griffith, and distributed by Associated First National Pictures. It is based on a 1921 play, Lilies of the Field, by William J. Hurlbut. The film was remade by Griffith again as an early sound film in 1930.
Dry Martini is a 1928 film comedy produced and distributed by Fox Film Corporation starring Mary Astor and Matt Moore. The Movietone sound system was used for music and sound effects but otherwise it is a silent film. A silent version was also made. Samuel L. Rothafel also contributed music for the film. It was adapted from the 1926 novel Dry Martini: a Gentleman Turns to Love by John Thomas. Ray Flynn was an assistant director.
Dark Streets is a lost 1929 American pre-Code crime film directed by Frank Lloyd and starring Jack Mulhall and Lila Lee. The film was produced and distributed by First National Pictures. Mulhall purportedly plays the first dual role attempted in talking pictures.
Maybe It's Love is a 1935 American comedy film directed by William C. McGann and written by Jerry Wald and Harry Sauber. The film stars Gloria Stuart, Ross Alexander, Frank McHugh, Ruth Donnelly, Helen Lowell and Henry Travers. The film was released by Warner Bros. on January 12, 1935.
In the Headlines is a 1929 crime drama film directed by John G. Adolfi and starring Grant Withers and Marian Nixon. It was produced and distributed by the Warner Brothers.
Making the Grade is a 1929 American Pre-Code comedy film directed by Alfred E. Green and starring Lois Moran, Edmund Lowe and Lucien Littlefield.
The Girl in the Glass Cage is a 1929 American part-talkie crime drama film directed by Ralph Dawson and starring Loretta Young, Carroll Nye, Matthew Betz, Lucien Littlefield, and Ralph Lewis. It is based on the 1927 novel of the same name by George Kibbe Turner. The film was released by Warner Bros. on June 23, 1929.