Saturday's Children | |
---|---|
Directed by | Gregory La Cava |
Written by | Forrest Halsey (dialogue and scenario) Paul Perez (titles) |
Based on | Saturday's Children by Maxwell Anderson |
Starring | Corinne Griffith Grant Withers Albert Conti Alma Tell Lucien Littlefield |
Cinematography | John F. Seitz |
Edited by | Hugh Bennett |
Music by | Alois Reiser |
Production companies | Walter Morosco Productions First National Pictures |
Distributed by | Warner Bros. |
Release date |
|
Running time | 90 minutes |
Country | United States |
Languages | Sound (Part-Talkie) English Intertitles |
Saturday's Children is a 1929 American sound part-talkie romantic-comedy film directed by Gregory La Cava, and starring Corinne Griffith, Grant Withers, Albert Conti, Alma Tell, Lucien Littlefield. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Vitaphone sound-on-disc process. The film was released by Warner Bros. on April 14, 1929. [1] [2] [3] The film is based on the 1927 play Saturday's Children by Maxwell Anderson.
The film featured a theme song entitled "I Still Believe In You" which was composed by Harry Akst, Grant Clark and Benny Davis.
The Divine Lady is a 1929 American pre-Code Vitaphone sound film with a synchronized musical score, sound effects, and some synchronized singing, but no spoken dialogue. It stars Corinne Griffith and tells the story of the love affair between Horatio Nelson and Emma Hamilton. It featured the theme song "Lady Divine", with lyrics by Richard Kountz and music by Nathaniel Shilkret, which became a popular hit in 1929 and was recorded by numerous artists, such as Shilkret, Frank Munn, Ben Selvin, Smith Ballew, Adrian Schubert, Sam Lanin, and Bob Haring.
Lady of the Pavements is a 1929 American sound part-talkie romantic drama film directed by D. W. Griffith and starring Lupe Vélez, William Boyd, and Jetta Goudal. The screenplay was written by Sam Taylor, with contributions from an uncredited Gerrit Lloyd. While the film has a few talking sequences, the majority of the film features a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Tom Sawyer is a 1930 American pre-Code comedy-drama film directed by John Cromwell and starring Jackie Coogan. The screenplay by Grover Jones, William Slavens McNutt, and Sam Mintz is based on the 1876 novel The Adventures of Tom Sawyer by Mark Twain.
The Time, the Place and the Girl is a 1929 American pre-Code black-and-white musical film directed by Howard Bretherton and starring Grant Withers and Betty Compson. It is based on the 1907 musical play of the same name. It is not related to the 1946 musical film of The Time, the Place and the Girl.
Alma Tell was an American stage and motion picture actress whose career in cinema began in 1915 and lasted into the sound films of the early 1930s.
This Is Heaven is a 1929 American sound part-talkie pre-code sound part-talkie romantic comedy film directed by Alfred Santell and starring Vilma Bánky. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was produced by Samuel Goldwyn and released through United Artists.
Back Pay is a 1930 American Pre-Code drama film with songs, produced and distributed by First National Pictures, a subsidiary of Warner Bros., and starring Corinne Griffith and Grant Withers. It is based on a short story by Fannie Hurst. It is a remake of a 1922 silent film Back Pay that starred Seena Owen.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
Dark Streets is a lost 1929 American pre-Code crime film directed by Frank Lloyd and starring Jack Mulhall and Lila Lee. The film was produced and distributed by First National Pictures. Mulhall purportedly plays the first dual role attempted in talking pictures.
The Greyhound Limited is 1929 part-talkie talkie crime drama and railroad theme film directed by Howard Bretherton and starring Monte Blue. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was produced and distributed by Warner Bros.. The film is a follow-up to the 1927 film The Black Diamond Express.
Maybe It's Love is a 1935 American comedy film directed by William C. McGann and written by Jerry Wald and Harry Sauber. The film stars Gloria Stuart, Ross Alexander, Frank McHugh, Ruth Donnelly, Helen Lowell and Henry Travers. The film was released by Warner Bros. on January 12, 1935.
Mother Knows Best is a lost 1928 American sound part-talkie film directed by John G. Blystone, based on a novel by Edna Ferber, fictionalizing the life of vaudevillian Elsie Janis. The film was Fox's first part talkie, using the Movietone sound system which had primarily been used for synchronised music scores and effects tracks in Fox features beforehand, although as early as "Mother Machree" (1928), a single synchronous singing sequence was included in the film. The talking sequences in Mother Knows Best were directed by actor Charles Judels, while the synchronized sequences were directed by John G. Blystone. The film starred Madge Bellamy, with Louise Dresser as her domineering mother, Barry Norton, and Albert Gran.
Goodnight, Sweetheart is a 1944 American comedy film directed by Joseph Santley and written by Isabel Dawn and Jack Townley. The film stars Robert Livingston, Ruth Terry, Henry Hull, Grant Withers, Thurston Hall and Lloyd Corrigan. The film was released on June 17, 1944, by Republic Pictures.
In the Headlines is a 1929 crime drama film directed by John G. Adolfi and starring Grant Withers and Marian Nixon. It was produced and distributed by the Warner Brothers.
Prisoners is a 1929 American sound part-talkie film produced by Walter Morosco and directed by William Seiter for First National Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Vitaphone sound-on-disc process. The screenplay was written by Forrest Halsey, based on the novel by Ferenc Molnar. Lee Garmes was the cinematographer.
Love Time is a 1934 American historical drama film directed by James Tinling and starring Pat Paterson, Nils Asther and Herbert Mundin. The film was released on September 21, 1934, by Fox Film Corporation. The film is a romanticized biopic of the nineteenth century Austrian composer Franz Schubert, released the same year as the similarly-themed British film Blossom Time.
Making the Grade is a 1929 sound part-talkie American Pre-Code comedy film directed by Alfred E. Green. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system. The film stars Lois Moran, Edmund Lowe and Lucien Littlefield.
The Exalted Flapper is a 1929 American sound comedy film directed by James Tinling and written by H. H. Caldwell, Ray Harris and Matt Taylor. The film stars Sue Carol, Barry Norton, Irene Rich, Albert Conti, Sylvia Field and Stuart Erwin. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process The film was released on June 9, 1929, by Fox Film Corporation.
The Girl in the Glass Cage is a 1929 American sound part-talkie crime drama film directed by Ralph Dawson and starring Loretta Young, Carroll Nye, Matthew Betz, Lucien Littlefield, and Ralph Lewis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. It is based on the 1927 novel of the same name by George Kibbe Turner. The film was released by Warner Bros. on June 23, 1929.
Clear the Decks is a 1929 American sound part-talkie comedy film directed by Joseph Henabery and written by Earle Snell, Gladys Lehman, Albert DeMond and Charles Henry Smith. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film is based on the 1926 novel When the Devil Was Sick by E.J. Rath. The film stars Reginald Denny, Olive Hasbrouck, Otis Harlan, Lucien Littlefield, Collette Merton and Robert Anderson. The film was released on March 3, 1929, by Universal Pictures.