Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French Roman d'Alexandre of 1170, although it had already been used several decades earlier in Le Pèlerinage de Charlemagne. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura :
o o o o o o | o o o o o o o=any syllable; |=caesura
Dactylic hexameter is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows :
The Italic languages form a branch of the Indo-European language family, whose earliest known members were spoken on the Italian Peninsula in the first millennium BC. The most important of the ancient languages was Latin, the official language of ancient Rome, which conquered the other Italic peoples before the common era. The other Italic languages became extinct in the first centuries AD as their speakers were assimilated into the Roman Empire and shifted to some form of Latin. Between the third and eighth centuries AD, Vulgar Latin diversified into the Romance languages, which are the only Italic languages natively spoken today, while Literary Latin also survived.
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature would flourish for the next six centuries. The classical era of Latin literature can be roughly divided into the following periods: Early Latin literature, The Golden Age, The Imperial Period and Late Antiquity.
In poetry, metre or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.
Lucius Livius Andronicus was a Greco-Roman dramatist and epic poet of the Old Latin period during the Roman Republic. He began as an educator in the service of a noble family, producing Latin translations of Greek works, including Homer's Odyssey. The translations were meant, at first, as educational devices for the school which he founded. He also wrote works for the stage—both tragedies and comedies—which are regarded as the first dramatic works written in the Latin language. His comedies were based on Greek New Comedy and featured characters in Greek costume. Thus, the Romans referred to this new genre by the term comoedia palliata. The Roman biographer Suetonius later coined the term "half-Greek" of Livius and Ennius. The genre was imitated by later generations of playwrights, and Andronicus is accordingly regarded as the father of Roman drama and of Latin literature in general; that is, he was the first man of letters to write in Latin. Varro, Cicero, and Horace, all men of letters during the subsequent Classical Latin period, considered Livius Andronicus to have been the originator of Latin literature. He is the earliest Roman poet whose name is known.
A caesura, also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (||). In time value, this break may vary between the slightest perception of silence all the way up to a full pause.
The Sapphic stanza, named after Sappho, is an Aeolic verse form of four lines. Originally composed in quantitative verse and unrhymed, since the Middle Ages imitations of the form typically feature rhyme and accentual prosody. It is "the longest lived of the Classical lyric strophes in the West".
Gnaeus Naevius was a Roman epic poet and dramatist of the Old Latin period. He had a notable literary career at Rome until his satiric comments delivered in comedy angered the Metellus family, one of whom was consul. After a sojourn in prison he recanted and was set free by the tribunes. After a second offense he was exiled to Tunisia, where he wrote his own epitaph and committed suicide. His comedies were in the genre of Palliata Comoedia, an adaptation of Greek New Comedy. A soldier in the Punic Wars, he was highly patriotic, inventing a new genre called Praetextae Fabulae, an extension of tragedy to Roman national figures or incidents, named after the Toga praetexta worn by high officials. Of his writings there survive only fragments of several poems preserved in the citations of late ancient grammarians.
Old Latin, also known as Early Latin or Archaic Latin, was the Latin language in the period before 75 BC, i.e. before the age of Classical Latin. It descends from a common Proto-Italic language; Latino-Faliscan is likely a separate branch from Osco-Umbrian with possible further relation to other Italic languages and to Celtic; e.g. the Italo-Celtic hypothesis.
The history of Latin poetry can be understood as the adaptation of Greek models. The verse comedies of Plautus, the earliest surviving examples of Latin literature, are estimated to have been composed around 205-184 BC.
Eric HerbertWarmington, MA, FRHistS was a professor of classics, internationally known for his Latin translations.
Heroic verse is a term that may be used to designate epic poems, but which is more usually used to describe the meter(s) in which those poems are most typically written. Because the meter typically used to narrate heroic deeds differs by language and even within language by period, the specific meaning of "heroic verse" is dependent upon context.
The Iambic trimeter is a meter of poetry consisting of three iambic units per line. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic metra. Each metron consists of the pattern | x – u – |, where "–" represents a long syllable, "u" a short one, and "x" an anceps. Resolution was common, especially in the first two metra of the line, so that any long or anceps syllable except the last could be replaced by two short syllables, making a total of 13 or more syllables. It is the most common meter used for the spoken parts of Ancient Greek tragedy, comedy, and satyr plays. It is also common in iambus or 'blame poetry', although it is not the only meter for that genre.
Iambic tetrameter is a poetic meter in ancient Greek and Latin poetry; as the name of a rhythm, iambic tetrameter consists of four metra, each metron being of the form | x – u – |, consisting of a spondee and an iamb, or two iambs. There usually is a break in the centre of the line, thus the whole line is:
| x – u – | x – u – || x – u – || x – u – |
Fabula palliata is a genre of Roman drama that consists largely of Romanized versions of Greek plays. The name palliata comes from pallium, the Latin word for a Greek-style cloak. It is possible that the term fabula palliata indicates that the actors who performed wore such cloaks. Another possibility is that the fabula itself is metaphorically "cloaked" in a Greek style. As in all Roman drama, the actors wore masks that easily identified which of the stock characters they represented.
The Carmen Priami is a lost Latin poem known from the quotation of a single line by Varro. The unknown poet, "a remarkable reactionary," rejects the Hellenizing trend in Latin poetry led by Ennius and adopts a deliberately archaic style, invoking the Camenae:
veterēs Casmenās cascam rem volō prōfārī.
Latin prosody is the study of Latin poetry and its laws of meter. The following article provides an overview of those laws as practised by Latin poets in the late Roman Republic and early Roman Empire, with verses by Catullus, Horace, Virgil and Ovid as models. Except for the early Saturnian poetry, which may have been accentual, Latin poets borrowed all their verse forms from the Greeks, despite significant differences between the two languages.
Annales is the name of a fragmentary Latin epic poem written by the Roman poet Ennius in the 2nd century BC. While only snippets of the work survive today, the poem's influence on Latin literature was significant. Although written in Latin, stylistically it borrows from the Greek poetic tradition, particularly the works of Homer, and is written in dactylic hexameter. The poem was significantly larger than others from the period, and eventually comprised 18 books.
A fabula crepidata or fabula cothurnata is a Latin tragedy with Greek subjects. The genre probably originated in adaptations of Greek tragedy beginning in the early third century BC. Only nine have survived intact, all by Seneca. Of the plays written by Lucius Livius Andronicus, Gnaeus Naevius, Quintus Ennius, Marcus Pacuvius, Lucius Accius, and others, only titles, small fragments, and occasionally brief summaries are left. Ovid's Medea also did not survive.
